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	<title>ragazine.cc &#187; Art</title>
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	<description>May-June 2012        --         The On-Line Magazine of Art, Information &#38; Entertainment          --          Volume 8, Number 3</description>
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		<title>John Tierney/Artist Interview</title>
		<link>http://ragazine.cc/2012/04/tierney/</link>
		<comments>http://ragazine.cc/2012/04/tierney/#comments</comments>
		<pubDate>Sun, 29 Apr 2012 01:00:39 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[INTERVIEW]]></category>
		<category><![CDATA[ben tierney]]></category>
		<category><![CDATA[brookllyn]]></category>
		<category><![CDATA[cobble hill cinema]]></category>
		<category><![CDATA[criminology]]></category>
		<category><![CDATA[david hockney]]></category>
		<category><![CDATA[durham]]></category>
		<category><![CDATA[edward hopper]]></category>
		<category><![CDATA[england]]></category>
		<category><![CDATA[helsinki]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[john tierney]]></category>
		<category><![CDATA[joshua tree national park]]></category>
		<category><![CDATA[Los Angeles]]></category>
		<category><![CDATA[new york]]></category>
		<category><![CDATA[paul smith]]></category>
		<category><![CDATA[paul smith store]]></category>
		<category><![CDATA[university of durham]]></category>

		<guid isPermaLink="false">http://ragazine.cc/?p=8389</guid>
		<description><![CDATA[To begin with, any reference to the ‘causes’ of crime based upon a simple A causes B model should set the alarm bells ringing.]]></description>
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		<title>3 Artists from Brazil</title>
		<link>http://ragazine.cc/2012/04/brazilian-art/</link>
		<comments>http://ragazine.cc/2012/04/brazilian-art/#comments</comments>
		<pubDate>Sun, 29 Apr 2012 00:59:47 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[activists]]></category>
		<category><![CDATA[Brazil art]]></category>
		<category><![CDATA[Brazilian painters]]></category>
		<category><![CDATA[Duda Penteado]]></category>
		<category><![CDATA[Gersony Silva]]></category>
		<category><![CDATA[immigration]]></category>
		<category><![CDATA[immigration reform]]></category>
		<category><![CDATA[jose rodeiro]]></category>
		<category><![CDATA[latino art]]></category>
		<category><![CDATA[painting]]></category>
		<category><![CDATA[Priscila De Carvalho]]></category>
		<category><![CDATA[We Are you Project International]]></category>

		<guid isPermaLink="false">http://ragazine.cc/?p=8513</guid>
		<description><![CDATA[In the early 21st Century, Brazil’s various artistic communities were encouraged to create large-scale Post-Fluxus (“Neo-NeoDada”) Articulations and Interventionist Art works, involving thousands of participants in the formation of the “work.”   Of course, the focus on “art-as-work,” “process,” or “making” over “finished product” is a throwback to the Neo-Marxist “socialist” aesthetic ideas of Harold Rosenberg, Joseph Beuys, and other social action-oriented concerns and methods, which also manifested in Brazil, as a variant of action-art, in the late-1960s and early 1970s as evidenced by urban group-performances orchestrated by Lygia Clark and Lygia Pape and other major Brazilian contemporary masters. ]]></description>
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		<title>Xavier Landry/Artist Interview</title>
		<link>http://ragazine.cc/2012/04/xavier-landry/</link>
		<comments>http://ragazine.cc/2012/04/xavier-landry/#comments</comments>
		<pubDate>Sun, 29 Apr 2012 00:59:25 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[INTERVIEW]]></category>
		<category><![CDATA[Art/Artists]]></category>
		<category><![CDATA[canada]]></category>
		<category><![CDATA[commentary]]></category>
		<category><![CDATA[contemporary culture]]></category>
		<category><![CDATA[Culture]]></category>
		<category><![CDATA[garbage pail kids]]></category>
		<category><![CDATA[macabre]]></category>
		<category><![CDATA[montreal]]></category>
		<category><![CDATA[painting]]></category>
		<category><![CDATA[social commentary]]></category>
		<category><![CDATA[surreal]]></category>
		<category><![CDATA[surrealism]]></category>
		<category><![CDATA[surrealist]]></category>
		<category><![CDATA[xavier landry]]></category>

