Chloé Bourguigon: Love or what’s left of it by Jean-Paul Gavard-Perret Reviewer For Cloe Bourguigon love does not leave. Not totally. Like tobacco. Not totally. It’s a disease, an addicition, an alcoholism. As tobacco. Loving does not save. However...
Light V *** The Sweep of Greece Sea, Air, History and Light Come to Life by Jean-Paul Gavard-Perret Columnist The work of Maria Foskolaki seems to me of the greatest interest both in the treatment of light and the narrative poetry between figuration and...
Trois de France Par Jean-Paul Gavard-Perret RADOSLAW PUJAN Radoslaw Pujan : le regard et son double. Entretien avec le photographe Radoslaw Pujan à la fois détruit le voyeurisme et l’orchestre avec ironie. Il s’agit de retenir le «temps à...
From Paris to Washington : new deal for artwork by Jean-Paul Gavard-Perret Contributing Columnist T he “Women House” exhibition co-produced by the Monnaie de Paris and the Washington National Museum of Women in the Arts links two elements...
Cayo Scheyven : liberté et amour (Cayo Scheyven : freedom and love) by Jean-Paul Gavard PerretContributing Columnist Cayo Scheyven est une artiste d’origine néeralandaise. Elle est le parfait exemple d’une artiste libre qui se moque des...
Updated approximately six times a year, is a collaboration of emerging and established artists, writers, poets, musicians, photographers, travelers and interested others, with a goal to promote an eclectic selection of subject matter to an international audience. Please carefully read submission guidelines before sending material.
The name Ragazine was coined in the mid-’70s in Columbus, Ohio, as the title of an alternative newspaper/magazine put together by a group of friends. It was revived in 2004 as ragazine.cc, the on-line magazine of arts, information and entertainment, a collaboration of artists, writers, poets, photographers, travelers and interested others. And that’s what it still is.
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