November-December 2014 … The Global Online Magazine of Arts, Information & Entertainment … Volume 10, Number 6
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Thaddeus Rutkowski/Fiction



Out of Fashion

 By Thaddeus Rutkowski

In school, I wore bell-bottoms made of brushed felt. The pants were tight around the thighs, but the bells — which had fringes — were very loose around the ankles. I kicked the fringes when I walked. For a top, I wore an orange corduroy shirt.

I walked alone in the halls of my high school. No one wanted to walk beside me. If I happened to be walking toward someone, the student stared at me as I passed.


I had one teacher — a Spanish teacher — who was a perv. He would notice any girl who wore a miniskirt. The school had a dress code — one of the rules was that the hem of a skirt had to touch the floor when the wearer was kneeling.

Whenever this teacher had any doubt about the length of a skirt, he would have the student kneel on the tiles, and if the fabric of her skirt touched the floor, she would be allowed to take a seat and the class would resume. If not, the teacher would dress her down, in Spanish.

When I walked into the classroom wearing my bell-bottoms, the teacher looked at the fringes brushing the floor and shook his head. He waved a finger, then rubbed one finger over the other as if to say, “Shame on you.”

“Tomás,” he said, addressing me by my Spanish name. “Tomás, we don’t do that here.”


My math teacher didn’t care what clothes students wore, but he was a sadist nonetheless. He said he would raise students’ grades, on one condition. “If you take a whack,” he said, “I’ll give you a higher letter.”

He opened a closet door to reveal a collection of paddles. He had flat wooden bats in various shapes, some with holes drilled through them for a greater sting.

Students lined up around the classroom, waiting to be paddled. The line included girls as well as boys. One by one, they went to the front of the room. Each of them took a swat, except for one boy, whose grade was too low for the paddle. He had to accept a kick. The teacher hauled back and booted the boy. The force of the blow sent the boy hopping forward, but he didn’t make a sound.

Only a few students were doing well enough not to get whacked. I was one of them. When the teacher noticed me sitting at my desk, he said, “You, Mouse, come up here. You’re next. You also get one — that’s a real number, plus one — just for being here.”

I rose from my seat and went forward.


At home, I put on hip boots to go fishing. My brother called the rubber wear “hippie boots.” I walked to the creek with the tops of the boots folded down. When I was ready to wade, I pulled up the tops and buckled the rubber straps around my belt.

As I walked through the fast-moving water, I realized the boots weren’t really necessary; the creek was only about two feet deep. I could have waded wet and made my casts. I could have fished without stepping into the water at all.

I put away my hippie boots when I returned from the stream. The next time I went out, I decided, I would wear sneakers.


My father took my family to see the movie Alice’s Restaurant. The movie was rated R, and I looked forward to seeing some sex, but there was next to none in the film. There was some nudity when the main character was given a physical exam for induction into the military. There was drug use among the people who were living communally. There was some swearing. That was it.


Later, my father became angry about a scene in the movie. In the sequence, one of the characters, a recovering junkie, gets high on drugs and swings around on some kind of apparatus. As he hangs like a monkey, he says repeatedly, “I am an artist!”

“That guy was no artist,” my father said. “He was a horse’s ass.”

After a few drinks, my father called me to where he was sitting. “I’m a real artist,” he said, “I’m serious, too serious for the rest of the clowns. But you don’t give me my due. You treat me like your social organizer. My job is not to entertain children!”


My mother brought home a small box from the hospital where she worked. The box held greeting cards. “Look,” she said. “It’s drawing by your father.”

I looked at the sepia-colored drawing my father had made. It showed the hospital where my mother worked. Every edge of the building was sharp; every angle followed perspective. The roof of the car port jutted out over the area where ambulances arrived. The windows of the rooms looked new and clean.

I could see  that my father had talent. He had exceptional eye-hand control. I couldn’t understand how his hand could be so steady, even after years of drinking.


My sister embroidered an image from one of my father’s paintings onto a lapel of my jacket. In light- and dark-blue thread, she constructed an antique bottle, the kind with a stopper instead of a twist cap. It was one of the bottles my father had dug from an old dump in the woods. He’d cleaned the old glass container and set it up in a still life.

The bottle floated there, against the tan color of my cotton jacket. I wore the jacket to school, and some students noticed the splotch of color in the shape of a bottle, but no one asked me what it was.


I tried writing a piece in the manner of a book I was reading. The book was ostensibly about fishing for trout in America, but it was really about a character named Trout Fishing in America. He did some fishing, but he did a lot of other things as well.

My piece had a beer wino in it. This wino drank only beer, which he bought by the case. He would start drinking in the afternoon, and he would go until he fell asleep in front of a television test pattern at night. He drank beer like a wino.

Somehow, my father saw my story. After he’d read it, he said, “Is this all you can do? Write funny stories? Why don’t you go to your room now and write another funny story?”


I went out to the porch, where there were hooks in the ceiling that had once held a swing. The swing must have broken and been taken down. Or maybe it hadn’t been broken, and had just been taken down. Perhaps my father took it down. Maybe he just didn’t like the idea of rocking in a swing on the front porch, chanting that he was an artist. It might have signaled boredom to him, as if people who sat in swings had nothing better to do. He had his ways of relaxing— sitting on a porch wasn’t one of them.

Most of our neighbors did, however, have porch swings. I would see them sitting there on summer evenings, looking out from their front porches. They wouldn’t be talking. They’d just be staring.

When I walked by, they wouldn’t talk to me. They wouldn’t wave, even if I waved. So I didn’t wave. I even avoided eye contact when I passed by.

The last thing I wanted to do was to have a swing on our porch. I didn’t want to rock back and forth in it and chant, “I am an artist.” That would be an embarrassing thing to do.

About the author:

Thaddeus Rutkowski is the author of the novels Haywire, Tetched and Roughhouse. He teaches at Medgar Evers College in Brooklyn and at the Writer’s Voice of the West Side YMCA in Manhattan. His writing has appeared in The Outlaw Bible of American Poetry, The New York Times, The International Herald Tribune, Fiction and Fiction International. He was awarded a 2012 fellowship in fiction writing from the New York Foundation for the Arts. 

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Walter Gurbo’s Drawing Room

April 27, 2013   Comments Off


Do you have a reading, show, play, or another event coming up?
Email your announcement to at least 2 weeks
in advance of the occasion, with EVENTS in the subject line. Thank you!

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Robert Nolan

An Exploration in Wood


The Broome County Arts Council, located at 81 State Street, 5th floor, Stephens Square, Binghamton, hosts an exhibition titled “Richard G. Nolan: An Exploration in Wood, One Piece at a Time”.  Nolan’s medium is wood, principally cherry and black walnut hardwoods, from which he creates exquisitely crafted works of art. Free and open to the public.  BCAC’s gallery space is located on the 5th Floor of the Stephens Square Building, at 81 State Street,  in downtown Binghamton.

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Expressions of Faith

Exploring the Religious Structures of Broome County

By Roger Luther

This hardcover book includes 142 pages of full color photographs featuring many of Broome County, New York’s churches, mosques, synagogues and temples.  It used to be said in the greater Binghamton area that there were more churches than bars in the community of immigrants drawn to the area at the turn of the 19th Century for jobs in the cigar rolling and shoe-making trades. That trend continues with the continuing influx of immigrants from all corners of the globe. Luther’s book can be purchased on line through RiverRead Books, 5 Court Street, Binghamton., email

Luther is a preservationist, historian and photographer, and his works have celebrated the Southern Tier for many years.

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Poetry Reading:

Monday, December 15, 7pm

58 West 10th Street
This reading is free and open to the public.
RSVPs are requested:
Join us on Facebook

Dave Simpson, who along with his twin brother was born blind, received an MFA in Creative Writing from NYU where he studied poetry with Sharon Olds, Galway Kinnell, Gerald Stern, and William Mathews. A poet and musician, he is the author of a poetry collection “The Way Love Comes to Me” (2014) and a CD “Audio Chapbook”.  His poetry has appeared in numerous journals including “Alaska Quarterly Review,” “River Styx,” “The Cortland Review,” “Verse Daily,” and “La Petite Zine.” Despite a recent diagnosis of ALS, Dave continues to give readings and performances.

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brunelli detail

Chang Park, b. 1967, Untitled_F, 2014, oil on canvas, 24×24

At Brunelli Gallery exhibit, SCOPE MIAMI BEACH 2014

Booth # G09

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Brian Murphy, Pat Cain, EVENTS, Spool Mfg,

Brian Murphy, Pat Cain, EVENTS, Spool Mfg,

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Six & Three Show, Jadite Galleries

Six & Three Show, Jadite Galleries


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Neo Latino Art Show Invitation

Neo Latino Art Show Invitation

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6:30 PM: An event with Jim Remsen
author of Visions of Teaoga

Visions of Teaoga explores the upheaval of Eastern Indian tribes in the 1700s by focusing on events at Teaoga (now Athens, Pa.), which stood on the front lines of frontier conflict over many decades. Visions of Teaoga, being richly researched and grounded in real events, is useful as supplemental reading in U.S. history classes. Several educators have noted how the book smoothly incorporates themes they emphasize including “content-rich informational text,” multiculturalism, historical empathy, evaluation of “loaded language,” government processes, and critical thinking about perspective.

Remsen is a career journalist who, upon retirement, was the Religion Editor at the Philadelphia Inquirer. He reported and edited countless news articles, leading a staff that captured national awards for its work. Since retiring from newspapers, Jim has pursued his keen interest in history — with a focus on underappreciated aspects of our nation’s local history. He says he decided to research and write the Teaoga story because it is important regional history he wishes he learned as a schoolboy growing up in northeastern Pennsylvania.



3: 00 p.m. to 4:45 p.m. 

The official celebration of Mary Pat Hyland’s new book, eighteen tales set in the neighborhoods of the Triple Cities in the Southern Tier of New York State.
5 Court Street, Binghamton, NY… find out more about MPH:



3:00 PM: RiverRead Books, Galaxy Brewing Company and Poets & Writers of NYC presents KEN WALDMAN, Alaska’s Fiddling Poet. Ken will conduct a writing workshop at 3 PM followed by a performance at 7 PM at the Galaxy Brewing Company. The workshop: Four Writing Prompts:  The Beginning of Four New Stories or Poems

The more you write, the luckier you get – and each time you start a piece, there’s an opportunity to get luckier than ever.  The trick is getting started.  Here, you’ll not only begin four new pieces, but will learn strategies to begin many more.  The session is open to writers of all levels and experience.  Read more about Ken at

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On Thursday, November 13, Word Thursdays at Bright Hill Literary Center will close its 2014 season with featured poets Annie Sauter from Oneonta, and New York City poet Puma Perl. They will read from and sign copies of their books after the open mic, during which all those present are invited to read from their own poetry or fiction or that of others for up to five minutes, and after the intermission, when refreshments are served. The readings will take place in the Word & Image Gallery at Bright Hill, 94 Church Street,Treadwell, NY, now hosting “Magic Surrealism Paintings by Terry Fox.” There is an admission fee of $3 (18 and under, free).

Bright Hill’s 2014, 22nd-year programs are made possible by grants from the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature; Otis A. Thomson; A. Lindsay and Olive B. O’Connor; A. C. Molinari; Dewar, and Tianaderrah Foundations; Stewart’s Shops; the Abraham Kellogg Fund, Delaware County Office of Economic Development, Delaware Youth Bureau, through the auspices of the New York State Office of Children and Family Services; Abraham Kellogg Education Fund; Delaware National Bank of Delhi, and with the support of Bright Hill’s members and friends.

The organization and library are located at 94 Church Street, Treadwell, NY 13846. Contact 607-829-5055 or for more information.

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Leger, Les Constructeurs, 1950

The tenth edition of MASTER DRAWINGS IN NEW YORK –sister event to LONDON ART WEEK each summer – takes place Jan 24-31 here in New York, with a preview January 23.

This year several of the 30 participating dealers – who each stage their own exhibitions at galleries along the Madison Avenue “Gold Coast” on New York’s Upper East Side, — have acquired spectacular finds – either new to the market, newly discovered, or never exhibited before.

Among these is the FERNAND LEGER gouache and pencil LES CONSTRUCTEURS (The Builders) which New York dealer DAVID TUNICK is offering.  It is a major 1950 work shown only once before at the Grand Palais in 1971.  It is the definitive study for the painting of the same subject at the Sonja Henie-Onstad Art Centre Museum in Oslo.  The last time it was on the market was 1980.

London dealer LOWELL LIBSON LTD has a major rediscovered masterpiece by Sir Joshua Reynolds on offer, listed as missing since 1905.  “Dionysius Aeropagites” has only been known from an 18th century engraving according to Libson.  It depicts Reynolds’s favorite model, a street mender from York, George White.  It perfectly communicates Reynolds’s ambitions as a history painter shortly after the founding of the Royal Academy.

For more information,

Master Drawings New York
c/o Susan Bishopric
185 East 85th Street #9M
New York N.Y. 10028 U.S.A. Tel: + 1 212.289.2227

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Shaun Berke and patrick McGrath Muniz

La Luz de Jesus Gallery

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Rolando Revagliatti

Second edition of the virtual book from Rolando Revagliatti

Se encuentra disponible gratuitamente desde octubre de 2014 para ser leída,
impresa o incorporada a bibliotecas virtuales, la segunda edición  electrónica
(corregida) en PDF y en versión FLIP (Libro Flash) del poemario “Ripio” de
Rolando Revagliatti. Hemos agregado links recíprocos (de ida y vuelta
desde el índice a los poemas
 y viceversa) para una navegación más cómoda
por el documento. La introducción es de Flavio Crescenzi y el epilogo es de
Rubén Vedovaldi. El diseño integral y la diagramación es de Patricia L. Boero.

Puede descargarse en:


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 NYU Creative Writing Program

Thursday, November 6, 7pm: Digital Books

Introduced by Lisa Gerard

Friday, November 7, 2-4pm

Poets on War: Insights on a Global Conflict

Hosted by Maurice Emerson Decaul
Friday, November 7, 5pm: Poetry Reading

Introduced by Victoria Kornick & Dillon Welch
Friday, November 7, 7pm: Emerging Writers Series

Note location: KGB Bar, 85 East 4th Street

NYU Creative Writing Program

Lillian Vernon Creative Writers House
58 West 10th Street
New York, NY 10011

(p) 212.998.8816

All events are at 58 West 10th Street and free unless otherwise noted. Seating is available on a first come, first served basis.

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PETER BLUME (1906-1992)
NOVEMBER 6, 2014 through JANUARY 31, 2015

Thursday, November 6th 7 to 9 pm

Gallery Talk with Robert Cozzolino
Senior Curator and Curator of Modern Art, Pennsylvania Academy of Fine Art
Thursday, November 20th 6 to 8 pm

ACA Galleries 529 West 20th Street New York City

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Arts Gowanus Open Studios

For more information, contact: Abby Subak

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Sixteen Sweet

Curated by Ivy Brown, Pato Paez, and Elizabeth Sadoff

Works by 16 artists: Joelle Brahim, Nona Faustine, Elizabeth Gregory-Gruen, Maggie Jay Horne, Laura Kaplan, Myrna Minter-Forster, Jenny Morgan, Linda Nicholas, Morgan O’Hara, Arlene Rush, Laura Schneider, Stacy Scibelli, Mary Ann Standell, Trish Tillman, Linda Tharp, Natalia Yovane

October 23rd-November 1st, 2014
Artist Conversation: Oct 29, 6-8pm
(Strandel, Gregory-Gruen & Yovane)

A portion of the sales will be donated to Bailey House. Serving people with HIV/AIDS since 1983

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Get There


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Association of Illustration

2014 Awards

Now open at Somerset House for a the third year, the AOI Illustration Awards Exhibition presents highlights from this years shortlist of contemporary illustration, entered into the Association of Illustrators (AOI) annual competition.

 The winning work from the AOI Illustration Awards 2014 is being exhibited at Somerset House’s Terrace Rooms from 10am – 6pm, everyday until Sunday 2nd November 2014. Admission is free.

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ACA 10-2014

Hyman Bloom, Fall landscape, oil on canvas, 42 1/4 x 60 1/4 inches

ACA Galleries
529 West 20th St. 5th Floor
New York, NY 10011

Jack Levine and Hyman Bloom: Against the Grain

Call 212-206-8080 for hours

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Flash Art International no. 298

October 2014: The issue includes a 40-page supplement that focuses on relationships across art and fashion. Included are conversations between Berlin-based artist and gallery owner David Lieske and founders of the fashion label Eckhaus Latta, and Swiss artist Sylvie Fleury and British designer Vivienne Westwood; portfolios by Saint Laurent creative director Hedi Slimane and Russian designer Gosha Rubchinskiy; an essay by New York-based artist Eric N. Mack on the creations of Louis Vuitton Womenswear creative director Nicolas Ghesquière; and visual projects by artists Charlotte Prodger, K8 Hardy and Will Benedict. 

Check it out. Flash Art International
Via Carlo Farini 68, 20159 Milan, IT


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Chicago Calling

A few of the events from Borderbend Arts Collective
for Chicago Artists Month 2014…

Want to know more? Get in touch with Borderbend, 15 S. Homan Ave., Chicago, IL 60624…
or, visit online.

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laluz 10-14

LaLuz De Jesus
4633 Hollywood Blvd.
Los Angeles, CA 90027

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An Evening at the Left Bank of the Willowemoc 

to Benefit the Catskill Art Society 

48 Main Street, Livingston Manor, NY
 Contact Bradley Diuguid 845-436-4227 

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falcon 1014

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Calendar of Events always online …

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calvet 10-14

calvet 10-14 B

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poster ultima ultima

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Where the River Meets the Sky is a landscape comprised of images from the popular and infamously violent video game Grand Theft Auto. This site-specific work incorporates images from the virtual East River in GTA’s Liberty City, composed so the actual East River meets the digital version at its shore.


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A little late for the reopening celebration, but not too late to stop over and see what else is going on.

600 Biscayne Blvd., Miami, FL 33132 Tel.: 305-237-7700

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13831 San Pablo Ave., Maple Hall, San Pablo, CA

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falcon oct

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Celebrating Hispanic Heritage Month 

Check this out for more on HHM & Art:

Thx 2 G.N.!

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Daisy Jopling
Performance for children
At the Rotary Horse Show, Peekskill NY
Blue Mountain Park, Sunday Sept 21st 2014, 4pm

Performers include:
Master Storyteller Jonathan Kruk, Enchanting Musical Puppetry with Marcia the Musical Moose, Your favorite songs with Larry Colman, and Magician extraordinaire Margaret Steele.

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Credit: Public Theater


“ H E R E   L I E S   L O V E ”





New York, NY – David Byrne and Fatboy Slim’s‘ smash hit musical, Here Lies Love, directed by Alex Timbers begins Friday late night performances on Friday, September 12 at 10:30 p.m. at the Public Theater’s LuEsther Hall (425 Lafayette Street, NYC). In addition to the late night performances, there will also be 7:00 p.m. performances on Fridays. The principal cast from the 2013 world premiere of Here Lies Love returns, including Ruthie Ann Miles and Jose Llana as Imelda and Ferdinand Marcos, and Conrad Ricamora as Ninoy Aquino.

Here Lies Love was conceived by David Byrne, and features lyrics by Byrne, music by Byrne and Fatboy Slim, additional music by Tom Gandey and J Pardo, and choreography by Annie-B Parson.  Tickets for Here Lies Love range from $99-$129.  For more info, visit


The current performance schedule for Here Lies Love is as follows, Mondays through Thursdays at 8:00 p.m., and Fridays and Saturdays at 5:00 p.m. and 9:30 p.m. Beginning Monday, September 8, the performance schedule is as follows, Mondays and Tuesdays at 7:00 p.m., Wednesdays and Thursdays at 8:00 p.m., Fridays at 7:00 p.m. and 10:30 p.m., and Saturdays at 5:00 p.m. and 9:30 p.m.

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Binghamton teardown


A Photographic Memoir by Peg Johnston


            Peg Johnston mines her family’s archives for images of the Upstate New York City of Binghamton to create a narrative about the city’s evolution in the last half century. “Binghamton has gone through major changes, losing a significant part of our downtown and half of our population. I want to tell that and other stories about my hometown in a visual way,” comments Johnston, a photographer who often does installations at the Cooperative Gallery. Included will be some of the photographs of Robert Johnston, now deceased, and a former gallery member. In addition to recently digitized photos from the city of her childhood, Johnston explores Urban Renewal, documents several decades of protests in Binghamton, and looks forward to the future.

            All images have been digitized and are in black and white. “I feel that memories are best represented this way, and all of my father’s photos were originally in black and white. But these images are contrasty and sometimes grainy, not the fine prints my father would have produced. I want to generate images for the Facebook generation, images that swim into your consciousness,” explained Johnston. 

Binghamton: A Photographic Memoir will be on display September 4- 27th, 2014 at the Cooperative Gallery 213 State St. The opening is on Thursday Sept. 4th from 6-8 pm. On the First Friday Art Walk  Sept. 5th, the gallery is open from 3 pm to 9 pm. A panel discussion on the “Evolution of Binghamton” will take place at the Third Thursday Art Discussion Sept. 18th at 7 pm with Roger Luther of the Preservation Society, Mark Bowers, planner, and other speakers to be announced. Finally, a closing reception will show the locally made video “Rust to Roots” by Kevin Hannagan. All events are free and open to the public.

Contact: Peg Johnston, 607 785-3429 X19

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 presented by the Somerset Poetry Group
Tuesday, September 9, 7:00-9:00 PM

Community Room C, Bridgewater Public Library
1 Vogt Drive, Bridgewater, NJ

Free Admission. Open Mic to follow.
Contact: Bob Rosenbloom (732)371-3817,
or Bud Berkich,

Have a submission for PoetryNJ?
Guidelines: ( & send it to

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Reception:  September 10th between 6-8pm

Location: Goldsmith Gallery at A Condos

389 Washington Street, Jersey City, NJ 

The show will be up until November 9, 2014


Winifred McNeill Painting

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water music

Paul Hunter at R Wells Gallery

R Wells Gallery presents ” Water Music”,  an exhibition and sale of new works by NYC, Parisian born artist Paul Hunter.  Featuring selections from his new “Libretto” series. Hunter’s work has been shown in solo and group exhibitions in the USA, Canada, Europe, the United Arab Emirates, India, China and Japan.  He has exhibited in the Whitney Museum of American Art, the Alternative Museum,  P.S. 1, the Montclair Art Museum, the Knoxville Museum of Art, the Indiana University Museum, the Montreal Museum of Fine Arts, the Montreal Museum of Contemporary Art, and the Quebec Museum. He has received numerous awards, among them from the Pollock-Krasner Foundation, Artists Space, National Studio Program: PS 1, Institute for Art & Urban Resources, Canada Council and Quebec Arts Fellowship.