		<guid isPermaLink="false">http://ragazine.cc/?p=8602</guid>
		<description><![CDATA[The brain is a bank filled of all kind of souvenirs that make our personal culture. I mix those feelings and personal fantasy with real events or popular behavior. Then in my case, the image left depend the way the ideas was interpretated. It could be soft but I don't feel things that way.]]></description>
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		<title>Hanne H7L/Artist Interview</title>
		<link>http://ragazine.cc/2012/04/hanne-h7l/</link>
		<comments>http://ragazine.cc/2012/04/hanne-h7l/#comments</comments>
		<pubDate>Sun, 29 Apr 2012 00:56:15 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[denmark]]></category>
		<category><![CDATA[H7L]]></category>
		<category><![CDATA[Hanne H7L]]></category>
		<category><![CDATA[helene gaillet]]></category>
		<category><![CDATA[Henry Buhl]]></category>
		<category><![CDATA[installations]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[julia margaret cameron]]></category>
		<category><![CDATA[le loup-garou]]></category>
		<category><![CDATA[man ray]]></category>
		<category><![CDATA[new york]]></category>
		<category><![CDATA[Photography]]></category>
		<category><![CDATA[riger vitrac]]></category>
		<category><![CDATA[Roger Vitrac]]></category>
		<category><![CDATA[surreal]]></category>
		<category><![CDATA[surrealism]]></category>
		<category><![CDATA[surrealists]]></category>
		<category><![CDATA[The Werewolf]]></category>
		<category><![CDATA[werewolf]]></category>
		<category><![CDATA[yoko ono]]></category>

		<guid isPermaLink="false">http://ragazine.cc/?p=8593</guid>
		<description><![CDATA[My first solo exhibition, which consisted of paintings and prints, was "The perfection of Imperfection" where I was told there was a feeling of "Joie de Vivre" in the gallery. Later on I was influenced by Eleanor Antin, Yoko Ono and Allan Kaprow (by their work and by knowing them) in my installations, performances and audience participatory performances where I  used many different media. Other influences have been Dubuffet, Dufy, perhaps a little surrealism (see www.H7L.com).]]></description>
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		<title>La Paz, Mexico</title>
		<link>http://ragazine.cc/2012/04/painting-pirates/</link>
		<comments>http://ragazine.cc/2012/04/painting-pirates/#comments</comments>
		<pubDate>Sun, 29 Apr 2012 00:00:12 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Culture]]></category>
		<category><![CDATA[arroyo concreto]]></category>
		<category><![CDATA[baja]]></category>
		<category><![CDATA[el esterito]]></category>
		<category><![CDATA[john steinbeck]]></category>
		<category><![CDATA[la paz]]></category>
		<category><![CDATA[Mexico]]></category>
		<category><![CDATA[painting pirates]]></category>
		<category><![CDATA[painting pirates club]]></category>
		<category><![CDATA[rose robin]]></category>
		<category><![CDATA[the pearl]]></category>

		<guid isPermaLink="false">http://ragazine.cc/?p=8824</guid>
		<description><![CDATA[The development along the coast of Baja has changed the locals' lives beyond words in the past 50 years. The speed at which the land has changed has left the locals spinning on the spot. The locals were not employed to do the building work for the booming tourist trade. Instead the developers had hundreds of people who immigrated from the main land because they would work for less. ]]></description>
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		<title>Untraditional Japanese Art/Interview</title>
		<link>http://ragazine.cc/2012/04/untraditional-japanese-artinterview/</link>
		<comments>http://ragazine.cc/2012/04/untraditional-japanese-artinterview/#comments</comments>
		<pubDate>Sat, 28 Apr 2012 23:59:27 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[INTERVIEW]]></category>
		<category><![CDATA[artist]]></category>
		<category><![CDATA[chiba city]]></category>
		<category><![CDATA[chiba japan]]></category>
		<category><![CDATA[japan]]></category>
		<category><![CDATA[painting]]></category>
		<category><![CDATA[Tuten]]></category>
		<category><![CDATA[Tuten Hiromi Sakurai]]></category>

