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	<title>ragazine.cc</title>
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	<description>May-June 2012        --         The On-Line Magazine of Art, Information &#38; Entertainment          --          Volume 8, Number 3</description>
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		<title>John Tierney/Artist Interview</title>
		<link>http://ragazine.cc/2012/04/tierney/</link>
		<comments>http://ragazine.cc/2012/04/tierney/#comments</comments>
		<pubDate>Sun, 29 Apr 2012 01:00:39 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[INTERVIEW]]></category>
		<category><![CDATA[ben tierney]]></category>
		<category><![CDATA[brookllyn]]></category>
		<category><![CDATA[cobble hill cinema]]></category>
		<category><![CDATA[criminology]]></category>
		<category><![CDATA[david hockney]]></category>
		<category><![CDATA[durham]]></category>
		<category><![CDATA[edward hopper]]></category>
		<category><![CDATA[england]]></category>
		<category><![CDATA[helsinki]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[john tierney]]></category>
		<category><![CDATA[joshua tree national park]]></category>
		<category><![CDATA[Los Angeles]]></category>
		<category><![CDATA[new york]]></category>
		<category><![CDATA[paul smith]]></category>
		<category><![CDATA[paul smith store]]></category>
		<category><![CDATA[university of durham]]></category>

		<guid isPermaLink="false">http://ragazine.cc/?p=8389</guid>
		<description><![CDATA[To begin with, any reference to the ‘causes’ of crime based upon a simple A causes B model should set the alarm bells ringing.]]></description>
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		<title>3 Artists from Brazil</title>
		<link>http://ragazine.cc/2012/04/brazilian-art/</link>
		<comments>http://ragazine.cc/2012/04/brazilian-art/#comments</comments>
		<pubDate>Sun, 29 Apr 2012 00:59:47 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[activists]]></category>
		<category><![CDATA[Brazil art]]></category>
		<category><![CDATA[Brazilian painters]]></category>
		<category><![CDATA[Duda Penteado]]></category>
		<category><![CDATA[Gersony Silva]]></category>
		<category><![CDATA[immigration]]></category>
		<category><![CDATA[immigration reform]]></category>
		<category><![CDATA[jose rodeiro]]></category>
		<category><![CDATA[latino art]]></category>
		<category><![CDATA[painting]]></category>
		<category><![CDATA[Priscila De Carvalho]]></category>
		<category><![CDATA[We Are you Project International]]></category>

		<guid isPermaLink="false">http://ragazine.cc/?p=8513</guid>
		<description><![CDATA[In the early 21st Century, Brazil’s various artistic communities were encouraged to create large-scale Post-Fluxus (“Neo-NeoDada”) Articulations and Interventionist Art works, involving thousands of participants in the formation of the “work.”   Of course, the focus on “art-as-work,” “process,” or “making” over “finished product” is a throwback to the Neo-Marxist “socialist” aesthetic ideas of Harold Rosenberg, Joseph Beuys, and other social action-oriented concerns and methods, which also manifested in Brazil, as a variant of action-art, in the late-1960s and early 1970s as evidenced by urban group-performances orchestrated by Lygia Clark and Lygia Pape and other major Brazilian contemporary masters. ]]></description>
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		<title>Xavier Landry/Artist Interview</title>
		<link>http://ragazine.cc/2012/04/xavier-landry/</link>
		<comments>http://ragazine.cc/2012/04/xavier-landry/#comments</comments>
		<pubDate>Sun, 29 Apr 2012 00:59:25 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[INTERVIEW]]></category>
		<category><![CDATA[Art/Artists]]></category>
		<category><![CDATA[canada]]></category>
		<category><![CDATA[commentary]]></category>
		<category><![CDATA[contemporary culture]]></category>
		<category><![CDATA[Culture]]></category>
		<category><![CDATA[garbage pail kids]]></category>
		<category><![CDATA[macabre]]></category>
		<category><![CDATA[montreal]]></category>
		<category><![CDATA[painting]]></category>
		<category><![CDATA[social commentary]]></category>
		<category><![CDATA[surreal]]></category>
		<category><![CDATA[surrealism]]></category>
		<category><![CDATA[surrealist]]></category>
		<category><![CDATA[xavier landry]]></category>