Above: Title: Libretto #NO Medium: 23kt yellow gold and aluminum, acrylic and acid on canvas Dimensions: 40in. x 60in.

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You Poked Me

You Poked Me

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You Poked Me

On Facebook

Three Young Curators Address Romance and its Identity in the Digital Age in a Pop-up Show in Midtown Manhattan this August.

Three young curators, all around the age of twentY, present the exhibition “You Poked Me On Facebook” in midtown Manhattan on August 15th. It will be a two-day love affair with all the qualms and blessings that modern-day romance has to offer. The gallery is located on the 3rd floor of 6 West 37th street. The theme is the controversial, as well as malleable, role Romance plays in the modern day. The exhibition features several young artists from the New York City area. Two of the curators were formerly with T.A.G. (Teen Art Gallery).

To honor the mysterious nature of love, much is left to the imagination, but the show promises to provide hands-on activities, and confrontational performances all emulating the growing tensions between the concept of true love and its place inside and outside social media and technology. There will be Harp performances, a modern-day cupid (diapers and all), and an opportunity to engage with other guests and find your perfect match!

As technology advances, our tales of love change with the emergence of new devices such as Tinder, Facebook and even Craigslist. Love’s relationship with product is becoming more complicated as its status as such solidifies. As children we are fed fairy tales of the prince and princess who find each other on the wholesome and haphazard path to true love. We must reconcile this vision and condense it into the latest apps and activities, altering the nature of what we perceive to be true love and altering the path to find it. This show explores the new type of love born out of a shift in social media platforms, as well as its older counterpart. Choose your weapon: Tinder,, Eharmony, Grinder ect. With each new app, the path to love is simplified. We have reached the age of Love made easy.

Contact: Carly Newman, Curator

6 West 37th Street, New York, N.Y. 10018
(347)637 8157





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Kennedy CTR logo

Kennedy CTR

Tickets for this and other events:

Available by phone or in person at the Kennedy Center Box Office
(202) 467-4600 | Toll-free (800) 444-1324 | Groups (202) 416-8400

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Rond-Sept 2014 show

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gou-gou show

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gunderson and rennie

Alex Rennie & Karen Gunderson

An exhibition of recent paintings

Preview Evening
Wednesday 9 July 6-8 pm
47 Albemarle Street, London
Exhibition runs until 1 August. All works can be view here.

This July Waterhouse & Dodd will present a selection of recent paintings by two of the gallery’s artists, Alex Rennie and Karen Gunderson. Alex will be well known to visitors of the London gallery having had a solo exhibition in October 2012 and has shown regularly in mixed exhibitions and art fairs since then. Karen had a solo exhibition at our New York gallery in November 2013. The artists have exhibited together before, most recently at the Pulse (New York) and Art Miami art fairs.

Although these two artists are not linked in any clearly defined stylist or thematic way, both have used a traditional medium (oil painting) and traditional subject matter (landscape and the built environment) to create startling images of great originality. Both use a limited palate and deceptively simple compositions to create visually arresting and contemplative images.

Please RSVP
Waterhouse & Dodd
+44 (0)20 7734 7800


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mccarthy loca

Los Angeles Filmforum at MOCA presents

Paul McCarthy

250 South Grand Avenue
Los Angeles, CA 90012

Coinciding with Mike Kelley, Los Angeles Filmforum at MOCA presents an evening exploring works by Paul McCarthy and Mike Kelley. McCarthy figured as a key influence for Kelley from early in his career, and the two artists met and began a longtime, recurring collaboration from the mid-‘80s onward. MOCA and Los Angeles Filmforum are honored to host Paul McCarthy in person to present and discuss his work with Kelley, including their epic project Sod & Sodie Sock. A reception will follow.

$12 general admission, $7 students with valid ID
FREE for MOCA and Los Angeles Filmforum members

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Eric Ross ERA Avant Ensemble

Composer ERIC ROSS , (USA),with his ERA Avant Ensemble will present a special electronic concert performance at Cornell Cinema, Willard Straight Hall, Cornell University, Ithaca, NY, September 12 at 8 pm. The concert will feature video by the late Mary Ross and music for Theremin, guitar, analog and digital synthesizers.

ERIC ROSS “has excited audiences with his fiery virtuosity and innovative work,” said a review in the Washington Post. He’s presented his works at Lincoln Center, Kennedy Center, Redcat Center, Newport, Berlin, Montreux and North Sea Jazz Festivals among many other concerts worldwide. He performs on guitar, keyboards and is a Master of the Theremin. His ensemble has featured guest artists, jazz giants John Abercrombie, Larry Coryell, Andrew Cyrille, Oliver Lake, Leroy Jenkins, new music virtuosos Youseff Yancy, Lydia Kavina, Robert Dick, and many others. The New York Times calls his music “a unique blend of classical, jazz, serial and avant-garde.”

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Friday 4 July 2014 | 6-9pm
      Exhibition Dates: 6 June – 26 July 2014
 GALLERY | 186 State Street | Binghamton | New York | 13901 | USA
TEL: 607 772 0485 | 

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 Bright Hill’s Annual Silent &
Online Art Auction Fund-Raiser
Begins July 5 & 6 During Treadwell Artists 19th Annual Stagecoach Run
Continues through July 26
Contact 607-829-5055 or 

Treadwell, NY - For the 19th year, Treadwell, NY will host the annual Stagecoach Run Open Studios and Exhibits weekend on July 5 and 6, from 10 am – 5 pm.. Among the open art studios and galleries is the Word & Image Gallery at Bright Hill Literary Center, 94 Church St. The gallery will be featuring works by WPA artists and regional artists in its annual fund-raising silent and online auction  Bright Hill’s exhibit will remain in the gallery and online through July 26, and close with a final bidding party from 4 – 5 pm. Bright Hill is located at 94 Church St., Treadwell, NY 13846.

Among the regional artists and poets whose work is available are Sven Anderson, Gail Bunting, Ernest M. Fishman, Terry Fox, Anne Gohorel, Walter Gurbo, Kyrra Howard, G. Louise Higgins, Doug Jamieson, Edmund Rinnooy Kan, Joseph M. Kurhajec, Simone Matelassi, Bertha Rogers, and Paul Sauter, Other contemporary artists and poets include Bruce Bennett, David Borchart, William Y. Cooper, Sharon Doughtery, Jamie Fishman, James Hoston, and Ishmael Reed. WPA artists and artists of the 1950s and 60s include Rifka Angel, Rachel Bas-Cohain, Ethel Cutler, Rae Ferren, Louis Ferstadt, Ruth Fortel, Lily Geltman, Joseph Goldstein, JoAnn Leiser, Golda Lewis, Joseph Marino, Marion Miller, Elias Newman, Frank Samson, Harry Shoulberg, Eileen Tabios, Lew Welch, and Stuyvesant Van Veen. Bright Hill will also be offering several rare collectors’ editions of books.  

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Boog City Small, Small Press Fair
Last Call

Boog City’s 11th annual small, small press fair is a little over five weeks away.

The fair will once again span two days, Sat. Aug. 2-Sun. Aug. 3, and be held at Brooklyn’s Unnameable Books (600 Vanderbilt Ave.) in their spacious backyard. The fair will take place during the 8th annual Welcome to Boog City poetry, music, and theater festival.
The fair will open on Saturday with performances by authors from each of the tabling presses.
Tables are $30 for the fair, $20 dollars if you bring your own bridge table (up to 3’ x 3’). All tabling presses will also receive a complimentary online business card size ad (H-2″ x W-3.5″) in the festival program issue of Boog City.

Send all payments to via

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Binghamton, NY

Ken Waldman Readings & Workshops 
Alaskan Fiddling Poet

Friday night house concert hosted by Brian Cavallaro in Binghamton. RSVP, Brian Cavallaro, aka Flyin’ Brian,, for directions to venue on  Grand Street. Starts at 7:30. $10.00 donation. With Brian Vollmer,

Also, on Thursday, June 26, Waldman will conduct a 5:00 P.M. workshop and 6:30 solo reading/show at the Phillips Library in Homer, Cortland County. Free and open to the public.

Johnson City, NY


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Framingham, MA

Gloria Mindock & the Červená Barva Press
Poetry Reading Series
Presents Flavia Cosma & Alan Britt
at the Červená Barva Press Studio
Date: Saturday, June 21st
Time: 7-9pm
Place: The Arts for the Armory, Basement, Room B8
191 Highland Avenue, Somerville, MA 02144

Admission $3.00. Refreshments will be served!


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Fountain Street Fine Art presents

June 19 -Aug 3, 2014
Reception Saturday June 21, 5 – 7 PM
Poetry Reading Sunday June 22, 1-4 PM
Wed. June 25th at 7pm.,
160 Hollis St.
Framingham  MA  01702

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Free counters!


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The Mix: Alchemy, Physics, Landscapes 


Alchemy & Metaphysics
Trestle Gallery Project Room
June 7 – July 3, 2014
Reception: Saturday, June 7, 7-9 p.m.
400 Third Ave., Brooklyn, NY 11215
Beers’ Castle Bravo (2013) is included in Alchemy and Metaphysics, Curated by Lily Koto Olive, Jacob Hicks, and Kiley Ames Klein. The exhibition explores two paradigms that have contributed to the shaping of our contemporary understanding of science, religion and philosophy.

The Landscape Revisited
Godard Art Center – Ardmore, OK
July 1 – August 22, 2014
401 1st S.W., Ardmore, Oklahoma 73401
Phone:580 226 0909
The works of Sandra Gottlieb, Martin Weinstein and Jonathan Beer  combine to examine how memory works and the inherent feelings of loss that accompany reflection and remembering. 


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Glen Ellyn, IL

The Cleve Carney Art Gallery
opening preview of
 “Vivian Maier: Exposed”
co-curated by Frank Jackowiak and Barbara Wiesen
Tuesday, June 17 6-8 p.m.

The Cleve Carney Art Gallery
at the McAninch Arts Center,
425 Fawell Blvd., Glen Ellyn, Ill.

Born in New York City in 1926, Vivian Maier spent her childhood in France before returning to New York in the late 1930’s. Later, Maier moved to Chicago and worked as a nanny for nearly 40 years, a livelihood that supported her and her passion for photography. Maier produced more than 100,000 negatives during her life, but showed them to very few people. Her work remained unknown until its discovery in 2007, only a year after her death. Since then, Maier’s photos have ignited passion and enthusiasm in photography buffs and art enthusiasts alike worldwide.

The evening includes a meet and greet with members of “Team Vivian,”
a College of DuPage team including vintage film processor, Jackowiak, and
several film and photography students who processed her film.

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In advance of the Frank O’Hara Fire Island Pines Poetry Festiva, Adam Fitzgerald writesl: “Whyte Hall, beachside, where we will have lots of partying and act perfectly disgraceful, no collapsing…”

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KGB BAR Reading

KGB Bar reading to feature  recent NYFA fiction fellowship winners, 85 E. 4th St. (at 2nd Ave.). Reading to take place Monday, June 16, at 7 p.m.  Poets include Thad Rutkowski, Melinda Susan Goodman, Arlaina Tibensky & Allison Thompson. Free admission.

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The New York Quarterly Reading Series—THIS MONDAY—June 9, 2014

MONDAY, June 9, 2014, 6:30 pm at the Bowery Poetry Club, NYC – An extravaganza of voices as eclectic as the City itself: George Witte, Monique Ferrell, Maria Lisella, and Clint Margrave will read. With our new partnership with the Bowery Poetry Club and with thanks to the NYQ Board of Directors, NYQ Readings are now FREE – NO COVER CHARGE. This event will begin promptly at 6:30, please arrive a little early.

Visit the event page on Facebook.

This event is also available FREE, worldwide, via internet streaming. Just go to this link at showtime:

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Somewhere in AUSTRALIA


Reclining Nude, 2014, oil on canvas, 21.5 cm x 28 cm.

Robert Malherbe, New works
June 11th  – July 6th 2014
Opening Thursday June 12th. 6:00pm – 8:00pm.

Robert Malherbe is an established artist, exhibiting widely in Australia. He has been a finalist in the 2013 and 2012 Wynne Prize at the Art Gallery of New South Wales, the 2010 Archibald and Wynne Prizes as well as a finalist numerous times in the New South Wales Parliament Plein Air Painting Prize. He was recently awarded the Art Gallery of New South Wales Residency at the Cite Internationale des Arts, Paris.

Contact James Makin:
P: 03 9416 3966

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Peter Turnley, Brasserie de L’Isle de Saint Louis, Paris 1993


Leica Gallery Los Angeles
8783 Beverly Boulevard
West Hollywood, California 90048

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Commemorating the end of slavery in the US


The Falcon
Thursday June 19 7:00pm|
1348 Route 9W Marlboro NY
845 236 7970
No Tickets. No Cover. Donations Encouraged. Support Living Artists! 

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ando moon

“Gekkou” Moon Light 19, Silver Leaf and Pigment on Arches Paper, 41 x 29 inches, 2014

“Aurora” Solo Exhibition London, May 28 – June 21, 2014,
ad Carney Fine Art
Opening Reception May 28, 6:30-9PM
45 Dover Street
London W1S 4FF
+44 (0) 203 178 3564



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maysles house logo

A New Schedule Every Week:
343 Lenox Ave
New York, New York 10027

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“T H E   M A R S H A L L   B A R E R   P R O J E C T”






Tickets are $75 and $100 (includes a special reception at 6:30 p.m.). Call (212) 935-5820, or purchase in person at the box office at the York Theatre at Saint Peter’s (Citicorp Building, entrance on East 54th Street, just east of Lexington Avenue), Monday through Friday (12:00 -6:00 p.m.).

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Brooke Mason: La Haute Main

May 26 – June 15, 2014

Opening Reception: Wednesday, May 28th 7-10 pm
Collector’s Reception: Friday, May 30th 7-10 pm  

Brooke Mason’s inaugural US exhibition, La Haute Main, challenges the long-held stereotypes of femininity and power by addressing issues of gender roles, perceptions of strength and the identity of women. Influenced by the tenets of Greco-Roman mythology and the refined elegance of classic films, Mason’s artwork captures the essence of female beauty and the interdependence of the sexes in 13 luscious, large-scale, intimate scenes printed on high-definition gloss aluminum.  Mason says of her work, “I enjoy delving into contrasts – yin and yang, femininity and masculinity, and the role reversals within.” 

Mason is an Australian-born, Los Angeles-based photographer with 15 years’ experience in the fashion and entertainment industries.  

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La Ruche - Oasis Poetry Poster by Wm. V. Musto Cultural Center

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NYU Creative Writing Program

Friday, May 9, 5pm
Fiction Reading: Rivka Galchen and Laura van den Berg
Introduced by Uri Ferruccio and Steph Arditte

Tuesday, May 13, 4pm
Goldwater Hospital Writing Workshop Reading, with Guest Author Yusef Komunyakaa
Please come out to support the Fellows and Golden Writers, participants of a weekly creative writing workshop for disabled adults led by fellows from the NYU Creative Writing Program.
Note location: NYU Silver Center, Jurow Lecture Hall, 100 Washington Square East
RSVPs required

NYU Creative Writing Program
Lillian Vernon Creative Writers House
58 West 10th Street
New York, NY 10011
Tel. 212-998-8850

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Call for Cast / Audience Members

for Recreation of John Cage’s

Seminal Performance 4’33”

THE TUBA THIEVES / Directed by Alison O’Daniel
Call for Cast / Audience Members

Date: May 25th, 2014
Time: 12 PM – 6 PM

Alison’s film will be included in the exhibition LOUDsilence, curated byAmanda Cachia, opening this September at Grand Central Art Center. The film is also schedule to screen at Art in General, NYC (Winter 2015) andCentre d’art contemporain in Brest, France (Summer 2015). The project is supported by Art Matters, the Rema Hort Mann Foundation and theFranklin Furnace Fund.

Call for cast / Audience members for a recreation of John Cage’s seminal performance of 4’33”

Alison is looking for a cast of all ages to act as audience members for a one-day shoot at the beautiful and historic Maverick Concert Hall. Food, drinks, copy and credit and our undying gratitude will be provided in exchange for your time.

Location: Maverick Concert Hall, 120 Maverick Rd, Woodstock, NY 12498
Date: May 25th, 2014
Time: 12 PM – 6 PM

About the project:

THE TUBA THIEVES is a film about a Deaf drummer whose relationships with her hearing father and hearing boyfriend are impacted by the history of the 1952 Woodstock premier of John Cage’s 4’33” at the Maverick Concert Hall.


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Herb Rosenberg at the Tunnel Show

booth 112


from a top a 14’ high chair of aluminum and brass

The Contemporary Art Fair NYC | Chelsea opens Thursday,

May 8th  through Sunday, May 11th at The Tunnel

on 11th Ave between 27th & 28th Streets.

champagne opening reception: May 8th 4-8pm

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Zilvinas Kempinas

Pawel Althamer


Meschac Gaba


Pawel Althamer, Queen Mother of Reality

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Ari & Mia

Ari & Mia

Ari and Mia with Bethany Waickman
Saturday, May 17, 2014,
Canaan Institute, Brooktondale NY 14817

All day event: participate in all, or take in a-la-carte
RSVP to to reserve your place in any or all … (audio samples) 

About 5 miles from Ithaca, NY….

Michael Ludgate
607.227.0090 (c)

607.539.6153 (h)


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The Geffen Contemporary at MOCA
on view through July 28, 2014

Los Angeles, CA

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“ T H E   M U S C L E S   I N    OU R    T O E S ”



JUNE 2014


New York, NY Labyrinth Theater Company (Artistic Director Mimi O’Donnell, Managing Director Danny Feldman), the award-winning, downtown ensemble, announced today the complete casting for the New York Premiere of The Muscles in Our Toes by Labyrinth Company Member Stephen Belber, directed by Anne Kauffman. The play begins performances on June 14, with an official opening night set for June 26, 2014, at Labyrinth’s home in New York City’s West Village, the Bank Street Theater (155 Bank Street).

The complete cast of The Muscles in Our Toes includes Amir Arison, Nadia Dajani, Bill Dawes, Samuel Ray Gates, Matthew Maher, and Mather Zickel. 

In this dark comedy, four friends meet at their high school reunion, and ponder a plan to free their old friend who’s been kidnapped by a radical political group. Absurdity, intensity and plain ole weirdness ensue when this inebriated, stoned, adolescently arrested, religiously confused group of friends attempts to tackle the task at hand and at the same time, debate the forces of international terrorism.

The design team for The Muscles in Our Toes includes 2014 Tony Award nominee Japhy Weideman (Lighting Design), Lee Savage (Set Design), Emily Rebholz (Costume Design), and Jessica Paz (Sound Design).

Labyrinth Theater Company is devoted to providing affordable ticket prices for the community. We are pleased to announce that tickets for The Muscles in Our Toes are $20 when purchased on or before June 25. After that date, tickets prices will be available starting at $35. Tickets are available online at or by calling (212)513-1080. More information is available at

CLICK HERE to see an interview with playwright Stephen Belber:

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CHICAGO – The Chicago Academy for the Arts will honor its president, Pamela Jordan, with the Kupcinet Civic Award during A Taste for the Arts Gala performance Tuesday, May 13, 2014 at the Harris Theater, as she prepares to take on a new role as President of the Idyllwild Arts Foundation in Idyllwild, Calif. at the end of the school year. The Kupcinet Civic Award, named in memory of The Chicago Academy for the Arts’ founder Essee Kupcinet and her husband, Irv, honors individuals who strive to positively impact and develop the Chicago arts community. 23 Academy alumni, representing each of Jordan’s years at The Academy, will take part in the award presentation.

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HOMER – If one word describes the new Red Molly CD, Light in the Sky, that word is joyous. Once again, with the “tick-tight arrangements, crystalline vocals and caramel harmonies” that the Boston Globe praised, Red Molly creates an album with gorgeous a cappella ballads, bluegrass-tinged folk and a touch of jazzy western swing, all done up in Red Molly’s trademark three-part harmonies, signature dobro licks and inventive arrangements. The title sets the theme for the 14 tracks: optimism, joy, and excitement for the future.

Catch them next at The Center for the Arts in Homer, located at 72 South Main Street in the village, at the corner of Routes 11 and 90, just off exit 12 of I-81.

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B O O G I E   S T O M P !
Performances Begin May 8

Buy tickets at:

Variations Theatre Group proudly presents a limited engagement of BOOGIE STOMP! direct to NYC from the production’s sold out tour of Russia. Performances will begin May 8th, with the Opening Night set for Thursday, May 15th at The Chain Theatre. BOOGIE STOMP! is a theatrical evening starring two of the greatest jazz/boogie/stride/blues pianists in the world, Bob Baldori and Arthur Migliazza.

Tickets to BOOGIE STOMP! are $45 and are available through or by calling 866-811-4111. The Chain Theatre is located at 21-28 45th Road in Long Island City, just ten minutes from Times Square via the 7, E, G, and M trains to Court Square Station.

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sontag shogun

Spool MFG

    Saturday, April 2014,  at 8 pm.

Brooklyn-based experimental band
Sontag Shogun will perform an intimate set of new material
composed for piano and electronics (treated vocals, field recordings,
tapes, amplified surfaces),  accompanied by projections
of the 16 mm films of Tomonari Nishikawa.

Nishikawa, a world-renowned experimental filmmaker and
Binghamton University professor, will screen his films live during the performance.
Brian Murphy, a performance artist and musician, will open for Sontag Shogun.
Doors open at 7 pm;  admission is $6. (Small bills appreciated!)

