We need to keep everything in perspective. The over-240 year history of the USA is marked by many painful moments, many are far far worse than now. For example, every battle fought during the Civil War pitted Americans against other Americans in orgies of violence, wherein (over the brief course of four years) around 700,000 American died and many more were either physically and/or emotionally crippled. Plus, the dark and painful legacy of that war lingers, in a furtive way, underscoring much of what happened in 2016. In addition, USA is secretly haunted by the fact that slavery endured in America from the 16th Century until 1863. Or, the litany of abuse, betrayal, and genocide that Amerindians have endured. Or, the continuing Civil Rights struggle, which persists. Plus, the tragic list of US Presidential assassinations and murders of other key US leaders, each of these deaths frayed the fabric of our democracy.read more
More and more, as my life journey progresses, I feel and understand the great need to give greater value to the preservation and care of “Mother Earth,” or as we say in Latin-American world, “Pacha Mama” – by which we mean the planet earth with Nature and all it carries, the very life of its species. That is why I have been increasingly questioning the aspects of the modern world that revolve around a system of generating a prevailing capital, which is increasingly and obsessively prized in the current system, over a human capital. For that reason my political vision comes in hand with any manifestation and tendency close to a more humanistic vision, a vision that dignifies the coexistence between human beings, their habitat and the rest of the species with the preservation of these in balance and harmony of all.read more
Lauper *** Panik Collective Dancing About Architecture by Matt Kennedy he quote “Dancing About Architecture” has been attributed to Laurie Anderson, Steve Martin, Frank Zappa, Martin Mull, Elvis...read more
As an artist, I thrive on making art that bursts with energy. Using a process I call contemporary in camera art, I create pieces that uniquely possess the vibrant flowing qualities of color and movement.read more
Q: What film make you cry?
A: I’m unreasonably empathetic towards people I’ll never meet, and easily sucked in to a great film. There’s many films that have made me cry. They aren’t always tears of sadness. Beauty can quite often bring me to tears. Off the top of my head, I’d have to say anything that Wong Kar-wai and Christopher Doyle did together. Especially “In the Mood for Love”, and “Chungking Express”.
Finding a dealer, for me, is next to impossible. First of all, even since 2004 the art world and the art market has exploded. Thousands of artists are competing for a handful of galleries. The competition is daunting. Secondly, because of my age, I believe I am looked at as a “has been” … a kind of failure, and dealers are reluctant to take a risk with an older artist. They are much more willing to exhibit younger artists. The market is very much youth driven. Maybe … hopefully … at some point my age won’t be a hindrance. There is always the hope that I will be “discovered” …in my quickly approaching old agread more
Jeanne Mackin photo Steve Poleskie and his screen prints at the American Center in Belgrade, June 1981 *** A Cold War Warrior by Stephen Poleskie here has been a lot of comment in the news lately...read more
In the years that have passed since the first Pop Sequentialism show opened at La Luz de Jesus Gallery back in May 2011, respect for modern comic book art has reached a level of respect…read more
What city or place has value of myth for you?
Bucharest, my home town. Its literally massive, but it has massive emotional charge for me as well. And maybe Marrakech, which made me feel like going back in time or straight into the pages of One Thousand And One Nights.read more
©Walter Gurbo New from artist Walter Gurbo... You can find out more about Walter Gurbo in About...read more
To; Polixeni Papapetrou:
Q) What film makes you cry?
A) This is a good question. I always and only seem to cry in films about the holocaust. Although I find these films difficult to watch, I push myself to watch them and also take my children to these films (aged 17 and 19) to never become complacent over the wrongness of what happened and to understand their paternal grandmother’s history.
Thanks to the use of digital cameras, tons of us have emerged during those last years and we are now hundreds of people taking pictures, wherever we find ourselves in the world, of pieces of urban art, most of which are totally ephemeral and destined to be seen only for a short period of time. And, by collecting and sharing those pictures, our hobby is not just a hobby. It’s also a significant, and from my point of view, essential record of the history of urban contemporary art.read more
Judith and I met in 1982 and our first album design collaboration was “Marshall Crenshaw”, his first album. It won many design awards including the “AIGA Cover Show” Award in 1983 and was voted in by Annie Leibovitz and Roger Black!read more
ito Acconci followed me for four hours after I took his photo, I believe as a performance piece. He would hide whenever I turned around. He was a minimalist and performance artist, thus the blank space with one chair.read more
©Marc Rogoff www.marcrogoff.com *** Marc Rogoff Interview: From Bosch to Hopper by Jean-Paul Gavard-Perret Contributing Columnist Marc Rogoff : The Capgras Invocation, London, 2016 With "The Capgras Invocation" Marc Rogoff invents a story where there...read more
Virtual View: Feeling the Heat, 2016 Artist Spotlight Virtually Yours or several years, Oakland, California-based artist Gabriel Navar created scores of images focusing on obsessive/compulsive...read more
Elaine de Kooning and Steve Poleskie, photo by Eddie Johnson Remembering Elaine de Kooning at Chiron Press by Steve Poleskie Contributing Columnist The Denver Art Museum is currently holding an exhibition titled “Women of Abstract Expressionism.” It will be up...read more
In breaking a painting down into compartmentalized units of color, stripped of all extraneous detail, the composition becomes open to interpretation. My paintings don’t offer a representation of reality, but an idea of it.read more