		<guid isPermaLink="false">http://ragazine.cc/?p=8602</guid>
		<description><![CDATA[The brain is a bank filled of all kind of souvenirs that make our personal culture. I mix those feelings and personal fantasy with real events or popular behavior. Then in my case, the image left depend the way the ideas was interpretated. It could be soft but I don't feel things that way.]]></description>
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		<title>Beth Couture/Fiction</title>
		<link>http://ragazine.cc/2012/04/beth-couture/</link>
		<comments>http://ragazine.cc/2012/04/beth-couture/#comments</comments>
		<pubDate>Sun, 29 Apr 2012 00:57:18 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Fiction]]></category>
		<category><![CDATA[beth couture]]></category>
		<category><![CDATA[Bloomsburg University]]></category>

		<guid isPermaLink="false">http://ragazine.cc/?p=8524</guid>
		<description><![CDATA[You don’t know why you’re doing it. You don’t know why your voice is so hard, why your legs have stopped shaking and your belly is warm now, why you feel like you could do anything and get away with it. But you aren’t going to stop.]]></description>
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		<title>Hanne H7L/Artist Interview</title>
		<link>http://ragazine.cc/2012/04/hanne-h7l/</link>
		<comments>http://ragazine.cc/2012/04/hanne-h7l/#comments</comments>
		<pubDate>Sun, 29 Apr 2012 00:56:15 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[denmark]]></category>
		<category><![CDATA[H7L]]></category>
		<category><![CDATA[Hanne H7L]]></category>
		<category><![CDATA[helene gaillet]]></category>
		<category><![CDATA[Henry Buhl]]></category>
		<category><![CDATA[installations]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[julia margaret cameron]]></category>
		<category><![CDATA[le loup-garou]]></category>
		<category><![CDATA[man ray]]></category>
		<category><![CDATA[new york]]></category>
		<category><![CDATA[Photography]]></category>
		<category><![CDATA[riger vitrac]]></category>
		<category><![CDATA[Roger Vitrac]]></category>
		<category><![CDATA[surreal]]></category>
		<category><![CDATA[surrealism]]></category>
		<category><![CDATA[surrealists]]></category>
		<category><![CDATA[The Werewolf]]></category>
		<category><![CDATA[werewolf]]></category>
		<category><![CDATA[yoko ono]]></category>

		<guid isPermaLink="false">http://ragazine.cc/?p=8593</guid>
		<description><![CDATA[My first solo exhibition, which consisted of paintings and prints, was "The perfection of Imperfection" where I was told there was a feeling of "Joie de Vivre" in the gallery. Later on I was influenced by Eleanor Antin, Yoko Ono and Allan Kaprow (by their work and by knowing them) in my installations, performances and audience participatory performances where I  used many different media. Other influences have been Dubuffet, Dufy, perhaps a little surrealism (see www.H7L.com).]]></description>
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		<title>Alexis Paige/Creative Nonfiction</title>
		<link>http://ragazine.cc/2012/04/alexis-paigecreative-nonfiction/</link>
		<comments>http://ragazine.cc/2012/04/alexis-paigecreative-nonfiction/#comments</comments>
		<pubDate>Sun, 29 Apr 2012 00:54:36 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Creative Non Fiction]]></category>
		<category><![CDATA[Alexis Paige]]></category>
		<category><![CDATA[change]]></category>
		<category><![CDATA[creative nonfiction]]></category>
		<category><![CDATA[flood]]></category>
		<category><![CDATA[Friends]]></category>
		<category><![CDATA[habit]]></category>
		<category><![CDATA[home]]></category>
		<category><![CDATA[life]]></category>
		<category><![CDATA[Love]]></category>
		<category><![CDATA[nature]]></category>
		<category><![CDATA[vermont]]></category>