To listen and learn more about the band, visit

Spool Mfg. is located at 138 Baldwin Street in Johnson City, NY.
Please visit for more information.

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HUGO BASTIDAS: Metamorphosis:

04-02, 2014 through 05-10, 2014



730 5th Ave, New York, NY 10019

 (212) 888-3550 

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The Lord giveth and He taketh away.
Michael Ashkin
Davide Cantoni
Anne Deleporte
David Dixon
Elizabeth Harney
Jackie Hoving
Pete Moran
Dan Snow
Suzy Spence
Nathan Townes-Anderson
Lynda White

with exhibition design contribution from Stephen Dean
April 18 – May 11
Opening Friday April 18th 7-10PM
Gallery Hours, Saturday and Sunday 12-6PM
260 Richardson St. Brooklyn 11222

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“The Spirit of Cuba Favoring José Martí” by José Rodeiro

An Evening of Music & Poetry

at the Union City Museum of Art/William V. Musto Cultural Center
Robert Rosado, Director, LaRuche Arts Contemporary Consortium (LRACC)
and emcee Lucy Santiago will present Poets Paul Sohar, Mike Foldes,
Sal Tagliarino and Alan Britt
plus pianist Pierro Romano & opera singer Jacqueline Milena
for an evening of poetry and music on Saturday,
May 10th from 7-9 p.m.
William V. Musto Cultural Center
420-15th Street, Union City, NJ 07087

Visual artsts:  José Acosta, Maria Aguiar, Willie Báez, Walter Barco, Olga Bautista, Pablo Caviedes, Gerardo Castro, Carlos Chávez, Laura L. Cuevas, Christine Devereaux, Edwin Gaud, Alfredo Gomez Jr., Elizabeth Jimenez Montelongo, Irelys Martinez-Tejada, José Rodeiro, Salvatore Tagliarino, Isabel Villacis

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Following the success of The Spectrum of Ultra Violet at Volta NY honoring Ultra Violet and a private performance by pianist Christopher O’Riley, Culture Shock has secured the release of Ultra Violet’s self titled LP, with cover art by Andy Warhol. Recorded for Capitol Records in 1973 but never before released, Ultra Violet’s studio album is now available on iTunes. It includes 10 tracks ranging from popular tunes by Al Dubin and Harry Warren to original songs by Ultra Violet and Richard Currier as well as the French standard La Vie en Rose.

Get it HERE

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The John Cage Trust and Bard College Conservatory of Music present

“New Restorations and Discoveries from Center for Visual Music” – a Film Program

From absolute film to psychedelia, this program of revelatory moments from the history of visual music and kinetic art explores lost, legendary and rare treasures from the archives of Center for Visual Music (CVM).  Featuring the east coast premiere of the newly discovered film by John Cage and Richard Lippold, The Sun Film (1956), about the kinetic art sculpture. Rare works by Jordan Belson include his infamous LSD (1962); a presentation reel from the legendary San Francisco Vortex Concerts (1959) and Quartet (1983). Early films by Oskar Fischinger, an influence on Cage, Belson and many others, include 35mm prints of Spirals, Ornament Sound and Studie nr 5. Made in Upstate New York, Turn, Turn, Turn (1966) by Jud Yalkut is ‘a kinetic alchemy of the light and electronic works of Nicolas Schöffer, Julio Le Parc, USCO, and Nam June Paik, with sound by USCO.’

The program, featuring many newly preserved 16mm and 35mm prints, will be introduced by curator/archivist Cindy Keefer of CVM. Laura Kuhn, Director of the John Cage Trust, will introduce The Sun Film by Cage and Lippold.

April 26, 7 pm. Jim Ottaway Jr. Film Center, Bard College, Annandale-on-Hudson, N.Y.  

Free admission, no reservations required. 

 For more information contact:
Center for Visual Music, Los Angeles:
John Cage Trust at Bard College:

Many of the films in this program were preserved by CVM with support from The National Film Preservation Foundation; others with support from private donors. Center for Visual Music is an archive dedicated to visual music, experimental animation and abstract media.

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Artist Talk/Gallery Tour April 27, 2014
Victory Hall DRAWING ROOMS 180 Grand St Jersey City
Regular gallery hours Th/Fr 4-7 Sat/Sun 2-6

Victory Hall DRAWING ROOMS, the new ten-room art center in Jersey City, is hosting an Artist Talk and Gallery tour on Sunday, April 27th, 2014, for the Pictures of Everything: Abstract Painting Now exhibition.

From 3:00 to 4:30pm, director James Pustorino and curator Anne Trauben will lead small groups through each gallery room giving an overview of the exhibit, and engaging the artists and viewers in a dialogue about the art.

RSVP by email to secure your spot!  If you would like to attend the talk, please contact DRAWING ROOMS as soon as possible at

The talk will be followed by a meet-the-artist social time  4:30 to 5:30 that is open to the public. Free refreshments will be provided.

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Stockholm Art Week – A platform for the Stockholm art scene – was held for the first time 2013. Leading institutions, museums, fairs and other participants is arranging special events through out the week. 

Stockholm Art Week 2014 is being held 1 to 6 April.

The calendar for Stockholm Art Week 2014 is available here.
Subscribe to the SAW bulletin curated by Artworksjournal here.

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The Word & Image Gallery at Bright Hill
Opens Its 2014 Gallery Season
& Begins a Celebration of National Poetry Month Sunday, April 6!
Contact 607-829-5055 or 

“It’s Only a Paper Moon,” an exhibit of original collages and poems by Brooklyn poet and artist Steven Hartman.

Bright Hill Press & Literary Center
94 Church Street, Treadwell, New York 13846-4607

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 “Cirque Shanghai” is returning to Chicago’s Navy Pier with a brand new show, “Cirque Shanghai: Warriors.” Performances begin Wednesday, May 21 and run through Monday, Sept. 1 at the Pepsi Skyline Stage, on Navy Pier (600 E. Grand Ave).  Tickets will go on sale May 2 via ticket master at 800-745-3000 or visiting Discounted tickets for groups of 10 or more are currently available by calling GroupTix at 773.327.3778 or visiting

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La Luz de Jesus Gallery


Blighted Eye: The Collection of Glenn Bray
Book Release & Signing Party with Special Guests
Friday, April 25, 2014
7 – 9 PM

Glenn Bray will be on hand to sign his book, as will Robert Williams, who supplied a foreword.

Hardcover: 416 pages
Publisher: Fantagraphics; 1st edition
Language: English
ISBN-10: 1606996959
ISBN-13: 978-1606996959
Product Dimensions: 1.2 x 1.1 x 0.1 inches
Shipping Weight: 6.6 pounds
Price: $100

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Salsali Private Museum (SPM) is pleased to announce a solo exhibition by Iranian artist Amir Hossein Zanjani. The exhibition begins 17 March and ends on 17 August 2014.

Salsali Private Museum, Unit 14, Alserkal Avenue, Dubai, United Arab Emirates. 

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alternate vision

Exhibit: “An Alternate Vision: A Celebration of the National Association of Women Artists”
N.A.W.A.’s 125th Anniversary, 1889 – 2014
National Association of Women Artists, Inc. (N.A.W.A.)
80 Fifth Avenue, Suite 1405, New York, NY 10011
phone: 212-675-1616

Location: Morris Museum
6 Normandy Heights Road, Morristown, NJ 07960
For hours and information:
Dates of exhibit: March 20 – June 15, 2014
Reception: March 20, 2014, 6 – 8 pm

Contacts: Marie Hines Cowan; Allison Ioli

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(red shirt) urban figure # L1065273

Sol Hill, Red Shirt Urban Figure

DATES: SAT. MARCH 8, 2014- SUN. APRIL 13, 2014
Leica Gallery LA is pleased to present together for our next exhibition three Los Angeles leicaarea emerging photographers to overlap with April’s Month of Photography LA (MOPLA): Sol Hill, Domenico Foschi and Sara Jane Boyers. Each photographer uses a different Leica camera system and has established three completely fresh perspectives and styles. Although their work may be diverse in process they all fix their lenses in and
around Los Angeles as a subject matter whether it is Domenico’s street photography of women, Sara Jane’s traffic stuck on the 405 or Sol Hill’s urban landscapes of LA. The reception for the artists will be held from 5 pm To 7 pm on Saturday March 8, 2014 and is open to the public. The exhibition continues through April 13, 2014. Gallery hours Monday through Saturday, 10 am – 6 pm and Sunday from 12 pm to 5 pm. Complimentary valet parking is available.

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Storefront Logo

storefront rapist


Tough Love
by Sebastian Errazuriz
February 15 – April 12, 2014
Opening Reception: February 14, 7pm-9pm
Press Preview: February 14, 6pm


More information at


 Storefront for Art and Architecture
97 Kenmare Street, 10012 New York, NY
Tel. 212.431.5795, Fax 212.431.5755

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Literary Partners Event: Program for Publication of


March 5, 2014 – 6:00PM
Elizabeth Kray Hall
Free and Open to the Public

Join The Seventh Quarry and Cross-Cultural Communications in celebrating the publication of Dylan Thomas Walking Tour of Greenwich Village (2014), as part of the world-wide Dylan Thomas Centenary celebrations.

Peter Thabit Jones, Welsh poet and editor/publisher of The Seventh Quarry, will provide a guided talk/tour of Dylan Thomas in New York. Stanley H. Barkan, poet/publisher of Cross-Cultural Communications, will read a selection of poems by Dylan Thomas

This event is made possible in part through the Poets House Literary Partners Program

The Seventh Quarry and Cross-Cultural Communications
Other Events

- See more at:

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Terry Waldo Solo

The Dead Rabbit
Grocery & Grog

Voted the “Best New Cocktail Bar in the World”
30 Water Street
New York, NY
Phone: (646) 422 – 7906

Time: 9:00 to 1:00,  Every Friday  &
Saturdays, February 1, 8 and 22 (with Tamar Korn)
“Tell the doorman that Ragazine sent you”

The Stride Piano Jam
Featuring: Terry Waldo, Ehud Asherie & Special Guest
The Fat Cat
75 Christopher Street (just W. of 7th Avenue)
New York, NY

Sundays, February  2 & 23 @ 4:00 – 6:00 PM


 Terry Waldo &The Rum House Jass Band 

The Rum House is presenting a series of late Monday night jam sessions with veteran ragtime and early jazz pianist, Terry Waldo and his Rum House Jass Band. The shows feature many of the young musicians who have recently been getting fame in the NY trad jazz scene as well as the old masters of  this great music who have become legendary through recordings and numerous appearances. Join the musicians, their friends and special guests for some of the hottest sessions in town.

The Rum House
In The Edison Hotel
(47th Street (between Broadway and 8th Ave.)
Mondays,  10:00 to 2:00 (or later)


 Jazz At Lincoln Center
Swing University
JELLY ROLL MORTON with Terry Waldo
4 Monday nights: 2/24, 3/3, 3/10, & 3/17; 6:30-8:30pm

Jelly Roll Morton, a New Orleanian Jazz pioneer, was the music’s first great composer. Morton’s composing made jazz a fully developed music, adding repertoire. Jelly Roll Morton, the pianist, was one of the new music’s greatest ad-libbers. Terry Waldo will explain it all to you, often demonstrating his point from his seat at the piano.
All classes are held at the Irene Diamond Education Center
Jazz At Lincoln Center. Broadway at 60th St. 5th Floor
For questions, call 212-258-9922

Terry Waldo – ragtime & stride pianist, entertainer and protege of the late Eubie Blake, has produced over 40 albums. His THIS IS RAGTIME (newly reissued with a new introduction by Wynton Marsalis) is the definitive book on the subject and his 26-part series with the same title for National Public Radio fueled the 1970s’ ragtime revival.

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For more information on MOCA Exhibitions

& Events, see:

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For more information:

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The Streets of Cairo: 

Between Documentation and Art

Images by Mohamed Abouelnaga, 


Tuesday January 21 at 7pm at the Middle East Institute, NUS

        Streets of Cairo, 2013, ©Sana Gallery

“Solo exhibition by renowned Egyptian artist Mohamed Abouelnaga. His piercing work documents the moment from historical, artistic and social perspectives through multiple layers and mediums expressing the turmoil, variety and sheer creative explosion playing out on revolutionary streets.”

Middle East Institute, NUS:
29 Heng Mui Keng Terrace
Blk B, Level 6, #06-06
Singapore 119620 

January 22 to March 2 2014. Read More…




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 Maysles Cinema
343 Lenox Ave, (127th and 128th streets)
New York, NY 10027 

  Saturday, January 25th, 7:30pm

Sunday, January 26th, 7:30pm

 Jock Docs Presents: Lenny Cooke

(The best in sports documentaries.)


Lenny Cooke

Benny Safdie and Joshua Safdie, 2013, 90 min.

In 2001, Lenny Cooke was the most hyped high school basketball player in the country, ranked above future greats LeBron James, Amar’e Stoudemire and Carmelo Anthony. In an era when high school stars were forgoing college hoops in favor of the potential multi-million dollar contracts promised in the NBA draft, Lenny was supposed to be the next superstar. He had the world at his fingertips. But over a decade later, while his peers are taking home MVP awards and championship trophies, Lenny has never played a minute in the NBA. What went wrong?

With incredible access to Lenny’s story as it unfolded over the past decade, filmmaking brothers Joshua and Benny Safdie follow Lenny from his run-down home in Bushwick, Brooklyn, to the New Jersey suburbs where he spent his high school career through to the present day, with the friends and family who shared in his dreams and aspirations. Lenny Cooke is a quintessentially American story about dreaming big, the fickle nature of sports celebrity and the unfulfilled destiny of a man for whom superstardom was only just out of reach.

The Maysles Cinema was founded by documentary filmmaker Albert Maysles and is directed by Jessica Green. Contact the Cinema at  (212) 537-6843. Saturday’s screening will be followed by a Q&A with directors Benny Safdie and Joshua Safdie and producer Adam Shopkorn.

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02/01    Ed Palermo Big Band CD Release Party “Oh No! Not Jazz!”
02/02    Sunday Brunch w/ Big Joe Fitz & The Lo-Fis
02/06    Chris Cubeta & The Liars’ Club
02/07    Hugh Brodie’s 81st Birthday Celebration!
02/08    TBA

02/09    Sunday Brunch w/ Bob Stump & The Blue Mountain Band
     Stephen Clair + The Millionaires and The Stacks

02/13    Casey Erdmann Group
02/14    Alexis P. Suter Band’s Valentine to The Falcon
02/15    TBA

02/16    Sunday Brunch w/ Saints of Swing and Rene Bailey
02/16    Ben Flocks CD Release  “Battle Mountain”
02/20    KJ Denhert with Geoff Gallante
02/21    Joe Caro & The Met Band w/ Anton Fig, Clifford Carter,Mark Egan,

              Aaron Heick & Scott Wendholt!

02/22    TBA

02/23    Sunday Brunch w/ Akie Bermiss
02/23    Cyrille Aimee & the Guitar Heroes

02/27    TBA

02/28     Larry Campbell Quartet w/ Teresa Williams, Byron Isaacs & Justin Guip

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Invit Ultra Violet recto

Ultra Violet’s “Selfie”

vernissage samedi 18 janvier 2014 à partir de 16h.
en présence de l’artiste
exposition jusqu’au 8 février 2014
Galerie Depardieu, 18, avenue des Fleurs 06000, Nice – France
Tél. +33 0 493 964 096 –

(Au fond de l’impasse, entre le consulat de Tunisie et le CROUS)
bus n° 38 av. des Fleurs ; n° 3, 9, 10, 14, 22 rue Bottero ; n° 7 Alsace-Lorraine, parking Palmiera
“Selie”, autoportrait photographique réalisé avec un téléphone portable puis mis en ligne sur
les réseaux sociaux, a été choisi comme le mot de l’année 2013 par les Dictionnaires d’Oxford,
ouvrages de référence en langue anglaise.

SELFIE: Noun (plural selfies) informal: a photograph that one has taken of oneself, typically one taken  with a smartphone or webcam and uploaded to a social media website: occasional selfies are acceptable, but posting a new picture of yourself everyday isn’t necessary. S E L F I E deinition. Oxford Dictionaries Online announced 2013 August, the latest batch of words that are being taken off the street and into their database. The new terms and definitions added to their reference this quarter cover everything from resurgent ’80s fashion  to gadgets to questionable dance moves. Origin: Aout early 21st century: from self + ie
Read more: Dictionary Adds ‘Badassery’, ‘Selie’ and ‘Twerk’ |


The 3rd Bob Johnston

Photography Show & Competition

January 3-18

Cooperative Gallery 213 State Street Binghamton NY

coop gallery

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Art Fair HanseArt in Lübeck, Germany

14th to 16th, March 2014

In Lübeck’s music and congress hall ( ), presenting about 60 national and international artists, galleries and art groups their works in the fields of painting, illustrations, graphics, calligraphy, drawings and sculptures from Friday the 14th to Sunday the 16th, March 2014.

A vernissage will take place on Friday from 6 to 8 pm. Saturday and Sunday the hall is open from 11 am to 6 pm. The entrance fee is 5 euros .

MuK, Willy-Brandt-Allee 10, 23554 D-Lübeck.
For more information:

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“It’s A Wonderful Life”

On Saturday, December 14th at 8:00 PM,  join Clarence, George Bailey, Mary, Bert and Ernie, Old Man Potter and all the rest at the Center for the Arts of Homer for a wonderful trip back in time via the radio airwaves with “It’s A Wonderful Life, The Radio Play!”, a presentation by Scarlett Rat Entertainment. Originally broadcast in 1947 on the Lux Radio Theater, this adaptation of the Frank Capra holiday classic is a wonderful reminder that all of our lives have meaning. George Bailey, the everyman hero at the Bailey Building and Loan in Bedford Falls becomes despondent when it appears that his business and all that he has worked his whole life for may be lost.  As mean-spirited Mr. Potter says, “You’re worth more dead than alive!” In answer to his prayer, Clarence, Angel, second class, is assigned to bring the joy and meaning back to George’s life on Christmas Eve.

General admission tickets for this special Saturday night performance are $20 for Adults, $16 for Seniors, $10 for Students 18+ with Valid ID and Under 18 are Free.  Tickets can be purchased in advance through the Center’s website at or by calling (607) 749-4900.

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makin 2014

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 Writers House week’s events:

Thursday, November 21, 7 p.m.: The New Salon: D.A. POWELL in conversation with Alice Quinn

Friday, November 22, 5 p.m.: Poetry & Fiction Reading, NICK LAIRD & JAYNE ANNE PHILLIPS, Introduced by Angelo Nikolopoulos & Soren Stockman

Friday, November 22, 7 p.m.: Emerging Writers Series, NATALIE DIAZ, Guest Author
Note location: KGB Bar, 85 East 4th Street 

NYU Creative Writing Program
Lillian Vernon Creative Writers House
58 West 10th Street
New York, NY 10011
(p) 212-998-8816
(f)  212-995-4864

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Adolfo Faúndez, Gersony Silva e Helô Alcantara Machado
Novembro/Dezembro 2013
R. João Lourenço 79 – Vila Nova Conceição I Tel (11) 3842-5135


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And, between events, check this out:

The Mary Pat Hyland Daily

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And, between events, check this out:

The Mary Pat Hyland Daily

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Anthony Brunelli Fine Arts, Artists Row/State Street, Binghamton, NY


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Cooperstown Concert Series


Alpenglow at Brewery Ommegang

November 9, 7:30 PM


A five – piece Folk-Rock Band from Vermont, Alpenglow is solidly in the vein of Fleet Foxes, Grizzly Bear, and The Low Anthem. Formed in the fall of 2010, the group began to write songs and now, just a year and a half later, the band has crafted a repertoire of folk songs that are both sprawling and moody. And they bring the familiar faces of Cooperstown natives Colin Weeks, Peter Coccoma and Kenneth Root!

The Ommegang Café is open! Call 544-1800, ex. 825, for reservations.

Tickets are available at Ellsworth and Sill, Church & Scott, and The Fly Creek General Store.  Tickets are often available at the door, though concerts sometimes sell out in advance. Please call Concert Series, not the venues, for concert information. All concerts are rain or shine, snow or ice. Tickets and/or More Information, Please Call 607-547-1812 or E-Mail us at

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On Sunday, November 3, from 3 – 5 pm, the Word & Image Gallery at Bright Hill Literary Center will hold an opening reception for “Two by Two”, an exhibit of artist books by Elaine Downing, Oneonta, and calligraphic works by Tara Hu, San Diego (formerly Treadwell). 

During the opening, the artists will discuss and answer questions about their work. The event is free and open to the public; and refreshments will be served.

The exhibit will remain through Saturday, November 23, when Bright Hill holds its 21st-anniversary Open House & Marathon Reading.  The Word & Image Gallery is open Mondays and Tuesdays, 9 am – 4 pm; Wednesdays, 9 am – noon; during Word Thursdays on November 14; and by appointment. The gallery is located at 94 Church Street, Treadwell, NY, one block north of Barlow’s General Store on Main St. (Rte 14).

Elaine Downing has been an artist all of her life, but making artist books only since 1991. A former librarian at SUNY Oneonta, she makes artist books and boxes, marbling paper, specialty cards, designed silk scarves, and customized scrapbooks. She studied drawing, design, printmaking, and painting at SUNY Oneonta, Women’s StudioWorkshop Workshop, and the Ink Shop in Ithaca and with such artists as Nancy Callahan, Jim Mullen, Daniel Kelm, Ed Hutchins, Dolph Smith and Carol Barton; and she studied traditional bookbinding with master binder, Fred Jordan.  Her BA in Germany is from SUNY Buffalo and her MLS is from SUNY Geneseo. Downing’s books have been chosen for juried shows at Bright Hill, the Wilber Mansion (Upper Catskill Community Council of the Arts), the Cooperstown Art Association, the Schweinfurth Memorial Art Center in Auburn, as well as several exhibitions of the Guild of Book workers.

