HANDING OF THE FLAG
(Services of William Reese)
At the grave site,
as each star is swallowed
by a fold
or white-glove tuck,
the flag moves,
slowly, precisely,
each tug calculated
and rehearsed.
The gatherers are silent,
hearing each move,
though inaudible.
The only sound lifting
above us is a baby
whose lips begin suckling
in his mother’s arms.
The sound, so visceral,
so intense, its primal longing
moving him closer
to his mother’s breast,
is drifting upward
above the flag
as it slowly, steadily,
crawls toward its end.
The crisp finality
of its pointed blue
floats within
the widow’s arms
as the mother steps away,
the infant clamping beneath
her shawl onto the nearest
nipple.
GARDEN BEFORE THE MOVE
Like an old movie,
sepia tone soaking through light
falling frame by frame,
slow death rattling across
the pavers,
Or even flashing birth—forecasting shadow
as well as brightness,
Old garden,
clicking and anxious,
cicada-filled, scratchy
with dusk
and gangly June,
spreading beyond your marks,
I get it,
still spellbound by bold
displays and clapping
hands of cottonwoods,
Yet sense a difference—the bloating at seams
and pause, tinted
by Russian olive,
And the movie—much bluer and beautiful,
resonates with irony,
now that I must leave it.
TILTING BRONZE
Lone tree tilting bronze
with late summer,
you ache with age and lost
limbs.
Dawn jogs by,
yet dusk drags itself
slowly, until darkness
crawls onto your leaves;
Still, you cry out
to the heavens.
Your arms fly up,
frantic with wind.
Tall tree, grasping sky
with gnarled fingers,
clawing at last strands
of light,
Lay your head
onto night’s just-washed pillow.
Let moon drizzle silver onto dreams.
Breathe the wild chartreuse
of saplings sparking
with sprouts still undimmed,
untorn, untouched
by winter.
Know in your sleep
the fresh pink of young April,
even as your first leaf loosens
to drop.
About the poet:
Born and raised in Salt Lake City, Utah, performance poet Jean Howard resided in Chicago from 1979 to 1999. She has since returned to Salt Lake City. Her poetry has appeared or is forthcoming in Off The Coast, Clackamas Literary Review, Harper’s Magazine, Eclectica Magazine, Eclipse, Atlanta Review, Clare, Folio, Forge, Fugue, Fulcrum, Crucible, Gargoyle, Gemini Magazine, Green Hills Literary Lantern, Jet Fuel Review, Painted Bride Quarterly, decomP, DMQ Review, The Tower Journal, Minetta Review, The Burning World, The Distillery, The Oklahoma Review, OxMag, Pinch, Borderlands: Texas Poetry Review, Penmen Review, Pisgah Review, ken*again, Chronogram, The Cape Rock, Quiddity Literary Journal, Grasslimb, Rattlesnake Review, Concho River Review, Spillway, Spoon River Review, Stirring: A Literary Collection, Verdad, Wild Violet, Willard & Maple, Wisconsin Review, WomenArts Quarterly Journal, Word Riot, and The Chicago Tribune, among seventy other literary publications. Featured on network and public television and radio, she has combined her poetry with theater, art, dance, video, and photography.
A participant in the original development of the nationally acclaimed “Poetry Slam” at the Green Mill, she has been awarded two grants for the publication of her book, Dancing In Your Mother’s Skin (Tia Chucha Press), a collaborative work with photographer, Alice Hargrave. She has been organizing the annual National Poetry Video Festival since 1992, with her own award-winning video poems airing on PBS, cable TV, and festivals around the nation.
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