		<guid isPermaLink="false">http://ragazine.cc/?p=8838</guid>
		<description><![CDATA[&#160; TSUNAMI God all covered &#124; 63.8&#215;51.3in &#124; Acrylic Linen  &#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;. Breaking with tradition: The Art of Tuten &#160; In a correspondence with Japanese artist Tuten, the one thing that resonated most was his adherence to a traditional Japanese introspective expressionism. Simple, direct, and with an effort to understand Self. Importantly, his work appears to be [...]]]></description>
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		<title>Ramos y Navar/Interview</title>
		<link>http://ragazine.cc/2012/04/ramos-y-navarinterview/</link>
		<comments>http://ragazine.cc/2012/04/ramos-y-navarinterview/#comments</comments>
		<pubDate>Sat, 28 Apr 2012 23:58:27 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Culture]]></category>
		<category><![CDATA[INTERVIEW]]></category>
		<category><![CDATA[Art/Artists]]></category>
		<category><![CDATA[eric murphy]]></category>
		<category><![CDATA[Gabriel Navar]]></category>
		<category><![CDATA[joyce gordon gallery]]></category>
		<category><![CDATA[mel ramos]]></category>
		<category><![CDATA[oakland calif]]></category>
		<category><![CDATA[painting]]></category>
		<category><![CDATA[Pay-It-Forward Exhibition]]></category>
		<category><![CDATA[Ramos-Navar]]></category>
		<category><![CDATA[woody johnson]]></category>

		<guid isPermaLink="false">http://ragazine.cc/?p=9243</guid>
		<description><![CDATA[When a student learns Gabriel Navar Interviews mentor, Mel Ramos Navar: When did you decide that you wanted to make art your life choice? What artists did you admire as a young artist that inspired you and contributed to your early style(s)? Who (specifically) inspired you most in your early years to become a painter? How [...]]]></description>
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		<title>Pay It Forward</title>
		<link>http://ragazine.cc/2012/04/pay-it-forward/</link>
		<comments>http://ragazine.cc/2012/04/pay-it-forward/#comments</comments>
		<pubDate>Sat, 28 Apr 2012 23:58:07 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Review]]></category>
		<category><![CDATA[gabriel navar.richard diebenkorn]]></category>
		<category><![CDATA[jose rodeiro]]></category>
		<category><![CDATA[mel ramos]]></category>
		<category><![CDATA[review]]></category>

		<guid isPermaLink="false">http://ragazine.cc/?p=9145</guid>
		<description><![CDATA[In fact, not since Modigliani and Matisse has a painter so appropriately apprehended the sublime sensuality of feminine beauty as Ramos has.   ]]></description>
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		<title>Art: From Down Under</title>
		<link>http://ragazine.cc/2012/02/james-makin/</link>
		<comments>http://ragazine.cc/2012/02/james-makin/#comments</comments>
		<pubDate>Tue, 28 Feb 2012 01:30:54 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[australia]]></category>
		<category><![CDATA[Injalak]]></category>
		<category><![CDATA[melbourne]]></category>

		<guid isPermaLink="false">http://ragazine.cc/?p=8262</guid>
		<description><![CDATA[&#160; Images from Injalak Since 2005 indigenous artists from Injalak Arts and Crafts Association have focused strongly on the ancient rock art site of Injalak Hill, in a series of printmaking projects in collaboration with Melbourne based artist and printmaker Andrew Sinclair. This exhibition brings together three print projects that have taken place since 2008. Located to the [...]]]></description>
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		<title>Jose Rodeiro/Art-Culture</title>
		<link>http://ragazine.cc/2012/02/rodeiro/</link>
		<comments>http://ragazine.cc/2012/02/rodeiro/#comments</comments>
		<pubDate>Tue, 28 Feb 2012 01:00:31 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Culture]]></category>
		<category><![CDATA[analysis]]></category>
		<category><![CDATA[delacroix]]></category>
		<category><![CDATA[goya]]></category>
		<category><![CDATA[jose rodeiro]]></category>
		<category><![CDATA[latino]]></category>
		<category><![CDATA[Politics]]></category>
		<category><![CDATA[shakira]]></category>
		<category><![CDATA[Tara Dervla]]></category>

		<guid isPermaLink="false">http://ragazine.cc/?p=8163</guid>
		<description><![CDATA[Would we have sufficient numbers of US-Latinos available to fight, when “predictably” a full-scale invasion of powerful and technologically-advanced extraterrestrials invade our beloved nation? ]]></description>
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