Tara Hu is an artist who was raised and trained in Taipei, Taiwan. She has lived in the US since 1995.  While she is primarily known for her Chinese calligraphy, her ceramics, and jewelry have been exhibited and sold throughout California, New Mexico, Pennsylvania, and New York since 1997. Using traditional techniques, Hu brings a contemporary style to the pieces she creates, making the ancient art of Chinese calligraphy speak to the modern world. Although Hu utilizes many of the time-honored techniques of calligraphy, her favorite is derived from “Grass Style,” a method that allows her to incorporate a great deal of freedom and movement into her work. Beyond their simple elegance, the Chinese characters she paints have special spiritual resonance and are inspired by essence of the heart. Moreover, she describes the act of making her art as a form of meditation. Creating these pieces, which are both decorative and inspiring, has deep spiritual meaning to Hu.

Contact 607-829-5055 or for more information.  

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NORTHERN MANHATTAN ARTS ALLIANCE NoMAA GALLERY OPENING SHOW “Immigrant Too” 178 BENNETT AVENUE 3rd FLOOR (AT 189TH STREET) NEW YORK, NY 10040. The exhibits runs from October, 10 – to November 21, 2013 Additionally, We Are You Project artist Pablo Caviedes’s film On the Map (based on his WAYPI onthemap“On  the Map” image) was selected for both the “INTERNATIONAL EXPOSITION on IMMIGRATION, and the “INTERNATIONAL EXPOSITION on HUMAN RIGHTS in Rovereto-Trento (aka Trent, Italy).   The film will be on view from September 28, 2013 to January 6, 2014.  The Trent Film Festival is sponsored by Fondazione Opera Campana dei Caduti. To view the short animated film, click on the URL below.  ON THE MAP -PABLO CAVIEDES,  directed by Rogelio Viteri, now available for RAGAZINE CC audiences:

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Northern Virginia Jewish Book Festival
Local Author Event at One More Page Books

Tuesday, November 12, 7:00pm
Location: 2200 N. Westmoreland Street, Arlington

It’s like speed-dating, but with authors! They’ll have just three minutes to capture your imagination!

Free admission; RSVP suggested. Reception following event. To attend this event, please register here:

Hosted by Alan Orloff, Deadly Campaign: Meet these local authors on November 12: Valerie Brown, Capital Splendor: Gardens and Parks of Washington DC;  Gale Deitch, A Fine Fix; Marcia Friedman, Meatballs and Matzah Balls;  Nahum HaLevi, The Color of Prophecy: Visualizing the Bible in a New Light;  Stephen Kaminski, Don’t Cry Over Killed Milk: A Damon Lassard Dabbling Detective Mystery; Robert Rudney, Lovers Lame; Rachel Scheer, By Mom, By Me: A Tale of Two Childhoods; Leanne Tankel, Broken Hallelujah: Notes from a Marriage; Hillary Hoffman-Peak, Wings of Hope

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Congo in Harlem is a weeklong program of films and special events focused on the history, politics, and culture of the Democratic Republic Congo. The goal of the series is to deepen the global community’s understanding of DR Congo through art and dialogue. Each year, we strive to present a diverse program that encourages audiences to think critically and challenge their own assumptions about Africa. But we also want people to have an enjoyable experience! Congo in Harlem is more than just movies and discussions — it’s an opportunity to discover Congolese food, music, and artwork, learn about Congo’s challenges, and get involved in efforts for change in the Congo. Highlights from this year’s program include a spotlight on pioneering Congolese filmmaker Mweze Ngangura who will be in attendance, as well as a range of films from Congolese and international directors, live music and special guests. Congo in Harlem is a volunteer-run, non-profit series produced byMaysles Cinema,True-Walker Productions, andFriends of the Congo. It is made possible by the generous support ofCultures of Resistance Network,United Methodist Women (UMW) andV-DAY. Series Partners and Friends include:California Newsreel,Elokomakasi Productions,Mutaani FM,The New York African Film Festival,MFA Social Documentary Film program – School of Visual Arts,V-DAY – Harlem,Women’s International League for Peace and Freedom – NY Metro Branch, andYole!Africa. Media partners include:Applause Africa,Face2Face Africa, OkayAfrica, Black Star News andWBAI. Screenings are open to the public at a suggested donation of $10. Box office opens 1 hour prior to show time and advance tickets are available through Brown Paper tickets. A special group discount is available for the purchase of 5 or more tickets to any one  screening. Series passes for access to all events throughout the week are $50. Seating is limited and available on a first come first served basis. We recommend arriving 30 minutes before event’s start time to secure a seat in the main screening room. Overflow seating with simulcast projection will be available for latecomers.

 Maysles Cinema

343 Lenox Ave (127th and 128th streets) New York, NY 10027 

 The Maysles Cinema was founded by documentary filmmaker Albert Maysles and is directed by Jessica Green. Please direct press inquiries, including requests for complimentary tickets to, or contact the Cinema at  (212) 537-6843

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Ayn S Choi at ASC Project Space

Opening Night: October 18th 5-8 Open studio: Sat & Sun Oct. 19-20

526 West 26th Street, NYC, Room 304

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Morphology of the Print

Morphology of the Print

October 8, 2013 – January 8, 2014 Reception: October 21, 6 – 8:00 pm

Ghada Amer and Reza Farkhondeh, Yael Brotman, Melissa Brown, Lesley Dill, Rosemarie Fiore, Scherezade Garcia, Jane Hammond, Valerie Hammond, Beryl Korot, Joyce Kozloff, Nicola Lopez, Marie Lorenz, Whitfield Lovell, Tammy Nguyen, Jill Parisi, Elaine Reichek, Alexander Ross, Jens Schubert, Jean Shin, James Siena, Gary Simmons, Jeremy Coleman Smith, Josh Smith, Kiki Smith, Rob Swainston, Sarah Sze, Randy Wray, and Andrea Zittel.

Lehman College Art Gallery 250 Bedford Park Blvd. Bronx, NY 10468

718-960-7831 Hours: 10 a.m. to 4 p.m.

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Studio Redux

thru October 26th, 2013

Cooperative Gallery 213 On State St. Binghamton NY

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Music by CHAPPO and Monogold Art by Elena Stonaker and Benjamin Clarke

Curated by Caitlin McGarry and Nyahzul Friday October 18th 7-11PM $10.00 Sponsored by Brooklyn Brewery Espritu Lauro Mezcal tasting 7:30 to 8:30PM 

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10.18 Transient Visions evite

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Angie’s Diary: Book reviews & More….

This issue: Robert Thorhill’s  “Lady Justice & The Assassin”

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10.3-11.3 Tides and Phases of the Moon

November 25, 2014   No Comments

Now and Then/Steve Poleskie



“East Village” Painting by Raphael Soyer. Poleskie is in the foreground.



by Stephen Poleskie

I was lying in the chair, her hands in my mouth, when she asked the question. What did I think about my sixties? At least that’s what I thought I heard her say over the gurgling of the water rinsing out my mouth. We broke for air and I hurried to answer her before she began to pick and scrape again.

“I retired from Cornell when I was sixty. . . .” was all I got in before she went back to her task in earnest. Why do dental hygienists always start a conversation and then leave you hanging? “Snz den I kp bsy . . . I rt bks,” was the best I could manage, hoping she would ask me what kind of books I wrote.

“I meant the TV show,” she responded to my garbled response.

“Oh?” I mumbled, disappointed, and then had to listen while she described to me the television series about the 1960s that I had not watched.

As she turned to get something from the table behind her, my mouth momentarily my own, I asked if she had seen the episode about the Kennedy assassination. Yes, she said and asked had I. I told her that I had planned to as I was a bit of a conspiracy theory buff, having read Mark Lane’s “Rush to Judgment” when the book first came out. I remarked that I vividly remembered where I was the day the assassination took place.

“And where was that?” the hygienist asked, seemingly becoming interested, even briefly delaying her attack on my tartar.

“I was living in New York City, in a loft on Jefferson Street,” I began. “At the time I was a poor, struggling artist and couldn’t afford a telephone. I used to go down to the bar on the ground floor of our building to make calls. On that day I walked in to use the phone and found everyone glued to the TV screen.

“’Hey, hippie,’ the bartender yelled to me, at the time I had long hair and a beard. ‘Have ya heard? Someone’s shot da president. . . .’”

“Wow!” the young lady said, shoving her tools back into my mouth.

“n wnre wer u? . . .” I struggled to get out

“Where was I when Kennedy was shot?” she replied, a hint of incredulity in her voice, “I wasn’t even born. Neither was my mom and dad.”

I suddenly felt all of my full seventy-six years.

My “Sixties” actually began in 1959, the year I graduated from Wilkes College, where I had majored in extra-curricular activities. Nevertheless, in the middle of my senior year I had had a one-person exhibition of my paintings at The Everhart Museum in Scranton, Pennsylvania. For a young man from a small town across the river from Wilkes-Barre who had only been making art seriously for about three years, this was a big deal. I was sure my destiny was to be an artist. But first I had to experience a number of other jobs, which I must admit I didn’t try very hard at, and in a number of diverse locations.

In my early life, in the order they have occurred, as best as I can remember them, I have been: a stock boy, automobile repair shop assistant, sign painter, shoe salesman, men’s clothing salesman, summer stock actor, State Farm Insurance agent, designer of party favors, screen printer, and high school art teacher.

There were some high points. Working in the auto body shop, I learned to weld and after hours, made a series of steel sculptures, a few of which remain today, one in a museum collection. My “Whoopee Loot Bag” was a huge commercial success, sold in stores like Woolworths and stayed in production long after I had left the party favor company. As an artist for an outdoor advertising company in Miami, I had all the public swing-top garbage cans decorated to look like giant cans of Tropicana orange juice. This was years before Pop Art became the fashionable mode in the Big Apple. And teaching in Gettysburg High School, I had David Eisenhower as a student.

Leaving Gettysburg I went Mexico, thinking that there I might live cheaply on what I had saved. But the student art was so bad at the art school I had planned to attend that I left and drove to San Francisco, where exciting things were supposed to be going on. But, I couldn’t find anything interesting there, so headed back east. Why I went by way of Canada I cannot remember. At the time I had all my possessions and a young wife in my small car, an Austin-Healey Sprite.

I had a friend back in Pennsylvania, Thaddeus Rutkowski’s father, who at the time showed in a gallery in NYC and had gotten me accepted in several group shows there. Living near Wilkes-Barre, just two hours or so away, we often went down to “the city” on weekends. At the time the dominant art movement, Abstract Expressionism, was also referred to as, “The 10th Street School,” since most of the galleries that had shown this work in its early days were on East 10th Street on Manhattan’s Lower East Side. There was no place else I considered living. I would be on 10th Street.

Rutkowski, who had lived in Manhattan for several years, told me it wouldn’t be easy to find a place in NYC. I looked in the paper and immediately found a “studio” on East 10th Street, near Tompkins Square Park, just where I wanted to be. I rented it over the telephone, without even looking at it. After all it was a “studio” which was what I wanted. So naïve was I in those days that it was only when I got to the place with all my stuff and the super opened the door, did I discover that “studio apartment” was a euphemism for a small apartment that had the kitchen in the bedroom. But all was not lost. I moved in and the decision became one of the most fortuitous things in my early days in Manhattan, for reasons I shall relate in a later episode.

I signed up for some art classes at the New School: painting with Raphael Soyer, drawing with someone whose name I forget, and Aesthetics, with a professor who I remember well, except for his name. Although I was in the middle of the abstract expressionist’s neighborhood and my show at the Everhart Museum had been abstract paintings, I wanted something else. I wanted to paint “realistic” pictures.

I painted in the morning, worked at construction jobs in the afternoon, and went to classes in the evening. My wife, my first wife, worked as a doctor’s assistant. We occasionally hung out at an artist’s bar on Avenue A called Stanley’s, and frequented The Thomas Cinema, which showed experimental and indie films. One day driving down the East Side Highway, I had stopped to help a driver who was having car trouble. It turned out that the man was one of the owners of The Thomas. As a token of his appreciation for my help he gave me a lifetime pass for two to his cinemas.

I became very good friends with Raphael Soyer. One of the first things he told me was how to pronounce his name, explaining that he was not named after the great painter, but was a Jewish kid from New Jersey who preferred to be called “Ray-feel.” He came often to our apartment and did drawings and paintings of my wife and me. I also did a painting of him which you can see on my web site. My wife sometimes posed for his life drawing class.

Things were going well. I was learning a lot and making some nice paintings, quite different from the drip and splatter canvases that I had shown in Scranton. But money was becoming a problem. It is hard to believe that back then we were having difficulty paying the $85 per month rent.

The juried student show was coming up. Looking around I considered that my work was far superior to the other students, most of whom were not serious artists but house wives and professional men pursuing their hobby. I was sure that I would win one of the prize scholarships for the next semester.

Alas, it was not to be. My wife and I went to the opening only to discover that not only had I not won a scholarship, but also I had not even had my work accepted by the jury.

Raphael Soyer saw me standing there; he recognized the look of frustration on my face and knew what it was about.
“I voted for you,” he said. “But the two other jurors were abstract painters, so they rejected you.”

“But I need that scholarship. . . .”

“Don’t worry,” Mr. Soyer reassured me. “Go home and paint; I will come over and critique your work.”

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About the author:

Stephen Poleskie is a writer and artist. His artworks are in the collections of numerous museums, including the MoMA and the Metropolitan in NYC, and the Victoria and Albert Museum in London. His writing has appeared in journals in Australia, Czech Republic, Germany, India, Italy, Mexico, and the UK, as well as the USA. He has published seven novels, the most recent being Foozle Runs. He lives in Ithaca, NY with his wife the author Jeanne Mackin.

Web site:


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August 29, 2014   Comments Off

COVERS: Look back

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Ten Years & Counting …

Welcome Ragazine


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They say there are 8 million stories in the Naked City. Some days it seems like every one of those 8 million stories is being told in an independent magazine, on stage, in a zine on the web, in a TV show or movie theater, distributed on a broadsheet, voiced in a spoken word performance in a poetry bar, or even — emulating Speakers’ Corner in London — shouted out by someone standing on a soap box in Times Square. Not to be forgotten are the Mimes, whose actions speak louder than words. An artist acquaintance recently explained her paintings as an attempt to portray the noise she hears all around her every day, that anxiety-inducing clamor that seems almost sub-atomic, in that it carries on even when the screaming stops. This issue of Ragazine cuts through some of that noise, at the same time it contributes to it. Kind of like an air conditioner that cools the room you’re in, while it heats the air outside. A thermoelectric device that sparks a creative fire, even while you’re chilling out.

Now here’s this issue’s mix — in no particular order. It’s ALL GOOD…  Enjoy!

* Short Fiction: Jason Allen puts love on the block;

* Art: Hawk Alfredson takes a classical background and puts it to work in surreal explanations of an inner life. Find out what makes Hawk tick in an interview and gallery of some of his favorite work;

* Musician and Theremin master Eric Ross interviews himself on the extraordinary and groundbreaking video artistry of his late wife and long-time collaborator, Mary Ross;

* The We Are You Project International traveling art exhibit goes to Colorado, and takes along a few new artists;

* Photography: Mia Hanson spent years living in the Hotel Chelsea with her husband Hawk Alfredson; now the couple live in Washington Heights, and she’s still taking photographs of superstars. See what’s behind the lens in an interview with the photographer and a gallery of her images;

* Stephen Verona, filmmaker, photographer, artist, writer and world traveler. Verona can’t be accused of sitting still, unless it’s at one of his favorite restaurants. Next project: Compare and Contrast China, Then and Now!

* Contributing editor John Smelcer cuts to the quick with his take on “We Are Still Here,” or, “How American Indian Literature Re-visions the American Indian Experience in American History.” A must read for all “red-blooded Americans”.

* Poetry: A terrific mix of poets and reviews of poetry and poetry volumes.  Emil Fishcer reviews  Paul Sohar’s translation of In Contemporary Tense, the most recent collection from Sandor Kanyadi, considered by some to be Hungary’s greatest living poet. True to our mission of publishing both established and emerging talent, you’ll also find the poetry of Chloe Marisa, Daniel Rehinhold, Carlton Fisher and Dana Shishmanian.

* Books & Reviews: Something a little different here are capsule reviews of three chapbooks by Robert Joe Stout, and back to “normal” are studied reviews of four books, not all of which were published last week… Reviewers and books include: Kathryn Levy’s This Is For Life, by Jorge Rodriguez, who also reviews Micah Towery’s Whale of Desire. Matthew Ray examines ethics in The Kidney Sellers: A Journey of Discovery in Iran, by Sigrid Fry-Revere. and William Taylor Jr. reviews A. D. Winans’ In the Pink.

* Creative Nonfiction: “In Breathing Underwater,” Mark Montgomery marks the time he spent growing up,  trying to get to know his father, and staying alive.

* Columns: Jim Palombo takes a careful look at the Common Core curriculum and the direction of post-secondary education; Stephen Poleskie in his “Now and Then” has at it with an episodic look back at life in NYC in the ’60s; Mark Levy keeps himself awake with a Casual Observer‘s take on napping; and Bill Dixon goes to the edge reflecting on suicides he has known.  Jean-Paul Gavard-Perret, On Location” in France interviews artist Valentin Magaro. And Barbara Rosenthal reviews the work of Allison Berkoy.

* Music: Fred Roberts opens doors to other worlds with reviews of new music groups playing in Hamburg‘s underground. The piece includes a few lines from one of the more memorable tunes of the summer in Germany, one that got the group’s catchy video banned from YouTube. Not to worry, we’ve got the Vimeo Link.

* Memoir: Artist-Writer-Sailor and world traveler Helene Gaillet has provided Chapter 42 of her memoir, I Was A War Child.mother’s art gallery, and her private decision to secretly provide safe haven for a French Jew who eventually chose to go his own way.

* News, Haps, Snaps, Short Takes & Events: Check out these pages for updates on recent happenings and upcoming events. Updated at random, so don’t ignore….

* And don’t forget our illustrators, those artists and photographers whose works help tell our stories. Thanks as always to Walter Gurbo, Edmond Rinnooy-Kan, Jonathan Kelham, Angela White and Lynda Barretto.  For more about the editors who help bring you this zine every couple of months, see ABOUT US, where you’ll also find links to the websites of the artists who contribute to our “headers”. It’s a great group of people who work hard to make this an entertaining and visual treat.

* We’re running a Fall Fundraiser to keep our program in the air … Contribute if you can; want to if you can’t….

Thanks for reading … and spread the word.

– Mike Foldes, Founder/Managing Editor


We need your help… 

From its start in 2004, Ragazine has been kept alive by editors and contributors of  a tremendous amount of excellent material without financial compensation. We want to change that, but the only way we can do it is with your help…  If you are in a position to — and care to donate, or become a sponsor, rest assured your contributions will be much appreciated and well spent on the basic costs of not just keeping Ragazine.CC alive, but also helping it grow. Thanks!

Material that appears in Ragazine.CC is copyright the contributor, unless otherwise indicated. Additional Copyright information is available on the SUBMISSIONS Page. All relevant rights reserved.
Walter Gurbo, Drawing Room, Click to Enlarge
Ragazine, updated approximately six times a year, is a collaboration of emerging and established artists, writers, poets, musicians, photographers, travelers and interested others, with a goal to promote an eclectic selection of subject matter to an international audience. Please carefully read submission guidelines before sending material.

Got a different way of saying it?



Free as always — But you can still contribute!

If you like this site, please tell your friends about us! Thanks!

Snail Mail: Ragazine.CC
c/o POB 8586
Endwell, NY 13762

* * *

Ten Years & Counting …

V10N4 Cover -- Soffian

* * *

The Old World Order


While many of us are watching the World Cup or enjoying the first real days of summer – or in the Southern Hemisphere anticipating the coming snow of winter in the mountains – the Old World Order appears again to be gaining ground. Iraq, Afghanistan, Pakistan, Central America, and in the United States itself … the list goes on. And on. One would think that peaceful co-existence would have made headway by now, in the broadest sense, but no one is holding his/her breath that will happen anytime soon – at least not without intervention by external forces – and we all know how effective that is. While the seemingly endless cycle of senseless human activity continues, there are a few people feverishly working outside the fray to understand the underlying cause of Conflict, and to artistically express both frustration with current events and wonder at the amazing accomplishments that come about despite the resistive drag of conflict on progress and harmony.

Whether or not you agree with this premise, we trust you’ll find the latest Ragazine.CC articles will provide grist for the mental mill where these and other ideas are constantly at play. From the photo essay and interview with “war” photojournalist Jonathan Alpeyrie, who provides an alternative view on Ukraine, to a review of the recently released “Writing of Blue Highways,” by John Smelcer, to the art of Robert Soffian, there’s just enough in this issue to keep you reading and on your toes until our next issue in September. Stay tuned…

Thanks for reading … and spread the word.
Mike Foldes, Founder/Managing Editor


We need your help… 

From its start in 2004, Ragazine has been kept alive by editors and contributors of  a tremendous amount of excellent material without financial compensation. We want to change that, but the only way we can do it is with your help…  If you are in a position to — and care to donate, or become a sponsor, rest assured your contributions will be much appreciated and well spent on the basic costs of not just keeping Ragazine.CC alive, but also helping it grow. Thanks!


Material that appears in Ragazine.CC is copyright the contributor, unless otherwise indicated. Additional Copyright information is available on the SUBMISSIONS Page. All relevant rights reserved.
Ragazine, updated approximately six times a year, is a collaboration of emerging and established artists, writers, poets, musicians, photographers, travelers and interested others, with a goal to promote an eclectic selection of subject matter to an international audience. Please carefully read submission guidelines before sending material.




Free as always — But you can still contribute!

If you like this site, please tell your friends about us! Thanks!

* * * * *

Ten Years & Counting …

Haupt UK Cover V10N2.1
Photo credit: Chuck Haupt

* * *

Winter, Spring, Sum…


OK, the plan was to take the summer off and figure out what we’re going to do next, and how. Then all this stuff starts coming in that we didn’t expect and that couldn’t wait until September to be published. Time sensitive, and all… So “Voila!” Special Issue. Easy … and a very good collection it is, at that…

* Photo editor Chuck Haupt’s collection of images from England, where he’s been since January;

* Miklos Horvath’s Coverage of the European Parliament in Strasborg, it’s last gathering before elections in May;

* Columnist Bill Dixon’s first article since a brush with death last winter;

* An interview with historical fiction author Jeanne Mackin and review of her latest book, “The Beautiful American,” publishing date: June 2014;

* A review by Fred Roberts of Hamburg’s regional battle of the bands, where three out of four contenders moved on to the German “nationals”;

* Artist-Author-Aviator Steve Poleskie, who provides a worrisome answer to the question, “Do you know who’s in your cockpit?”