		<guid isPermaLink="false">http://ragazine.cc/?p=8583</guid>
		<description><![CDATA[White River  &#124;  Randolph, Vermont &#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;. The Geography of Consolation  By Alexis Paige Fall, 2011, Central Vermont (after returning from a writing conference in Texas): I want to sit with coffee, but the dogs press their noses into my legs and dance around me like a maypole. Teeth un-brushed and slimy, no bra, salt crystals [...]]]></description>
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		<title>Mark Levy/Casual Observer</title>
		<link>http://ragazine.cc/2012/04/mark-levycasual-observer/</link>
		<comments>http://ragazine.cc/2012/04/mark-levycasual-observer/#comments</comments>
		<pubDate>Sun, 29 Apr 2012 00:20:27 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Culture]]></category>

		<guid isPermaLink="false">http://ragazine.cc/?p=9026</guid>
		<description><![CDATA[Senior Discounts by Mark Levy In general, it’s not particularly pleasant to get older. One often loses his health, his hearing, and his hair. It becomes more difficult to get up from a chair, tie one’s shoelaces, and move quickly. Sometimes it becomes difficult to move at all, now that I think of it. One’s [...]]]></description>
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		<title>Wrecking Ball/Music Review</title>
		<link>http://ragazine.cc/2012/04/wrecking-ball/</link>
		<comments>http://ragazine.cc/2012/04/wrecking-ball/#comments</comments>
		<pubDate>Sun, 29 Apr 2012 00:00:59 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Music]]></category>
		<category><![CDATA[album]]></category>
		<category><![CDATA[bruce springsteen]]></category>
		<category><![CDATA[jeff katz]]></category>
		<category><![CDATA[Magic]]></category>
		<category><![CDATA[music review]]></category>
		<category><![CDATA[Working on a Dream]]></category>
		<category><![CDATA[wrecking ball]]></category>

		<guid isPermaLink="false">http://ragazine.cc/?p=8741</guid>
		<description><![CDATA[ For a record that tries hard to make its voice heard, nearly all the lyrics are made distant by the mechanical sound. "We Take Care of Our Own," the lead track, borrows a riff from The Carpenters' "Hurting Each Other." That ends up being all I hear. ]]></description>
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		<title>Earth, Wind &amp; Fire/Politics</title>
		<link>http://ragazine.cc/2012/04/palombo-politics/</link>
		<comments>http://ragazine.cc/2012/04/palombo-politics/#comments</comments>
		<pubDate>Sun, 29 Apr 2012 00:00:56 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Politics]]></category>
		<category><![CDATA[Acque & Terre]]></category>
		<category><![CDATA[air quality]]></category>
		<category><![CDATA[Capitalism]]></category>
		<category><![CDATA[conflict]]></category>
		<category><![CDATA[David Suzuki]]></category>
		<category><![CDATA[Environment]]></category>
		<category><![CDATA[g-20]]></category>
		<category><![CDATA[George brandolini]]></category>
		<category><![CDATA[Howar Talabany]]></category>
		<category><![CDATA[James Palombo]]></category>
		<category><![CDATA[jim palombo]]></category>
		<category><![CDATA[Los Cabos]]></category>
		<category><![CDATA[Mexico]]></category>
		<category><![CDATA[war]]></category>
		<category><![CDATA[wartime economies]]></category>
		<category><![CDATA[water quality]]></category>

		<guid isPermaLink="false">http://ragazine.cc/?p=8835</guid>
		<description><![CDATA[Said another way, although the issues related to the financial crisis gripping a significant portion of the world will dominate the G-20 concerns, the problems related to food, water, air and war should be, for both developing and developed nations, a top priority as well in the gathering of global players.]]></description>
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		<title>Monique Gagnon German/Poetry</title>
		<link>http://ragazine.cc/2012/04/monique-gagnon-germanpoetry/</link>
		<comments>http://ragazine.cc/2012/04/monique-gagnon-germanpoetry/#comments</comments>
		<pubDate>Sun, 29 Apr 2012 00:00:53 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Poetry]]></category>
		<category><![CDATA[Monique gagnon German]]></category>

		<guid isPermaLink="false">http://ragazine.cc/?p=8479</guid>
		<description><![CDATA[30 Days in a Row All my significant ex-boyfriends show up. They want to Tango, they want to Two-step, they want to play tourist; watch me implode and I’m so busy driving at horizons to the airport, weddings, the doctors&#8217; and work that I am just a shifting gear, a 3rd party observer in the [...]]]></description>
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