* A review of Marc Vincen’s recently published collection of poems, “Beautiful Rush,” by Larissa Shmaillo.

* A short triptych and photo essay by The Camel Saloon barkeep and high plains drifter Russell Streur on a trip to Wyoming.

* A bio on the late artist Pamela Brown Roberts, and the group organizing an exhibition of works by lesser known artists who “died too young;”

* And, reflections on the passing of time and life at end of an era, in the article “Kumaon is Dead, Long Live Kumaon,”  by batik artist and writer, Jonathan Evans.

As always,

Thanks for reading …

Mike Foldes, Founder/Managing Editor

* * * * *

Ten Years & Counting …


* * * * *

SOS: It’s a Jungle Out There

(but we’re good with that)

If you haven’t seen Ragazine before, “Welcome.” If you have, then “Welcome back.” Either way, this issue’s collection of articles, images, poems, and stories won’t disappoint. From discourses on the politics of “Deep State,” to the art of Dorothea Rockburne and the photography of Ralph Gibson, to the poetry of John Smelcer illustrated by R. Crumb, to an exploration of the logging regions of Amazonian Brazil, to the “Moveable Feast” of Ernest Hemingway, there’s food for thought on every page.

As an independent e-zine, we compete with thousands of other zines, blogs and websites for your time and attention. And we really appreciate when we get it! Your page clicks, likes, tweets, retweets, pins and good old-fashioned word of mouth are key to growing Ragazine. And to keep us fueled for another ten years. We know not everyone is in a position to contribute financial support, but it’s an easy step, and free, to spread the word. You do that for us;  we’ll keep doing “this” for you.

As always,

Thanks for reading …
Mike Foldes, Founder/Managing Editor

 * * * * *



Ralph Gibson: The modern master of monochrome photography, shares his thoughts on the medium and one of its greatest tools, the Leica MONO camera, used to produce the images in his new book, aptly titled, “MONO.” With Mike Foldes.

Dorothea Rockburne: One of the foremost abstract artists of the 20th Century — and now the 21st — talks about her inspiration, motivation, and “the work”. With Charles Hayes; photographs by Guenter Knop.

John Cage:  This previously unpublished interview took place 30 years ago as part of a series Charles Hayes launched to identify key components of the creative processes, in particular factors inhibiting creative and artistic productivity. Cage and Rockburne were at Black Mountain College together in the ’50s, so it seemed purposeful to run her and Cage’s interviews “side by side” in the same issue.  With Charles Hayes.

Paul B. Roth:  Bitter Oleander Press stands as one of the guardians of independent book publishing. In an age when the small press industry and its plethora of startups struggles against giants of print and internet,  Roth’s The Bitter Oleander journal continues to weather the storm. With Alan Britt.   

On Location, France: Contributing editor Jean-Paul Gavard-Perret offers up two interviews, the first with Swiss-born artist Alexandra Navratil, and the second with Austrian Barbara Ellmerer.  See what’s happening in their parts of the world.


Amazonian Water World by Robert “Bob” Walker: As creative nonfiction editor Prof. Leslie Heywood writes in Submission Guidelines,  “Ragazine’s creative non-fiction section brings together the kind of writing I like most:  grounded, compelling first-person narration set in a concrete time and place that reflects thematically some way on the human relation to the natural world and the ways we’ve transformed that world, and in the process, transformed ourselves.”   Walker’s narrative on the effects of loggers and logging in Brazil’s Amazon region perfectly conforms to this ideal.



In the twin posts of this Politics edition, Jim Palombo presents a provocative premise in his “Deep State” article. This is accompanied by a commentary from Henry Giroux who has his own take on the “deep state” concern. Coming from somewhat different perspectives, the two pieces provide engaging and informative thoughts on what should be considered a most disturbing situation.

ART: Two Moveable Feasts

FOOD, ART & HEMINGWAY: Artist, writer and Hemingway scholar Raul Villarreal writes about Hemingway’s love of food and place, especially as it relates to his life in Cuba, and his love for Finca Vigia, the great writer’s retreat near Havana. Villarreal’s article is followed by a summary of “The Moveable Feast” exhibit at the Therese A. Maloney Art Gallery at the College of St. Elizabeth in Morristown, N.J.,  curated by the author, Dr. Virginia Fabbri Butera, Ph.D.  With galleries of art from the exhibit.


DARSHAN: Contributing music editor Fred Roberts reflects on the music and influence of “Darshan,” and the strange coincidence in meeting its creator, Patrick McMahon, in Cincinnati.
EVERLY BROTHERS: Music writer/Contributer Jeff Edstrom provides a 20-20 hindsight review of the unforgettable Everly Brothers reunion concert at Royal Albert Hall in London, in 1983.


Commented judge Sheree Renée Thomas on Speculative Fiction Contest runner-up Ely Azure’s “NEVER. GIVE. YOU. UP.”:  “Moving but creepy adopted monster/baby/zombie? (I) don’t usually care for zombie tales, but this family’s attempt to adopt and become parents during a biological epidemic was compelling.”

Award-winning author Paul West’s “Hurled Into Eternity” achieves stark reality in the dark world of life in Warsaw during the Nazi occupation.


John Smelcer’s poem, THE BOOK OF GENESIS, REVISED FOR AMERICAN INDIAN HISTORY, appears with an illustration by R. Crumb from Crumb’s “The Book of Genesis Illustrated.” Smelcer’s poem “Genesis” has been taught in a course on genocide at the Open University of Israel. Completing the quadratic are poems from Adele Kenny, Dana Jaye Cadman and Martin Willitts, Jr.


Everyone needs a laugh, even though it might take a minute to figure out what’s funny. With this in mind, we trust you’ll enjoy the latest entry to our wry comedic offerings: Gou-gou World, the brainchild of artist Edmond Rinooy-Kan. Kan explains Gou-gou’s history best, and to start out, there’s a page with pix from Gou-gou’s latest adventures…

Walter Gurbo, whose Drawing Room panels appear on Ragazine’s Welcome Page, and sometimes appear on other pages, suggested a fund-raising contest where writers submit a flash fiction story to go along with one of his drawings.  The entry fee is just five bucks. Winner takes home a third of the entry fees received for that issue. Submission guidelines appear on the “WRITING ROOM” post. The first contest illustration appears here (and there):


And while you’re looking through various articles in the zine, you’ll likely run across two other illustrators: Jonathan Kelham and Lynda Barretto. Enjoy the hunt.


Photo editor Chuck Haupt’s “the PHOTOGRAPHY spot” features “City of Shadows,” photographs from the Sydney, Australia, police department during a period in the city’s history when “select” men and women under arrest were routinely allowed to help compose their own “mug shots.” More than 2500 of these “special photographs” were taken between 1910 and 1930, providing the grist for this most unusual historical record. … And there are more ….

Barbara Rosenthal reviews A Dirt Road Hangs from the Skypoems by Claudia Serea, and Cherise Wyneken reviews Jester, Grace Marie Graton’s latest book of poems. Miriam O’Neal reviews Mary Szybist’s award-winning IncarnadineDiana Manole explores the poems of Flavia Cosma in On Paths Known to No One; and Grayson Del Faro reviews the novel by Rick WhitakerAn HONEST GHOST.


Artist/Author/Professor Steve Poleskie joins Ragazine as the contributing columnist of “Now & Then,” reflections on his life and career in the worlds of art and academe. Join Poleskie as he writes in a most engaging style about NYC gangsters, Andy Warhol,  the Mercury Riders motorcycle gang, and more.

From the Edge: Bill Dixon allows recent life-changing experiences to color-in parts of his past, lending understanding to a father-son relationship perhaps stronger in retrospect than it was in life.

Galanty Tweets: The glib and popular sociologist shares recent reflections about life, love, hate and things between, in these, a collection of his recent favorite – and  favorited – tweets.

Casual Observer: Mark Levy was one of the first contributors (and pro bono legal adviser) to In this, Ragazine’s 2nd 10th Anniversary Issue, Levy cogitates on what a decade means, and brings it all to the table in his usual casual and empathetic fashion.

* * * * *

Diamonds — and Not In the Rough:

As this issue’s cover attests, we’ve had a varied and colorful history graphically presented for the past five years by Ragazine‘s photography and contributing editor, Chuck Haupt. Chuck not only designs covers and edits “the PHOTOGRAPHY spot”, he also produces the art used in the email blasts we send out two or three times during the two months between issues.

A high-resolution poster of this issue’s “cover featuring covers” (V10N2) is our way of saying thanks for a contribution of US $30.00 or more. Includes shipping and handling in North America ($40.00 outside North America).

* * *


Thanks for a Great Ten Years

This issue of Ragazine.CC is the first of our tenth year of online publishing. It contains a wealth of material from around the world. Literally. Pakistan, Kyrgyzstan, Brazil, the United States, Mexico…. We think that’s just one of the things that makes us a little bit different from the enormity of other online and print publications available today. The variety of material we publish reflects not only diversity of humanity, but also the diversity of interests of those people who inhabit the planet — and who work on or contribute to Ragazine. The family tree of our contributors runs along the right side of this page, on the About Us  page, and in the growing number of readers, known and unknown, to all of whom we owe a huge debt of Gratitude.

And while V10N1 begins our 10th year, watch for V10N2, the real anniversary issue (coming in March) that promises to offer one of the finest collections of material on the web. Eclectic content for a global audience …. Thanks for reading! 

* * * * *

heart-hiding-behind-rockfinish300wmDrawing Room/Walter Gurbo

Help us if you can … and spread the word
From its start in 2004, Ragazine has been kept alive by editors and contributors of  a tremendous amount of excellent material without financial compensation. As with all erstwhile ventures, it would be great to have resources to pay contributors for the work they do. For now, that’s still in the future – but hopefully not beyond our wildest dreams.  If you care to donate, rest assured your contributions will be much appreciated and well spent on the basic costs of not just keeping Ragazine.CC alive, but also helping it grow. Thanks!
* * *
* * *__________________________________
Material that appears in Ragazine.CC is copyright the contributor, unless otherwise indicated. Additional Copyright information is available on the SUBMISSIONS Page.
All rights reserved.
Ragazine, updated approximately six times a year, is a collaboration of emerging and established artists, writers, poets, musicians, photographers, travelers and interested others, with a goal to promote an eclectic selection of subject matter to an international audience. Please carefully read submission guidelines before sending material.

Got a different way of saying it?



Free as always — But you can still contribute!

If you like this site, please tell your friends about us! Thanks!

Snail Mail: Ragazine.CC
c/o POB 8586
Endwell, NY 13762


* * * * *


From its start in 2004, Ragazine has been kept alive by editors and contributors of  a tremendous amount of excellent material without financial compensation. As with all erstwhile ventures, it would be great to have resources to pay contributors for the work they do. For now, that’s still in the future – but hopefully not beyond our wildest dreams.  If you care to donate, rest assured your contributions will be much appreciated and well spent.


Old stuff:

Twitter: Follow @ragazinecc

Material that appears in Ragazine.CC is copyright the contributor, unless otherwise indicated. Additional Copyright information is available on the SUBMISSIONS Page.
All rights reserved.
Ragazine, updated approximately six times a year, is a collaboration of emerging and established artists, writers, poets, musicians, photographers, travelers and interested others, with a goal to promote an eclectic selection of subject matter to an international audience. Please carefully read submission guidelines before sending material.

Got a different way of saying it?



Free as always — But you can still contribute!

If you like this site, please tell your friends about us! Thanks!



Snail Mail: Ragazine.CC
c/o POB 8586
Endwell, NY 13762
 Art Blogs - Blog Catalog Blog Directory Local Directory for New York, New York
You can also find us on:
 Linked-In    MySpace    Facebook    Blogspot
USAFESTIVAL.NET - The Event Collector Site of the USA! Duotrope's Digest: search for short fiction & poetry markets

* * * * *


 * * *


* * *

The final week of October marked the final days and passing of two notable characters of the 20th and 21st Centuries. As with all remarkable characters of any time and place, their names may not be remembered one hundred or two hundred years from now (I believe in this case they will), but the effects of their lives will be long felt. The two people of whom I write are Deborah Turbeville and Lou Reed. I never met either one of them, but I readily remember what I felt the first time I looked at one of Turbeville’s photographs that atypically captured a spectacular blend of sex and death – so mesmerizing I never forgot the images or her name. I got the same powerful impression when I first heard, then played and replayed Reed’s  “The Velvet Underground & Nico,” produced by Andy Warhol.  Couldn’t get enough of it then, and some days still can’t. Without a doubt, they left us with something that stirs the soul… and who could ask for more.

* * * * *

What else? In the column to the left, you’ll find the standing Pages. Beneath them, the latest posts of all the stuff of which we’re made.

BRAZIL…. In a first-person essay by Brazilian-American artist-poet-filmmaker Duda Penteado, the artist DUDA09_Arte19 (2)explains the creation of an historical — and historic — mural in Sao Paolo.

In a separate piece examining Brazil’s contemporary art and culture, Professor Dinah P. Guimaraens posts a review of the country’s  transformation from a post-colonial agrarian society to a member of the global socio-politico-economic community. The concern being, what about the past, what about the people? What is happening in this transcultural event that many fear will change the face of the nation forever – and not necessarily for the better? Art editor Jose Rodeiro  provides an overview in News/Haps/Snaps of the ongoing exhibit of New Jersey landscapes at Drumthwacket, the New Jersey home of Governor and Mrs. Chris Christie.

Regular columnists humorist Galanty Miller, gay life writer Mircea Filimon and adventurer Bill Dixon are back with their various takes on life in earth’s ether, joined by JH Mae who brings us the ruralist’s view from New York state’s North Country.

Music editor Jeff Katz, taking a break from writing a book, takes aim at the annoying behavior of a free spirit run amok at a small-venue concert. Contributing music editor Fred Roberts, in   “Soundscene Europe ” and “World Out of Control,” gets behind Felix KubinMary Ocher and Gustav, and goes deeper into the black hearts of men with a timely retrospective of “Decoder,” the 1984 German film inspired by the writings of William S. Burroughs with an equally dark sound track by Soft Cell and Einstürzende Neubauten.

Politics editor Jim Palombo poses a series of rhetorical questions you can answer on your own time about where we as Americans are on the scales of justice, equality, and other civic concerns, including the degree of critical thinking that takes place – or doesn’t – in our everyday lives. He also points to several organizations that are currently at work trying to improve our civic understanding and public dialogue prospects.

On the literary side, poets Nicole Broadhurst and Teresa Sutton bear witness to events very often beyond their control; Alex Straaik blends fact and fiction reflecting on the whereabouts of a long-lost friend who took the other fork in the road; and Michel Collins takes us to a western desert where a team of young app2undofailures2©GN_2013anthropologists discovers how wide the divide between digital and analog. John Smelcer offers up two pieces, one a poem written years ago with Ted Hughes over a couple of drinks in an English pub, illustrated for this occasion by Micah Clarke, and a memoir recounting how his acquaintance with the famed Irish poet Seamus Heaney got off to a shaky start.

A raft of book reviews includes “Ekphrastia Gone Wild,” “The Natural History of Asphalt,” “Poised in Flight,” “Coffee House of Confessions” and “Strange Borderlands.” Thanks to Reviews editor Alan Britt for recruiting the able talents of Silvia ScheibliDavid FraserMiriam O’Neal and Boris Dralyuk.

On the visual side: An interview with Gabriel Navar, and galleries of recent work reflecting the worldwide obsession with smart phones, add another dimension to the West Coast art scene… Particularly gratifying:  Rod Serling, and “The Masks.”  Then there’s photographer Jennifer Georgescu, whose “Sand, Stones, Dead Leaves & Bone #13” is one of many images that swim in the river of nature’s chaos.  the Photography Spot features images from a new book by Belgian Photographer Marc Lagrange; contributing writer/photographer Ginger Liu interviews ex-rocker Andy Summers about his life on the road as a photographer; and from place to place you’ll find the work of Walter Gurbo, Lynda Barreto and Jonathan Kelham. Bottoms up!


* * * * *

Speculative Fiction by People of Color Contest 

We are very thankful to the writers who entered our Speculative Fiction by People of Color contest, and offer our sincere congratulations to the winner and runners up, whose stories will be critiqued by our final judge, Sheree Renée Thomas, announced on or about December 1st, and will appear in Ragazine.CC in 2014.

Best wishes for the holidays, whatever holidays they might be in your part of the world.

Thanks for reading… spread the word.

– Mike F.

* * * * *

Drawing Room. “Introvert.” Walter Gurbo.



From its start in 2004, Ragazine has been kept alive by editors and contributors of  a tremendous amount of excellent material without financial compensation. As with all erstwhile ventures, it would be great to have resources to pay contributors for the work they do. For now, that’s still in the future – but hopefully not beyond our wildest dreams.  If you care to donate, rest assured your contributions will be much appreciated and well spent.


Old stuff:

Twitter: Follow @ragazinecc

Material that appears in Ragazine.CC is copyright the contributor, unless otherwise indicated. Additional Copyright information is available on the SUBMISSIONS Page.
All rights reserved.
Ragazine, updated approximately six times a year, is a collaboration of emerging and established artists, writers, poets, musicians, photographers, travelers and interested others, with a goal to promote an eclectic selection of subject matter to an international audience. Please carefully read submission guidelines before sending material.

Got a different way of saying it?



Free as always — But you can still contribute!

If you like this site, please tell your friends about us! Thanks!




Snail Mail: Ragazine.CC
c/o POB 8586
Endwell, NY 13762
 Art Blogs - Blog Catalog Blog Directory Local Directory for New York, New York
You can also find us on:
 Linked-In    MySpace    Facebook    Blogspot
USAFESTIVAL.NET - The Event Collector Site of the USA! Duotrope's Digest: search for short fiction & poetry markets



What to do “After the Fall”?

Our friend Nick Buglaj is in Idaho this week, trekking at 10,000 feet. Most of the rest of the world’s population  is living somewhere between sea level and, oh, maybe 1000′ above it. Max.  I didn’t get that figure from Wikipedia. I made it up. But from all I’ve learned over the years about population centers and their proximity to the sea, it’s true. So what do we all do when the seas begin to rise? Head inland, of course.  Which leads to the next question, how many humans can live on the head of a pin — or a Himalayan peak?

Forty years ago a couple of pals hiked Glacier National Park. There were still glaciers then. I was driving around this week with a business friend. We stopped for a brief look at Taughannock Falls in Tompkins County near Ithaca in upstate New York. Taughannock has the highest vertical drop of any water fall in the Northeast – at 215 feet, 33 feet higher than Niagara. The geological history map reports the area was under a mile of ice just a  hundred thousand years ago (or so). Goes to show the phenomenon of global warming is nothing new — it’s just accelerating now, helped along by humanity’s varying needs for power and light, without which this web site wouldn’t be possible. I’d like to be able to say, “Don’t worry about it,” but that’s not entirely true. Just have to consider the alternatives. That’s a bit of what journalist Tom Wilber does in his recap of President Obama’s visit in August to Binghamton University, and the controversy over fracking.

The cover of this issue perfectly meets the coming season. We had several choices to make and settled on Tom V9N5 COVER 1Bovo’s simple, yet elegant photograph depicting what happens to a leaf when it falls. In this series, the photographer gives leaves an afterlife worth  living. Some of the other choices were a collage by photo editor Chuck Haupt from the art works to be displayed at the Ponce, Puerto Rico, exhibition Past, Present, Pa’lante # 2, and a sunrise image taken by Cheryl Carter-Price in Maine that is part of the current exhibition at the  National Center for Atmospheric Research  (NCAR) in Boulder, CO.  All three pieces are excerpts from features that appear in this issue of Ragazine.CC. We hope and trust you’ll take the time to see and read who and what are behind their respective curtains.

Thanks to the many talented people whose contributions to Ragazine.CC  make worthwhile the effort to bring it all together, among them:  Poets Christopher Phelps, Dante Di Stefano, Edie Angelo  and Oliver Rice, and in translation by Flavia CosmaLuis Raul Calvo; steadfast columnists Mark Levy (Casual Observer), Jim Palombo (politics), Galanty Miller (Re-Tweets) and Bill Dixon (From the Edge); music reviewers Jeff Katz (music editor) and Fred Roberts V9N5 COVER 2(contributing editor, music); and,  creative nonfiction writers Jaron Serven and Cris Mazza.  Behind the curtains, Leslie Heywood (CNF editor), Joe Weil (fiction editor) and Emily Vogel (poetry editor). And where you find them, illustrator/cartoonists Walter Gurbo, Jonathan Kelham, Lynda Barreto and Benoit Jammes. Roberts, by the way, also contributed a review of “Berlin! Berlin!,” translations of Kurt Tucholsky’s “Dispatches from the Weimar Republic.” If you have any interest in politics and positions leading up to WWII, this should get you interested in reading these translations of Tucholsky’s heroic essays that led to him being driven out of pre-war Germany.

Other new books on review include “2057,” “Figures of My Century,” “Silvertone,” “Parabola Dreams” and “The Fellowship,” while contributing editor John Smelcer takes a critical look back at Jean Toomer’s “Cane.” Jean-Paul Gavard-Perret reviews artist Annette Messager’s  “La Tortures Volontaires,” a collection of images that explores “the frontiers between art and marketing.”  Behind the curtain: Books and Reviews editor Alan Britt, and the reviewers themselves: Smelcer, Abigail SmootMiriam O’Neal and Matthew Hoffman. 

The Past, Present, Pa’lante # 2 exhibit preview by contributing art editor Dr. Jose Rodeiro with an assist from photo archivist Christie Devereaux explains how the modern day La Ruche gallery in Union City, New Jersey, got it’s name, and provides brief bios of curator Robert Rosado and the many artists whose works are included in the exhibit in Ponce, Puerto Rico.

Comments, questions and suggestions are always welcome, so post them at will. Find an error? Let us know and Monique Gagnon or I will make it right…

Thanks for reading.

– Mike Foldes


 Thanks to all who entered Ragazine’s

Speculative Fiction by People of Color

writing contest. Winner and runners up

will be announced in December.












Old stuff:

Twitter: Follow @ragazinecc

Material that appears in Ragazine.CC is copyright the contributor, unless otherwise indicated. Additional Copyright information is available on the SUBMISSIONS Page.
All rights reserved.

2013 V9N4 COVER 1


Summer reading …

Take us to the beach (or Else)


And while you’re in Oakland

Check out the WAYPI

California Exhibition


 Mel Ramos, “Catwoman,” Lithograph, 2010

Click here: For the California Exhibition page


What’s Inside:

Pretoria, South Africa. September. Join the Conversation as artists, writers, politicians, diplomats and others congregate in Pretoria to discuss an agenda that could mean keeping humankind alive for another 1,000 years. Or more. Afro-American artist Ben Jones will exhibit his series, “Evolution, Revolution,” at this ground-breaking world gathering, and in this issue we present both an art critique of Jones’ work by art editor Jose Rodeiro, and Rodeiro’s interview with the artist with photos by Christie Devereaux.

Joao Pessoa, Brazil. July. With the best interests of the people in mind, politics editor Jim Palombo excerpts information from the upcoming program, “The Economy of the Workers” conference.  Jim comments on the concept of “work” from his own experience, and includes the program notes to provide the backdrop for a discussion that is mushrooming from the bottom up about differentials that experiments in Capitalism and Democracy must come to terms with in an increasingly globalized world.

Nocturnes On the matter of Darkness in Art. A studied overview and motif for the current show at the Therese A. Mahoney Art Gallery, College of Saint Elizabeth in Morristown, N.J., by curator and art history professor Dr. Virginia Butera.

Music:  A unique presentation of recent work from New York musician David Gaita, with excerpts from the score of his Veterans’ Day Parade for String Quartet, and a video outtake of the piece performed by a string quartet at the Eastman School of Music, in Rochester, N.Y.

More Music: Fred Roberts from Germany on the Dream SyndicateJean-Paul Gavard-Perret from France, on Elainie LilliosPhotography: An interview with and gallery of photos by, our cover art photographer Dina Litovsky; and, the Photo Editor’s Choice, a selection of work from Chris Anthony.

Poets: Can’t live without them …  Kate Sweeney, Tim Suermondt & Hal Sirowitz

Fiction: Kevin Carey’s “Lucky Day” … when the sun shines…

Creative Nonfiction: Alex Holmes’ “114” … there’s no way like the highway…

Columns – holding up the house: Bill Dixon/From the Edge; Mircea Filimon/Gay Life; Mark Levy/Casual Observer; Galanty Miller’s Re-Tweets.

More Art: Shades of Phillipe Mohlitz — A trip to the studio/apartment/studio of artist-curator Gloria Duque, with Jorge Alberto Perez! It’s not easy to capture what  Gloria’s life and work is all about, but Jorge’s done a great job – and that’s why we asked if we could re-run his story, which first appeared in the newsletter of the Camera Club of New York. Seeing is believing.

Books & Reviews: Alan Britt and Abigail Smoot  review  Eclectic Coffee Spots in Puget Sound; Seven American Deaths and Disasters; Words the Interrupted Speak, and Flies and Monkeys.

For a short take on what’s going on in the world of medicine, check out the report on M Sedlof’s recent visit to the annual SAGES conference. SAGES is the acronym for Society of Gastrointestinal and Endoscopic Surgeons. You did want to know more about that, right?

And, keep a keen eye out for Walter Gurbo, Bennoit Jammes, Jonathan Kelman and Lynda Barreto. They’re all in here somewhere.



The first Ragazine.CC Fundraiser-Writing Contest deadline is extended to September 20. The theme of this event, “Best Speculative Fiction by a Person of Color written in 2013,” is meant to bring attention to this under-served genre, and we trust you’ll find the winning entries provide fascinating encounters with other worlds.  Complete background on the contest, including its origins by fiction editor Joe Weil; a bio of the final judge, speculative fiction editor and author Sheree Renée Thomas; and, full contest guidelines, can be found on the “Contest” page.


Thanks for reading! 

— Mike Foldes



Fashion of the Future


Old stuff:

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Material that appears in Ragazine.CC is copyright the contributor, unless otherwise indicated. Additional Copyright information is available on the SUBMISSIONS Page.
All rights reserved.
Ragazine, updated approximately six times a year, is a collaboration of emerging and established artists, writers, poets, musicians, photographers, travelers and interested others, with a goal to promote an eclectic selection of subject matter to an international audience. Please carefully read submission guidelines before sending material.


In this issue

Another side of the coin …

We sometimes hear about renaissance men, but it’s less often we can appreciate them in their lifetimes. So it is with great pleasure we profile George Nelson Preston, a New York City native son who traces his lineage farther back than almost any of us can to the 18th Century. A septuagentarian man who plays baseball with unabashed enthusiasm, who ceremonially and effectually presides over the Ghanian tribe to which he claims the deepest roots, whose studio on the lower east side of Manhattan in the ’60s hosted the greatest poets, artists and writers of the latter half of the 20th Century. And more… Preston has been called a National Treasure, and to know more about him, as you will discover in this in-depth profile by author-photographer Petra Richterova, will convince you of no less.

News from the sidelines, and inside baseball …

Music editor Jeff Katz is taking a sabbatical to write a book about the 1981 baseball season and strike …. Qualifications: Jeff not only is a baseball fan, but also mayor of Cooperstown, N.Y., home of the National Baseball Hall of Fame. He has great access to research materials. And people who  really care about The Game. Fred Roberts, On Location in Germany, has picked up the ball, so to speak, with a look at a David Bowie redux exhibit on the artist-musician’s years in Berlin, and reviews of au courant European music groups.

no-worms-#15-susLynda Barreto, who contributed “The Litchfields” cartoon/illustrations for a couple of years a few years ago, is back with a new series she’s managed to produce between turns as a barrister in her café in Naples, FL.  She and Benoit Jammes join Walter Gurbo and Jonathan Kelham with illustrations on ‘gray pages’ and other suitable locations to inject a change of pace into our cyberpages.

Art …
Contributing art editor Jose Rodeiro , with photographer Christie Devereaux, take readers on another art odyssey, this time to ancient Greece and Rome and “Art of the Mediterranean.”  Midori Yoshimoto interviews artist Babs Reingold, whose latest series “The Last Tree” speaks to the unnatural decimation of the natural environment.

Photography …
An e-interview with Sebastian Łuczywo by photo editor Chuck Haupt reveals the passion that drove the Polish photographer to pursue his art and craft. Brent Williamson, aka Teknari, is back in Ragazine with Whatever Comes, a showcase of large images on tempered glass created using his own film and plates in a unique photographic process. Ellen Jantzen returns with a series titled Compressing Reality produced by blending a series of shots ‘taken in the moment,’ into a moment. Ghislain & Marie David de Lossy share their ultra-high resolution images of nature; unfortunately, you won’t be able to see them here as they and others do when properly presented, but you’ll certainly get the idea. Rounding out “photography” is “Photo Editor’s Choice,” vibrant images from some of Sweden’s top photographers.

Video …
Contributing editor Ginger LiuOn Location/LA, interviews videographers Enrico Tomaselli and Francesca Fini.  Video posts include works from FiniCecelia ChapmanSteve Johnson and Jeff Crouch. Tomaselli is project director of The Project 100×100=900, which celebrates the 50th anniversary in 2013 of Video Art. One hundred video artists from around the world are invited to participate; each will produce a video artwork inspired by one of the previous 100 years, with an international exhibit to follow.

Politics …
brics flags
Politics editor Jim Palombo extemporizes from his winter residence in San Miguel Allende on re-thinking Karl Marx. In this latest chapter of his ongoing analysis of “Is it Capitalism, or is it Democracy,” Palombo looks at the BRICS nations (Brazil, Russia, India, China and South Africa), and how they relate to America’s economic, social and military presence in the modern world.

Literary …
Contributing editor (Latin in America) Lilvia Soto reviews Eulogy for a Brown Angel, by Lucha Corpi, “a murder mystery set against the background of the Chicano civil rights march of August 29, 1970.” Books editor Alan Britt reviews Lost Arts, by Leslie HeywoodRagazine‘s creative nonfiction editor. Britt writes that what you will find in Lost Arts is “a hands-on, often literal, bare-bones diction that is occasionally peppered with the right dose of metaphor.”

Poet and professor Silvia Scheibli reviews Duane Locke’s The First Decade, a collection of poems the reviewer describes as “a book that takes its readers day by day through the pantheistic, sacred landscape of the imagination into a new and exciting linguistic reality and also constructs a broader picture of the callous and inhumane treatment society perpetrates on itself through menial self-deceptions and unmistakable denials.”

John Smelcer,Tom Sorci, Dave BongaandTrudell Guerue  remember author/friend Michael Dorris. Dorris (1945-1997) was the award-winning author of numerous books, mostly about the Native American experience, including his popular novel, A Yellow Raft on Blue Water (1987).

In Sarah Odishoo‘s creative nonfiction  piece, “The Projectionist: Show Me,” the author grapples with the existential balancing acts of love and life. Thaddeaus Rutkowski, in his fiction piece “Out of Fashion,” examines reasons why one might not want to declare as an artiste.

On the poetry front,  poets Emily Vogel and Lisa Flowers take a look at each other’s work in two analytical essays that reflect each woman’s approach to her own poetics, as well as an understanding of the other’s. Reviews and analysis aside,  we trust you’ll appreciate and enjoy the work of poets Abby MurrayPaige Gittelman and Andy Doyle.

Holding up the roof …

columnsMark LevyCasual Observer: Comments on the anxiety created when you don’t know where your anti-anxiety pill has gone.

Mircea Filimon,Gay Life: Ponders the contradictory roles religion plays, and the influence it has, on being gay.

Bill DixonFrom the Edge: Delights in not sharing   oddities of the English language, preferring instead to keep a beer-drinking friend a friend. Dixon, by the way, recently underwent quadruple bypass surgery and isn’t back, yet, to his old habits… or haunts. That should be something to write about.

Scott “Galanty MillerRe-Tweets. The professor rants in short form about peeves, pecadilloes and personal favorites, among them, Sean Connery.

Fiction Contest …
Ragazine.CC ‘s fiction contest is under way! We are offering $1000.00 first place prize for the best speculative fiction story written by a person of color in 2013. Complete information on the contest, including its origin with fiction editor Joe Weil; a bio of the final judge, speculative fiction author Sheree Renée Thomas; and, contest guidelines, can be found on the “Contest” page.

Thanks for reading!
— Mike Foldes


Fear itself.
Fear itself.


Material that appears in is copyright the contributor, unless otherwise indicated. Additional Copyright information is available on the SUBMISSIONS Page. All rights reserved.
Ragazine, updated approximately six times a year, is a collaboration of emerging and established artists, writers, poets, musicians, photographers, travelers and interested others, with a goal to promote an eclectic selection of subject matter to an international audience. Please carefully read submission guidelines before sending material.

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Yes, it’s a whistle.
Constant discoveries occasioned by simply moving forward make the effort, no matter how difficult, all worthwhile. We trust you’ll advance to the horizon with us by spending a little more time than usual reviewing the most diverse offerings we’ve ever assembled under ‘one cover.’
For starters, while putting together this issue, many of us were still burning off the energy created during the recent Ragazine/We Are You Project fundraiser at the Maysles Cinema in Harlem. Photos and comments from the event appear at, and elsewhere here in Ragazine.
Fiction Contest:
With this issue, we bring aboard fiction editor Joe Weil, who is taking over for Metta Sama. When the idea of having a fiction contest was bobbing around, Joe suggested we make it a contest for “Speculative Fiction by People of Color,” and Metta suggested we get in touch with Sheree Renée Thomas, who we’re most pleased to say, agreed to be the final judge. Thomas’ bio, which reveals why she’s precisely the right person for the job, appears on the contest page along with Joe’s thoughts on the subject, competition rules and submission guidelines.
What’s inside:
An interview with artist Chuck Plosky, whose years in Tonala, Mexico, helped shape whistle sculptures, such as the one above. The interview, by Ragazine art editor José Rodeiro, includes galleries of Plosky’s work.
An interview with Brooklyn-born street artist RAE, whose recent show in London drew RAEve reviews. You may have seen some of RAE’s works around New York. See more in the gallery accompanying the interview.
Rodeiro doubles down in an interview with Dr. Deborah A. Sanders, a leading US supporter of this fall’s trail-blazing “Africa Speaks” global initiative in Pretoria, South Africa. The article includes a statement by American artist Ben Jones, whose “Evolution/Revolution 2” is to be featured at the initiative.
wide-ranging update from Zaira Rahman, on various subjects and conditions On Location in her native Pakistan. 
Kids Like Blues,” an interview with the popular program’s creator Jon Schwartz, by contributing editor Ginger Liu On Location in LA.
An article looking back at the influence of Politics on Art in 19th Century France, by Patrick Ferguson with an introductory comment by politics editor Jim Palombo.
A studied look at the influence of boarding schools on Amerindian literature by contributing editor John Smelcer, and Joseph Bruchac.
Multiple reviews selected or written by books editor Alan Britt, including two on the same collection, “Native American Classics,” Graphic Classics Series Volume 24. One is by Britt, the other by Dale Seeds, who aptly describes it as “a collection of Native American stories rendered in the graphic novel/comic book format (that) features a synthesis of Native American traditional stories transcribed on or before the 20th century with the work of contemporary comic/graphic novel artists.”
Music reviews and commentary by music editor Jeff Katz, contributor Jeff Edstrom and Jeff’s buddy in Berlin, Fred Roberts.
Poetry by Joel SoloncheTara Betts and Gerburg Garmann.
Fiction from Eric Schafer in Vietnam, and Rachel Guido deVries.
New columns by Bill Dixon (From the Edge) and Romanian ex-pat Mircea Filimon (Gay Life), as well as the continuing saga of Casual Observer Mark Levy and the Re-Tweets of Scott “Galanty” Miller.
Videos from Stephen Schweitzer, Eliane Lima, Jason Greendyke and Karina Wiciak.
Creative nonfiction from Rick Bailey,James Randolph Jordan and long time environmental activist Daniela Gioseffi.
Photography of Dance from German photographer Franziska Strauss; American Larry Hamill’s experiments in creating 3D images; Serbian Rina Vukobratovic’s photographic exploration of sources of emotion.
Look for illustrations by Walter Gurbo and Briton Jonathan Kelham; they could appear anywhere, anytime, and sometimes do. Enjoy!
Thanks for reading!

Mike F.

Stairs of Life, Walter Gurbo’s Drawing Room



Old stuff:

Twitter: Follow @ragazinecc

Material that appears in is copyright the contributor, unless otherwise indicated. Additional Copyright information is available on the SUBMISSIONS Page. All rights reserved.
Ragazine, updated approximately six times a year, is a collaboration of emerging and established artists, writers, poets, musicians, photographers, travelers and interested others, with a goal to promote an eclectic selection of subject matter to an international audience. Please carefully read submission guidelines before sending material.

Got a different way of saying it?



Free as always — But you can still contribute!

If you like this site, please tell your friends about us! Thanks!



Snail Mail: Ragazine.CC
c/o POB 8586
Endwell, NY 13762
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On with the show!

 Let’s start with the anonymous aphorism, “Time stands still for no one,”  that familiar and inclusive declaration of the transitory nature of being. Simply put, 2012 is over, long live 2013…

Not too soon to say good-bye, either …. floods, fire, famine, war, wanton murder, plague… Six Horsemen, and an Apocalypse that didn’t happen.

So, on with the show, and a good one it is, including: John Smelcer‘s memoir of times shared with John Updike; images from the portfolio of Rahi Rezvani (cover image, above), accompanied by an interview with the photographer; poetry from Elizabeth AndersonTom BairJohn BellingerMolly Goldblatt, and an interview with poet David Ray.  Art content features a retrospective of the work of Mary-Ellen Campbell, and Jose Rodeiro’s Art History romp from Ireland to Italy and back again. Politics editor Jim Palombo mixes it up with art in an overview by Martin Rosenberg of Polish posters produced under Communist regimes.

Music Editor Jeff Katz provides his annual roundup of  the year’s 10 Best — meaning, most listened to music in 2012, not just FROM 2012 (Yes, there are seismic shifts in that list from year to year), and a review of Graham Parker‘s “Three Chords Good.”  Fred Roberts brings back Berlin, circa 1980s, and Eric Schafer chafes at those who disrespect Rolling Stones from days of yore.

Jonathan Evans recounts in “Legend of a Gone World” time spent with the inimitable Peter One, foremost photographer of  Moroccan kif culture, along with images from Peter’s 1975 postcard booklet, “The Kif Smoker.”Bill Dixon answers a wake up call in New Orleans’ Latin Quarter at dawn. Robert Scotellaro provides a couple of short takes on the fiction front. C. Goodison kicks with her story, “Wolf at the Door.”

Don’t miss regular features: Galanty Miller’s Re-Tweets; Mark Levy’s  Casual Observer, “Life’s a Gamble,”  and pictures from the wall of Walter Gurbo’s “Drawing Room.” Sci-Fi’s on the menu of  Alan Britt’s selections for review. If you want to find out what events may be happening in your part of the world, or elsewhere, have a look at our EVENTS page. And,  from time to time, check out short takes about our readers and contributors that appear in “News, Haps & Snaps.”

We regretfully say good-bye to Metta Sama, our fiction editor for the last few years, whose final selections for Ragazine appear this issue. She’s done a great job and we’ll miss her steadfast effort to identify the best new short fiction writing of the day as she moves on to more teaching, writing and the tribulations of making a real living.

Thanks for reading!

Mike F.


Walter Gurbo’s Drawing Room



Ragazine.CC/We Are You Fundraiser Tickets:

Feb 23, 2013, Maysles Cinema, NYC, NY

4 p.m. to 10 p.m.



Old stuff:

 Twitter: Follow @ragazinecc

Material that appears in is copyright the contributor, unless otherwise indicated. Additional Copyright information is available on the SUBMISSIONS Page. All rights reserved.
Ragazine, updated approximately six times a year, is a collaboration of emerging and established artists, writers, poets, musicians, photographers, travelers and interested others, with a goal to promote an eclectic selection of subject matter to an international audience. Please carefully read submission guidelines before sending material.

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Contact: …

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 We are where we’re at …

but we won’t be forever


“Ragazine is a collaboration of emerging and established artists, writers, poets, musicians, photographers, travelers and interested others, with a goal to promote an eclectic selection of subject matter to an international audience.”

You may have read that sentence before; it runs near the bottom of every Welcome page.

The zine that began eight years ago to share the art, poetry and photography of a small circle of friends now generates growing interest and increasing support from hundreds of contributors and thousands of readers around the world. You might say we’re reaching our target audience. Except for the fact that many in our target audience are themselves targets of another sort. For any number of reasons, from political or military repression, to ethnic and religious prejudice, to social norms and economic disparity, they are denied access to open forums where they can bring their ideas to light and flourish.

What better way, then, than to close out our eighth year of publication with a diverse  selection of material that reflects how we are dealing on myriad fronts with challenges  to human progress and enlightenment in the 21st Century. In early October, we published “The Levant Exhibition,”  a mid-issue post of one of many papers presented at a recent symposium in the United Arab Emirates examining “aspects associated with orientalist art creativity in Levant,” and dealing “with the most prominent features and historical eras related to orientalist arts,” including  “aesthetics, the approach and the printing techniques of the orientalist paintings.” The exhibit, borrowing heavily from the collection of Sheikh Sultan bin Mohammed Al Qasimi, a member of the UAE supreme council and ruler of Sharjah, presents western artists’ perceptions of the region, principally in the 18th and 19th Centuries. Many of the images hearken back to what some might recall seeing as children in illustrated editions of The Arabian Nights – where, it seems, too many of us learned our history lessons. Mohammad Mahdy Hemaida’s paper was selected because it seemed more objective about the artwork, and carried fewer political undertones, than some of the other presentations.

The article remains live, residing in the current issue alongside an impressive scholarly review of three “Fertile Crescent” exhibitions in a cross-disciplinary art project on display now in Princeton and New Brunswick, New Jersey.  “Politics, Society and Sexuality in Middle Eastern Art,”  by professor Virginia Fabbri Butera, Ph. D., is an educated look at the art produced by women from or associated with cultures where the social and political fabric binds them in ways that deny opportunities to freely depict frustrations, realities, hopes and dreams. It’s unlikely this breakout exhibition will ever hang in the same halls as art of the Levant.

Some time ago we had the good fortune to connect with We Are You Project. WAYP is an international organization based in New Jersey publicizing contributions of Hispanics to American art, culture, education and the economy, and by their example fighting the anti-immigrant fervor that simmers today in this country. To this end, we’ve shared work of WAYP artists and poets, and have planned a joint Ragazine.CC and WAYP fundraiser at the Maysles Cinema in New York City(POSTPONED due to Sandy; Rain Dates to be announced). We hope you’ll join us.

For a clearer understanding of what many Hispanic-Americans feel and face living in America today, read Professor Lilvia Soto’s insightful message to a Latino audience on a U.S. college campus that holds as true today as it did when delivered in 2009. Then, continue on to her translation of Mexican poet Alberto Blanco’s poem, “The Undocumented.” Blanco, one of the most recognized contemporary  Latin American poets, received the Octavio Paz Poetry Award in 2001.

Photographer Karen Miranda, who lives in Queens, New York, collaborates with native communities and with her relatives as subjects of her photography projects. She has worked with the Mandaeans from Iraq and Iran living in Sweden and Detroit,  Waoranis in the Ecuadorian Amazon and Andes Mountains, and for a brief period with the Mam in Guatemala. Her intimate portraits tell a tale of their own, but you’ll learn a bit more about her approach in our interview.

Tice Lerner’s debut exhibit last summer at the Anthony Brunelli Gallery in Binghamton, N.Y., placed him prominently on the stage of photographers whose works embody both empathy and contrast with an outside world not of his subjects’ own making. Lerner, an engineer by training, captures neighborhood denizens in a once-thriving upstate city striving to remake itself. His photo on this month’s cover (above) is an invitation to see and know more about what makes him, and his approach to photography, unique.

Photographer Steve Bromberg has spent enough time in China to know his way around a bit more than most. His camera reveals a nation of contrasts as it struggles with change, and the scars that struggle leaves as the country transitions from an agrarian Communist to industrial Capitalist power.

Artist Stephanie Rond’s subtly provocative works focus largely on distrust. The “Dick and Jane,”  storybook-type illustrations incorporate clues to a world populated by wolves in men’s and boys’ clothing. Active in the Columbus, Ohio, arts community, Rond is also curator of the miniature s.Dot Gallery.

Jack Zipes discusses “Why Fairy Tales Stick,” with Ragazine contributing editor John Smelcer. Zipes, a foremost scholar of the fairy tale, postulates “that the most important stories in a culture become memes, “which evolutionary biologist Richard Dawkins proposed in his book The Selfish Gene (1976)…” If you like fairy tales, or wonder where they come from and why some persist where others don’t, you’ll certainly remember this conversation.

In an artful essay, author and Nobel Prize for Literature runner-up Paul West wakes the unconscious mind with a literary foray into the writings of Samuel Beckett. West ventures to examine the short stories of Texts with a critic’s evincing eye and ear. Commenting on a passage in “Assumption,” he writes, “Something rippling evokes muscle and, as always in Beckett, a better mind than the mind on show makes the whole thing irresistible.” We trust you’re up to it.

Creative nonfiction editor Leslie Heywood says her selection for this issue, “The Sleep Scale,” commanded the rapt attention of other students in her class at Binghamton University when read aloud by its author Cecil Jordan. Read it to yourself. Read it aloud. Be advised: Not a cure for insomnia.

Fiction editor Metta Sama delivers a piece from Alison Meyers titled “Pest Control” that focuses on the continuing divides between haves and have nots, whites and people of color, the privileged and those who work for them.  Live a few snippets of their lives; see what the other sides see of each other. Reflect.

Poetry editor Emily Vogel provides selections from poets Phil Boiarski, Devin McMicken and Nicholas Wilsey.  Boiarski’s been writing and publishing for more than forty years; McMicken’s first public reading took place in early October. Wilsey DJs a poetry-focused radio show.

Alan Britt joins the Ragazine team as Books/Reviews editor. The Books section will move from a Page to a Post, which can be dated and saved for archiving. In his initial offering, Britt reviews three volumes from Split Oak Press, and includes Paul Sohar’s examination of The New Arcana by John Amen and Daniel Y. Harris. Find out more about Alan Britt in “About Us.”

Music editor Jeff Katz examines the “music listening and buying experience” as it relates to The Internet Radio Fairness Act. The bill aims to “lower the royalty rate that Internet radio stations like Pandora pay from over 50% of total revenues, to the less onerous 7ish% of revenues that satellite titans like SiriusXM pay, or even the cable rate of 15%.” Asks Katz, “It’s all about fairness, no?”  Also on Katz’s agenda: Reviews of Bob Dylan’s latest, Tempest, and The Once and Future Carpenter from the Avett Brothers.

Politics editor Jim Palombo discusses education and empowerment in the modern age, where the notion of a healthy society comes into play.  Under-education and a desensitized environment, Palombo contends, contribute to an “unhealthy state of affairs.”  Jumping from that to “Part II,” Palombo comments on what’s being said about the subject on the campaign trail to Election 2012. Add to that contributor Doug Bond’s satirical overview of the Last Minute October Surprises coming our way, and you have a wide-screen advantage over the next guy.

Casual Observer Mark Levy casts a jaundiced eye at too-real developments in high-def television technology; Galanty Miller begins his collection of Re-tweets with, “The richest man in the world has something in common with the poorest man in the world; they both want to be richer.”  And throughout, the illustrations of Nadja Asghar and Walter Gurbo.

Enjoy. As always, thanks for reading!

– Mike Foldes

 * * * * *


 * * * * *






If you can’t make Money …

Make Art

If you can’t Make Money, Make Art. If you can’t Make Art, Make Money – and spend it on Art. The arts may not be able to lift everyone out of poverty, but they do have the power to lift the spirits of rich and poor alike. A good enough reason to keep our shoulders to the wheel.

What’s inside:

Karl Polanyi was one of the most influential economists and social thinkers of the last century. His work, widely read and recognized throughout the world, is largely unknown in the United States. When Politics Editor Jim Palombo discovered that Polanyi’s daughter, Prof. Kari Polanyi Levitt, is living in Canada, he reached out for an interview. Prof. Levitt, in her own teachings and writings, is carrying on her father’s legacy, and the two professors share that and some of their own critical thinking here.

Nikolai Buglaj is more interested in capturing the essence of an idea than in fame and fortune. In this regard, he has few peers. Art Editor Dr. José Rodeiro and artist Christie Devereaux interview Buglaj; and, in an accompanying article “The Artist Who Refuses to Show,” Rodeiro examines Buglaj’s work and its historical value as “art for art’s sake.”

Jeff Katz moves beyond the sound stage to share the joy of watching his autistic son Nate achieve a personal best with an art exhibit in Soho earlier this year. Katz’s memoir of that event is aptly titled, “Really, It Was A Miracle.” Elsewhere, Katz jumps back into his role as Ragazine’s music editor with a variety pack of short takes on old favorites and recent discoveries. Also on the music front, Eric Schafer, back in the States for some physical therapy and R&R after several years working in Viet Nam, writes up some of his own “I wish…” covers of favorite tunes from the not-so-olden days.

Photography features this issue include, as always, Chuck Haupt’s “The Photography Spot” – individual photos with explanations from the do-ers about motivation and origins. This post is about the resilience of boys, no matter where they come from. In addition, photographer Todd Smith takes us to the shore and more from the ’70s to today, in a “compare and contrast” visual essay about changing times.

Poetry: There’s plenty to choose from: Lauren Tursellino, Samantha Zighelboim, J. Barret Wolf and Simone Kearney; an interview with poet-author Klaus Gerken, publisher of the literary journal Ygdrasil; a review by Paul Sohar of poet Alan Britt’s Alone with the Terrible Universe; and a look back at the convergence of art, poetry and architecture at 1WTC Visitor Center the day the building became the tallest in NYC.

From author Christopher Panzner, an American in Paris, comes “A Tati Moment,” an entertaining oblique excerpted from his first collection titled SLOW. (In my mind, Georges Seurat paints Marcel Marceau or the Little Tramp.)

Sarah Silbert’s “Mondays Can Seem Like Sundays,” is a mother’s reflections on raising a family in rural Vermont. Silbert strives to maintain the will to preserve the events, large and small, that help her maintain her own identity, even while it further entwines with those of her loved ones.

If you didn’t get ‘em while they’re hot, catch Galanty Miller‘s retweets, featuring the wit and wisdom of Prospero. For example, I think it’s unfair that it’s so hard for aging actresses in Hollywood to find good roles in the Transformers movies. And before you stop laughing, tune in to Mark Levy’s Casual Observer as he looks at life through a jaundiced eye. Kind of like Nadja, who did the illustration for Mark’s column. Or our friend Walter, here…

Happy autumnal equinox, and …

Thanks for reading!




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Material that appears in is copyright the contributor, unless otherwise indicated. Additional Copyright information is available on the SUBMISSIONS Page. All rights reserved.
Ragazine, updated approximately six times a year, is a collaboration of emerging and established artists, writers, poets, musicians, photographers, travelers and interested others, with a goal to promote an eclectic selection of subject matter to an international audience. Please carefully read submission guidelines before sending material.
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V8N4 July-August 2012

"Consumption," M. Owczarek, V8N4/2012


We haven’t come a long way, baby

June 29/30, Endwell

Pick a topic. Any topic. Write about it without injecting yourself into it. Write about anything else, but not … You. Make a list: Politics, culture, art, war, peace, food, hunger… recognizing opposites begins to come easily, a cheap way to make the list longer with little extra effort. Stop there. Begin again. A month goes by. And then another. Openings, closings, travel for business, travel for fun, travel for no other reason than to get from there to somewhere else. Or here. “Outside the beltway.” “West of the Hudson…” In touch with realities. Each powerful word carries with it a visage, a comprehensive, multi-dimensional emotional package of what is (fill in the blank), for example, CULTURE: So much of what Politicians debate and the Media presents should go without saying. Yet it’s part of Our Culture to be zealously fractious.

So every couple of months the contributors and editors of Ragazine bring at least some of it back together under one e-cover.  We’re especially proud with this issue to provide the vehicle for reintroducing Walter Gurbo’s “Drawing Room” to a surreality-starved world.  Gurbo returns with Drawing Room after an hiatus that followed his 12-year tenure contributing panels to the village Voice. His work appeared in Ragazine simultaneously with a show at Anthony Brunelli Gallery in Binghamton last year. You can recap at:

Other recent additions to the crew – you already may have seen or read their work – include: Dr. José Rodeiro (Art); Monique Gagnon German (Copy Editor); Rhonda Branca (Flag Waver, until she has time for something more); Scott “Galanty” Miller (Columnist/re-Tweeter-ist)and Nadja Asghar (Illustrator). Metta Sama, our fiction editor for the past few years, is stepping down. She tried to quit once before, but we wouldn’t let her. Metta’s selections will run through the January-February 2013 issue. We wish her well in her new ventures, and the chances are good you’ll be hearing from or about her here again. Joe Weil will be picking up as fiction editor where Metta leaves off – with the March-April 2013 issue. Joe, a long-time Ragazine supporter, was poetry editor early on and we’re glad to have him back in this new role. You can read more about them all in About Us.

What in store with V8N4? Where to begin?

* An interview with Cuban artist Raul Villarreal, who co-authored a book with his father Rene Villarrealmajor domo at Ernest Hemingway‘s Finca Vigia estate outside Havana. Villarreal’s paintings embody the culture and sentiment of the disenfranchised who left the island nation after Fidel Castro rose to power. The article appears as Hemingway scholars recall the author on his birthday, July 21, 1899.

Poets Chelsie Malyszek; Alfred Corn; Melissa Schwalm and  Nicole Santalucia appear along with a review of Maria Mazziotti Gillan‘s forthcoming “The Place I Call Home” by poetry editor Emily Vogel.

* Politics editor James Palombo offers a snapshot of Harlem from a visit to the Maysles Theater for presentations of Stain – Changing Lives After Incarceration, and “OWS,” a series of shorts on the Occupy movement.

* On the side of Art, we have an interview with collage artist-photographer Marcin Owczarek, whose piece, “Consumption,” leads this page. Owczarek’s work intrigues and mystifies at once. And get ready for a leap of faith with José Rodeiro‘s exuberant review and analysis of Christie Devereaux’s latest show, which opened at The Treasure Room Gallery in New York at the end of June. Find out what drove Devereaux to make ART in an accompanying interview.

* The Fiction roster lists Rosebud Ben-Oni‘s short story, “As the Twig Is Bent,” and flash fiction from Hermine Pinson, “The Cat and Mouse and the Shoe.” Creative Nonfiction by Paul Sohar, “Worm Dialog,” recounts an endurance run on a trans-Atlantic flight with a fellow traveler who thinks he’s identified the leading actors in the space-time continuum.

Photography highlights include an interview with French photographer Pierre Corratge. Corratge practiced medicine for 30 years before turning his energies full time to the camera. Find opposite points of view in interviews and galleries from DJ Pierce and Dennis Maitland; and, find out what ticks in “the Photo Editor’s Choice,” selections by Chuck Haupt with “the story” behind each piece from the photographers.

* On the Humorous side, read what Mark Levy in Casual Observer has to say about “Bobs”, and be bitten by the satire of Galanty Miller‘s re-Tweets.

* Did someone say “Music“? If you’ve been following our friend Jeff Katz‘s articles, you know he has wide-ranging tastes and angles. This issue he sets up a bunch of friends to go toe-to-toe on “Beach Boys vs Beatles,” while Fred Roberts puts into words the rapture he felt listening to singer-songwriter Maia Vidal in a Barcelona bistro.

* Finally, a visit to Haiti to teach batik takes Jonathan and Beth Evans to Gonaives. There the travelers find themselves face-to-face with a culture unlike any other, as they bring their art to a community where it just might take root and grow.



 Thanks for reading!

 − Mike Foldes


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Material that appears in is copyright the contributor, unless otherwise indicated. Additional Copyright information is available on the SUBMISSIONS Page. All rights reserved.
Ragazine, updated approximately six times a year, is a collaboration of emerging and established artists, writers, poets, musicians, photographers, travelers and interested others, with a goal to promote an eclectic selection of subject matter to an international audience. Please carefully read submission guidelines before sending material.

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Volume 8, Number 3, May-June 2012


Real Dreams

I’ve had some strange dreams lately, and not a few had to do with Ragazine. Indirectly, of course, but somewhere in those thoughts, twisted like brambles in a centurion hedge, the trail led back to the Rag. Because that’s where the creativity is. Look at the work represented in these cyberpages, most obviously, perhaps, the Art and Photography, because for those of us with eyes that can see, the visuals are an immediate challenge to fathom, if not believe. The Poetry, the Fiction, the Creative Nonfiction, Music Reviews, Political Commentary and other literary bytes are harder to comprehend; they have to be taken in word by word, line by line, page by page. Only by diving deeper into the heart of these ideas can one hope to grasp their meanings. Reading, however, takes time and concentration, two things too often in short supply. We trust this issue of Ragazine will awaken your inner self, derail the Daily You long enough for the Real You to resurface — without a slap in the head from Larry, Curly or Moe.

* * *

Art-heavy, we are, and internationally so. Briton John Tierney‘s paintings have been likened to David Hockney and Edward Hopper, but he retains his own unique style in bringing scenes to life on canvas. In an interview, the retired criminology professor discusses his work,  ”nature vs nurture,” and whether he would  travel the same road the same way again.

“Three Hot Brazilian Artists” – Priscila De CarvalhoDuda Penteado and Gersony Silva – are introduced to Ragazine readers in an article by Dr. Jose Rodeiro that includes galleries showcasing the work of each. The artists and the article’s author have been instrumental in promoting WE ARE YOU Project International, furthering the cause of equal rights and immigration reform as it affects the growing Latino community in the United States (

Canadian Xavier Landry savages contemporary society with the same sharp wit as Lenny Bruce, only on canvas. In an interview, Landry explains how current events, fast food and historical personages figure into his world of Cabbage Patch Kids grown-up. Perhaps as fitting to say, “What Alice didn’t find when she fell down the rabbit hole….”

Danish-American artist Hanne H7L‘s surrealist imagery will teach you not to crack your knuckles. In an interview, H7L talks about her methods, her vision —  including the complex layering of photographic images in ghostly procession – and her artistic influences, among them Henry Buhl and Yoko Ono.

The curative power of art is found in an article from Rose Robin about the recently popularized Mexican fishing village of La Paz, Mexico. Development in La Paz has displaced many of the original residents. Robin organized Painting Pirates to give impoverished children a positive outlet in otherwise bleak lives, imbuing them and their families with hope for better days ahead.

Rounding out the this issue’s art assemblage is the work of Tuten Hiromi Sakurai, aka Tuten, whose vibrant expressionist paintings resonate wildly, at the same time they break with what we in the West might see as Japanese painting tradition.

Poetry editor Emily Vogel has selected the work of five poets for this issue:  Monique Gagnon German, Kathleen Keough, George Moore, Juan Soler and Barbara Sue Mink Spalding. Great coincidence that with so much poetry as National Poetry Month winds down, we’re also showcasing an Anti-Poetry-Month essay by Charles Bernstein on the News & Haps page. It’s a good bet this essay will appear yearly in April (somewhere) as surely as a letter to Virginia appears on editorial pages in newspapers across America at Christmas time.

Creative nonfiction editor Leslie Heywood brings to the fore thoughtful stories by Carol Sanford and Alexis Paige that explore finding the perfect “Now” in the perceived wilderness of rural America. Fiction from Beth Couture traces the path of curious girls and the risk one of them takes that carelessly puts a man’s life on the line. Fiction editorMetta Sama comments, “Hot damn! This is a great story. Creepy. Desperate. Sad. Honest. Familiar. Reminds me, in parts, of the wickedness Alice Munroe can write out.”

In our regular features, Politics editor Jim Palombo, who spent the winter in San Miguel Allende, points to environmental concerns that should be forefront (even if they’re not) at the upcoming G20 meeting in Mexico. Music editor and Cooperstown’s new mayor Jeff Katz reviews Blue CheerCWB and Bruce Springsteen’s  Wrecking Ball.  Casual Observer Mark Levy  returns with a positive take on getting older… sage advice on saving from a new Floridian. Welcome to illustrator Nadja Asghar, whose work appears as one of our rotating headers, and ‘inside’. Last but not least by any means, as you can see when you browse our pages, Photo editor Chuck Haupt has selected five memorable images with photographer statements for this issue’s the PHOTOGRAPHY Spot.

Ragazine.CC. Miss it and miss out.

Thanks for reading!

 − Mike Foldes


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Material that appears in is copyright the contributor, unless otherwise indicated. Additional Copyright information is available on the SUBMISSIONS Page. All rights reserved.
Ragazine, updated approximately six times a year, is a collaboration of emerging and established artists, writers, poets, musicians, photographers, travelers and interested others, with a goal to promote an eclectic selection of subject matter to an international audience. Please carefully read submission guidelines before sending material.


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Volume 8, Number 2, March-April 2012


Party On

Let’s hope the worst is over with the GOP Presidential primaries. This is not a political statement. Just the sad fact that so much money is being wasted by also-rans. They’d likely win more votes by contributing the millions they receive in SuperPAC money to help satisfy global needs for food, clothing, education, shelter and medicine. Instead, in the relentless pursuit of a seat at the table with Really Big Poobas, the most resilient candidates settle for a sustained diet of rubber chicken dinners, the style and class of sweater vests, and vain efforts to seat themselves a little closer to their makers, both in heaven and on earth. Why are these losers still in the race? What did Newt do for that special someone in his life to contribute millions to a campaign going nowhere? What will happen to the treasure chests when the dust settles and it’s time to regroup until the next campaign? Go into treasury funds?

It’s a sad day for America when “freedom for all” gives way to parochial interests. But that’s what 2012 is shaping up to be. Now on to more satisfying things.

There’s a load of great stuff in this issue of Ragazine, including much better fiction than I offer, from professor and artist Steve Poleski;  creative nonfiction from Jennie Case exploring community gardens; the inimitable cityscapes in the photography of Martin Stavars; and an incredible look into Mumbai’s dhobhi ghat from Adeel Halim, street photographer extraordinaire, whose photograph of Mumbai’s open laundry tops the Welcome page .

Politics Editor Jim Palombo takes a more serious and encompassing look at the political scene in his “Primer to the Primaries – and Beyond.” With a clarifying review difficult to locate anywhere, Jim presents political, economic and social considerations which in turn affect concerns around the globe. This unusual piece will definitely speak to bettering your ideological acumen, which in these turbulent times, is something to be looking towards.

Coinciding with the 30th anniversary of the death of author John GardnerJoel Gardner discusses his father’s work with contributing editor John Smelcer.  Poetry offerings include work from Claudia SereaAlan BrittCarol DineEvan Hansen, and poems from 14-year-old Carly Gove. We round things out with a meditation jointly composed by Dalai Lama Tenzin Gyatso and Smelcer, and illustrated by Micah Farritor.

Music editor Jeff Katz offers his usual eclectic mix of reviews and opinion turning his practiced eye on the Avett Brothers, the classics of the Jet Set, and his own favorite first tracks of debut albums.

Tara Dervla deconstructs the painting Hips Don’t Lie, from José Rodeiro, art professor at New Jersey City University;  contributing editor Miklós Horváth interviews the worldly performance and visual artist Murray Gaylard; and John Kelly exalts in The Art Museum, a recent release from Phaidon publishing. Indigenous art lovers will appreciate Images from Injalak, a project of the indigenous people of Australia working with Melbourne-based artist and printmaker Andrew Sinclair, with an informed introduction by Marguerite Brown, exhibition curator.

I can’t think of a better way to slide into spring and away from the cacophony of current events than to spend a little more time with us than usual. As for those of you in Southern Hemispheric temperate climes, it’s time for tea and honey.

Thanks for reading!

 − Mike Foldes



Material that appears in is copyright the contributor, unless otherwise indicated. Additional Copyright information is available on the SUBMISSIONS Page. All rights reserved.


Ragazine, updated approximately six times a year, is a collaboration of emerging and established artists, writers, poets, musicians, photographers, travelers and interested others, with a goal to promote an eclectic selection of subject matter to an international audience. Please carefully read submission guidelines before sending material.


Volume 8, Number 1, January-February 2012


Reader’s Challenge Issue

Fun Food For Thought

Civil society in America is evolving faster than anywhere else in the world. The Middle East, China, Africa, South America will catch up and possibly surpass us well before the end of this century in total economic output, but by then the rules of civil society will have changed dramatically. The economic and even political rules America and the world play by today have roots in the 19th Century. The developing world is doing what we have been doing for 150 years or more, and in some ways doing it better. But better is not going to be good enough. By the time the developing nations catch up, one would hope we will have further evolved into a society that breaks down barriers between humanity, technology and bureaucracy so that corporations — as governments — no longer are regarded as “persons”, but as constructs devised by people to realize human goals — and nothing more.

We hear a lot of complaints these days about what people don’t get in the way of intellectual stimulation from newspapers, magazines, or  television news shows.  “You give us twenty-two minutes and we’ll give you the world,” proclaims the most listened to station in the nation, and that’s great when you’re driving to work in the morning, but not if you want to begin to understand  the “Whys” and “Hows” behind the “Whats”.   Happily, and in a completely random fashion, this issue of Ragazine.CC brings together a banquet of food for thought about relational changes taking place in the biosphere.  We call it the “Reader’s Challenge Issue,” because you’re going to have to read a lot — and think about it —  to see how it all fits together.

A good starting point would be Eleanor Goldfield‘s article about the “Move to Amend” effort in Los Angeles that resolves that corporations should not enjoy “personhood”. Follow that with Scott “Galanty” Miller‘s piece based on his sociology class lectures − a discourse on how corporations, the internet, and technology in general, drain the individual of empathy, sympathy and, in turn, humanity, turning them, he laments, into “F**king A**holes”.

After these, you might want to dive into politics editor Jim Palombo‘s follow-up report on his visit as Ragazine envoy to the Rhodes Forum in Rhodes, Greece, where delegates from around the globe shared their world views on political, economic and social issues of the day. Jim also weighs in the OWS crowd. Not enough? Flay yourself further reading a moderated interview by Rosebud Magazine publisher and Binghamton University professor John Smelcer with Donald Pease, of Dartmouth University, and Robyn Wiegman of Duke University, as they discuss the present state and direction of American Studies.

Garnish this with dynamic portfolios from photographer Olaf Heine; the surrealistic comic bookish fine art of Fernando “Pulpo” Hereñu; fiction from Ann Bogle; Bengali poetry in the original and in translation from Masud Khan; poems by American poets Gail Fishman, Gillian Brall, Myron Ernst and Dwyer Jones; music reviewer Jeff Katz‘s annual TOP TEN Not-All-New picks from 2011; Mark Levy‘s “Casual Observer,” and more.

Just look inside to find it.

Thanks for reading!

− Mike Foldes


Material that appears in is copyright the contributor, unless otherwise indicated. Additional Copyright information is available on the SUBMISSIONS Page. All rights reserved.
Ragazine, updated approximately six times a year, is a collaboration of emerging and established artists, writers, poets, musicians, photographers, travelers and interested others, with a goal to promote an eclectic selection of subject matter to an international audience. Please carefully read submission guidelines before sending material.


Volume 7 Number 6, Nov-Dec 2011


Mr. Hyde, Dale Grimshaw

Occupying Wall Street

(This is not a potlatch)

The periodic redistribution of wealth by some Northwest Coast native American tribes is a great example of what was done at one time to ensure that everyone got an equal chance at a better life. Those “who have” were called upon to give much of it away. The same was expected of others in following years,  as they managed to amass material wealth. The honors went to those who gave away the most. What one accumulated was shared, a reminder we share the earth.  It was called potlatch.

The 99% sitting in at Zuccotti Park are not asking that the 1% give everything away; they’re asking for long-overdue reform of what is euphemistically called a profession, but which in Christ’s time would have been called something worse than “money changer”. It’s one thing to invest one’s own drachma in a venture, on-going or new, and another to skim the cream then spill the milk. That mark of greed coating the lip of the fat cats is a slap in the face to anyone who’s lost a job in the last five years, or who just graduated from college and can’t find one, or who’s working two or three jobs to make ends meet, where one used to be more than enough.

It’s too late to say that if all the money spent in the past ten years on the wars in Iraq and Afghanistan, and misspent by investment banks and brokerages on Wall Street and other financial centers around the world, were invested more wisely in education, health care, infrastructure and the humanities, we wouldn’t be living in this sad state of affairs. And it hasn’t stopped, as shown by recent charges against former New Jersey governor Jon Corzine, who allegedly bled MF Global of hundreds of millions of investors’ dollars. Since we are against the wall, it’s up to us — and the 1% in power who have a conscience — to help clean up the mess. Not the petty mess some point to as the “fault” of a group of urban campers, but the mess the financial and political ruling classes made tripping over themselves to feed at the brimming Wall Street trough. Photos from Occupy Wall Street appear here: ‎

* * *

We’ve got another astounding issue covering subjects and events as diverse as the work of Dale Grimshaw, whose painting “Mr. Hyde” is the cover of this issue, to the overlooked beauty of the Pakistani countryside in a travel piece by Zaira R. Sheikh, to the photography and haiku of Sean Lotman.  If you like poetry, you’ll love the work of the five other poets in this issue, Lyn Lifshin, Bianca StoneEsta Fischer, Pamela Uschuk and Ann E. Michael. In the realm of creative nonfiction, Joe Weil writes of “Fishing in a Filthy River,” and its undertow of memories, while Kimberly Dark recounts her unique acquaintance with Greybeard, a down-to-earth neighbor in Hawaii.

Music editor Jeff Katz recounts the “Sad Journey of Gene Clark”; Beth Timmins, resident writer with Giffords Circus, gives a peek under skirt of the Big Top;  Mark Levy, back after taking a break during which he moved to Boynton Beach, Florida, from Binghamton, New York, delivers his “Casual Observer” column, and his “Feeding the Starving Artist” pro bono legal series with a look at the new Patent and Trademark law.

Politics editor Jim Palombo gives an overview of his preparations for the annual Rhodes Conference in Rhodes, Greece. Jim, as an envoy from Ragazine, was one of only a few Americans at the event, which he plans to report on in our January issue.

Maile Colbert‘s “Letter to the Editor” ponders capital punishment with subtle eloquence; Sridala Swami’s short short stories will stay with you much longer than the time it takes to read them. And don’t miss Anthony Haden-Guest’s cartoon panel,  hidden somewhere in the gray matter within these e-pages. If you’re looking for something to do, check out the Events page for ideas about places and events where you’re likely to find like-minded Ragazine readers.

Thanks for reading… And thanks especially for passing it on!

— Mike Foldes


Material that appears in is copyright the contributor, unless otherwise indicated. Additional Copyright information is available on the SUBMISSIONS Page.
Ragazine, updated approximately six times a year, is a collaboration of emerging and established artists, writers, poets, musicians, photographers, travelers and interested others, with a goal to promote an eclectic selection of subject matter to an international audience. Please carefully read submission guidelines before sending material.


Free at last — But you can still contribute!




September-October 2011, Volume 7, Number 5

Big Apple Bites Back _ Walter Gurbo

Back to Basics

This issue’s cover art comes compliments of Walter Gurbo. If you were in New York back in the day, and read The Village Voice, you’ll remember Gurbo’s “Drawing Room”, superb panels of surrealistic images surrounded by sexed-up ads on the tabloid’s back cover. Always new. Always sure to stretch the imagination beyond the bounds of decorum. See for yourself in our recap of July’s retrospective at the Brunelli Gallery in Binghamton, New York.

Politics editor Jim Palombo interviews singer-songwriter Eleanor Goldfield, founder and lead singer in the band Rooftop Revolutionaries. Palombo explores and Goldfield explains with refreshing intellect how she reconciles making money and making change in a convulsing world.

John Smelcer offers an intriguing memoir of his acquaintance with Britain’s then poet laureate, Ted Hughes, and a subsequent friendship with Hughes’ and Sylvia Plath’s son,Nick. Smelcer includes a poem co-written by him and Ted Hughes as a bar “game” more enduring than darts.

Don Ruben, lawyer and long-time friend of Ragazine, interviews Drug Policy Alliance’s Tamar Todd on obstacles to legalizing medical marijuana nationwide, including conflicts with federal law in states that have already legalized it, and President Obama’s failure to follow through on pre-election hints he would work to decriminalize the herb.

Adding food for thought to the article on DPA, we’re pleased to offer the first of four panels contributed to Ragazine by noted author and cartoonist Anthony Haden-Guest.Subsequent panels will appear in the next few issues, where you will find them strategically placed to challenge your senses of self and humor.

Music editor Jeff Katz hooks up, so to speak, with Eilen Jewell, at the Oneonta Theater in Oneonta, New York, where the “turbocharged kewpie doll” and her band played in August to a country-loving crowd.

Welcome – in some cases, welcome back – to poets Hal SirowitzJohn Richard Smith,Laura Close; to poet-photographer Jeanpaul Ferro,  short fiction author Carlo Matos, and collage artist Joseph Bowman.  And if you have a few minutes more, check out the books and reviews, and Zaira Rahman’s Islamabad tripper’s diary.  Special thanks to Hala Salah Eldin Hussein who filed a story on the situation “on the ground” in Cairo, Egypt, that posted in mid-August.

Kudos to the editors and contributors who help bring Ragazine to the stage every couple of months,  and to the thousands of readers who give us the motivation to labor on again and again, year after year… We trust you’ll find plenty to enjoy!

Thanks for passing it on.

– Mike Foldes


Material that appears in is copyright the contributor, unless otherwise indicated. Additional Copyright information is available on the SUBMISSIONS Page.
Ragazine, updated approximately six times a year, is a collaboration of emerging and established artists, writers, poets, musicians, photographers, travelers and interested others, with a goal to promote an eclectic selection of subject matter to an international audience. Please carefully read submission guidelines before sending material.

Welcome: July-August 2011, Vol. 7 No. 4


From the 9/11 obsessions of Ultra Violet

The Good, the Bad …

and the Way It Is
Who can forget Nine Eleven? It carries the same tune as Sarajevo did for the generation that lived through World War I, and as Pearl Harbor did for the generation that fought and lived through World War II. It’s historical significance as the start of the War on Terrorism is established, but the lessons learned are indeterminate. The recent art of Ultra Violet explores the cause and effect of Nine Eleven in a variety of media from drawings, to prints, paintings and sculptures. It’s serendipitous that our interview with Ultra is running in this issue, even as the 10th Anniversary of Nine Eleven looms. And ironic that one of the icons of the aesthetic nihilism endemic in the New York City art scene of the Sixties and Seventies is now among those who lead the chorus calling for acceptance and understanding from both sides of a widening gulf between the Ancient and Modern worlds, to help ensure nothing like Nine Eleven ever happens again.
Moving right along …
We think you’ll find this issue of Ragazine especially challenging throughout. Rebecca Young finds out for herself and shares with all, what goes into the factory-like food chain that puts meat and potatoes on the table at a price almost everyone in America can afford — but at what cost?
Join noted author Cris Mazza and interviewer Kristin Thiel as they discuss Mazza’s writing and her recently published book, “Various Men Who Knew Us as Girls,” a woman’s disturbing trek along a path of sexual abuse, and her attempt to climb out of the psychological hole it puts her into.
Artist Shawn Huckins explains in an interview the motivation behind his “Revolution Revolution … ” series, which we think you’ll find surrealistically amusing. Hungarian writer Miklòs Horvàth comments on the recent Gauguin exhibit at the Tate Modern in London, with an examination of why his art was not as well received in Belgium in 1889 as it is today. What a difference a century makes!
Rounding out the art bubble, in a somewhat unusual fashion, Leon Tan in our Politics section brings to the table the ongoing political and legal debate over “Darfunica,”  a painting by Nadia Plesner on the order of Picasso’s infamous “Guernica” that challenges the complacency of the civilized world in the face of constant depredation in the widely ignored African nation, Darfur. Louis Vuitton found it so offensive they instituted a lawsuit against its content.
On the literary front, we’re pleased to have the poetry of Jennifer Diskin, D. Alexander Mosner and Charlotte Lowe; an amusing “mystery” from Pedro Ponce; a short short story of awakening by Racquel Goodison, and our regulars are back: Jeff Katz’s top ten failed musical partnerships, and reviews of Bowl Soup and Vol. 2 of The Baseball Project; Mark Levy reflects on the simplicity of life in the Amazon, and he and Nick Andreadis look YouTube in the face.
As always, your comments are welcome and appreciated. You’ll need to sign in to comment, but don’t let that stop you! And if you like what you find, please let your friends know we’re here. Lots of Summer Reading “Inside”.
Thanks for reading.
— Mike Foldes



Welcome: May-June 2011, Vol. 7 No. 3


the less said, the better. Tempting it is to let the statement stand alone. But that would would be to overlook the hard work and contributions so many people have made along the way to get us to this May-June issue of Ragazine, and the start of the summer reading season. With that in mind, take us to the beach on your e-reader, tablet or laptop…

On the docket this time around:
  • An interview with NYC artist Karen Gunderson and a gallery of her black paintings;
    the photography of Slovenian photographer Janez Vlachy, whose photo is on this issue’s cover;
    an interview with veteran Hollywood Cartoonist Herb Moore, and an introduction to his new series, “Duffy MacTaggart, Scotland’s Greatest Golf Teacher”;
    A report from Pakistan by Zaira Rahman on the unsettling deaths and lynching of two boys in the wrong place at the wrong time, and their family’s quest for Justice;
    interviews with, and poetry from, acclaimed poets Maria Mazziotti Gillan and Lyn Lifshin, and additional poetry from Steve Oldford, Svea Barrett and Emily Kagan Trenchard;
    Chris Mackowski’s account of a winter trip to the barrens of his native Maine;
    fiction by John Palen and Eric Bennett;
    a video trailer for a film by Eliane Lima, and a profile of the filmmaker;
    and, all the regular sections: Music comment and reviews by Jeff Katz; free legal advice in “Feeding the Starving Artist” by Mark Levy, who also writes “Casual Observer”; the value of education in “Politics”, from editor Jim Palombo and contributor Frank Gaydos; and more…
We trust that lineup will float your boat, whatever shining sea you’re in. Enjoy!
And thanks for reading.
– Mike Foldes





Volume 7, No. 2.5

April 2011

© Guenter Knop

What in the World …

Earthquakes, tsunamis, meltdowns, no-fly zones … you’d think the world would be a better place, but hard as we try, there’s always something standing in the way.

Perhaps that’s why the articles in this interim issue of Ragazine, our first attempt after seven years of bi-monthly issues to produce a monthly, are as divergent as they are — our attempt to bring things together in the face of greater odds. And, as interesting (yeah, we know, that’s subjective. So here’s the Challenge: Read on, and decide for yourself).

Here’s what we’ve got: A street-level, local report from Egypt covering not menacing tanks or burning cars, but graffiti on the walls of Cairorecounting the effort and pronouncing the people’s victory over tyranny (Hala Salah Eldin Hussein); a Pakistani reviewer’s take on Dobi Ghat, a Bollywood indie film that took honors in film fests around the world for its look at the effects of caste on four main characters (Zaira Rahman); poetry by Martin Willitts, Jr.; Land Art installation by an American artist (Jody Joyner) working on the grounds ofSoekershof, a botanical paradise in southwest South Africa; life studies of women by a German-born artist (Guenter Knop) who makes his home in New York City; the translation of an excerpt from aRomanian novel, along with the original language text (Daniel Dragomirescu); an interview with the Alaskan writer some have called “a  modern-day Jack London” (John Smelcer); an interview with photographer Michael Eastman, whose unmatched images of Havana capture the color and life of the city and its history (as he does all of his subjects) with surreal accuracy; a look at Ghanathrough the eyes of two travelers (Roscoe Betsill & Steven Keith) who came back to the States with a far different understanding of the country than they went away with.

Speaking of understanding: An American ex-pat group is forming in San Miguel Allende, Mexico, to educate Americans in particular to what their real place is in this world…. Talk about an uphill climb.

As if that’s not enough, reach inside for Jeff Katz’s remembrance of singer/songwriter Marvin Gaye; book reviews; the foodie’s Kitchen Caravan; and thePHOTOGRAPHYspots (Albert Dorsa/translation page & Chuck Haupt/politics page).

Comments, by the way, are much appreciated. Don’t be shy. Let us have it, good, bad or indifferent. We thrive on feedback. And please, ”Pass it on ….”

Thanks for reading!







Volume 7, No. 2

February-March, 2011

“The Millinery Studio”, Acrylic on canvas, 14″ x 20″, 2010

Amy Kollar Anderson


So much to see, so little time …

Science Fiction turned to fact in February when an IBM supercomputer named “Watson”visited upon earth, defeating two heralded champions in a “Jeopardy” smack down decades in the making. We’re not running an article on this noteworthy event, but it says here Watson, named after the company’s founder Thomas J. Watson, will be among the finalists (if not the Chosen One) in Time‘s Person of the Year award selection come December. What makes this all the more special, in a way, is that Ragazine publishes from the Greater Binghamton area of Upstate New York — home of IBM (aka, International Business Machines), and once the stomping grounds of “Twilight Zone” creator Rod Serling. The area always has been culturally and socially influenced by a mixture of science fantasy and fiction. You might say, we’ll believe anything, even that a tsunami of peaceful revolution could irrigate the monarchies and dictatorships of the Arab world, re-making it as a cradle of shared prosperity and humanistic reason. So, let it be known, “Another King is dead. All hail the Thing.”

Of course, there comes a time in everyone’s life when a little fantasy will do you good. Sometimes even better. Fortunately for us, the talented Amy Kollar Anderson came to the rescue, as you’ll see from a thorough look at her work in the galleries embedded in these pages. And for those of you with short attention spans, check out Amy’s captivating time-lapse video that condenses 50 hours of painting into  less than three minutes, backed by the music of Dayton, Ohio, super-group Ape the Ghost.

The horizon doesn’t end there. Check out Ellen Janten‘s photographic essay “Losing Reality; Reality of Loss — 2011″, an exploration of the diaphanous layers between the free-standing worlds that separate life and memory. Internationally recognized architect and artist, Michael Jantzen, Ellen’s husband and model for many of the images in her work, shares his visions for The Sounds of the Sun Pavilion, a curvilinear approach to sustainable living in which solar energy powers a community where there’s literally music in the air.

Other visual delights include the work of John Dobbs, whose recent show at ACA Galleries in New York City closed in February, but you can get a taste of it here. Elizabeth Cohen returned from a recent trip to Gallup, New Mexico, with a packet of cell-phone photos, and an accompanying essay about an Old West indulged by sentiment and confused by age. If you can accept there is sometimes poetry in the subtlety of photographs, see Ida Musemic‘s images that appear following John F. Buckley‘s poem. And don’t be surprised if you find a few more images bringing color to otherwise gray pages in thePHOTOGRAPHYspot, strategically placed by photo editor Chuck Haupt.

Literary complements include short fiction by Ian Williams; an excerpt from R. J. Dent‘s recently published translation (with the French original) of  The Songs of Maldoror, fittingly accompanied by an other-worldly portrait of Salvador Dali by contributing photographer Valerie Brown; and poetry from some of the best emerging and established poets working today, including Buckley, Ann Clark, Micah Towery, Katie Hogan and Florence Weinberger.

Music editor Jeff Katz takes a look at the documentary “LennonNYC”, and sings praises for the library of great releases from Sundazed Music. And while you’re online, have a look at Jeff’s site, “Maybe Baby….”

Politics editor Jim Palombo and guest contributor Professor Randall Sheldenexamine the escalation of force used in the ongoing, increasingly costly (in both lives and money) drug war between the United States and Mexico, leaving even the most jaded among us to question, “Is it worth the price?”

In Feeding the Starving ArtistMark Levy, an intellectual property lawyer, providespro bono advice for wedding and events photographers to protect themselves and their clients against one another, and sometimes even from the guests. Levy, also Ragazine’s Casual Observer, offers his take on moving up to modern appliances — he’d take a washing machine over a washboard anytime.

If you, or someone you know, has work that will fit Ragazine’s eclectic collection of creative content, see and share our submission guidelines. We’re always looking for new artists, illustrators, writers, musicians, poets, travelers, thinkers and others, to collaborate with. It’s a great way to know, and get to know… Likewise, if you have events you’d like to publicize, share the news by adding a comment on the Events page. Keep it short and sweet: Time, Date, Place, Description, Contact Info; nothing more than 45 days in advance, please. As always, Comments are welcome on any or all of our pages; shed a little light while we stumble around in editorial darkness.

For those of us up North, Spring is on the way. For you south of the Equator, well, good luck with that, too!

Thanks for reading.



Ragazine, updated approximately six times a year, is a collaboration of emerging and established artists, writers, poets, musicians, photographers, travelers and interested others, with a goal to promote an eclectic selection of subject matter to an international audience.

Advertise with us!





Volume 7, No. 1

January 2011


Dancing with Dragons

Putting out a magazine is like dancing with dragons and letting go genies…. You struggle to pull things together without knowing what kind of animal you’ll deliver until the things – the issues — are out of the bottle. We’re doing our best to see that what you take the time to look at and read in Ragazine will add something measurably more memorable to your day than the daily dose of dumbed down pablum delivered by mainstream media to a mind-numbed populous.  Let us know if it’s not and we’ll kick ourselves in the shins, scream “Sakai,” and pay homage to the gods of wind feces (snow), until we get it right.

For those of you ready to dive in now, there’s plenty to break your fall:

The Ragazine cover this month is contributed by New York photographer Gabrielle Revere, whose work reveals the youth and beauty of a new generation. An interview with Revere shows she’s well aware not everyone in the world is so lucky. Our associated galleries include shots from her documentary series, “I only have eyes for you,” which captures the ice-cold irony of the beauty of children living in the midst of oft-neglected poverty.

Photographer Josephine Close explores the world of the psyche in the shadows, a journey into what lies within and beyond the visual field one sees through the camera’s eye, what evolves in the darkroom (or on the computer), and comes to life in the print. Close, in her own words, undertakes the pursuit in “… seeking to illuminate the magic in my life.”

On other fronts: A surreal love story from Stephen O’Connor/Fiction; Michael Parish’s Vignettes/Creative Nonfiction,, which CNF editor Leslie Heywood describes as a “series of vignettes on our strange contemporary relationship with the natural world.  There’s the poetry of John F. Buckley, Anne Babson and John Richard Smith; Jeff Katz’s unusually broad Top Ten music picks of 2010; Mark Levy’s eye on life as theCasual Observer, and his pro bono legal advice column for creative types in Feeding the Starving Artist.

From deep in the heart of Mexico, San Miguel Allende to be exact, politics editor Jim Palombo and guest contributor Horace Whittlesey comment on the effects of modern day prohibition and the unfulfilled promise of California’s recently defeated Proposition 19.

There’s more, of course, including illustrations, book reviews, a couple of events that caught our eyes, and more. … Such As –


Water, from Cecelia Chapman’s Video series

This is the first video we’ve run in Ragazine, but we’ll have more, soon. We are looking for original short videos (approx. 2 minutes) that have not been posted elsewhere, but we’ll sometimes take them if they have. They’ll run in a window on Ragazine, without redirects to other sites, but we will include the videographer’s site references with the piece. E-mail to, as attachments, with a still from the video.

So, while we close out 2010 dancing with dragons, and let the genie out of the bottle with VOLUME 7 Number 1, we wish you a healthy and progressive new year.

As always, thanks for reading.

— Mike Foldes

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Volume 6, No. 6

November-December 2010

©Aline Smithson

Arrangement #3

Aline Smithson: The Photographer’s Mother


The Art of Being Modern

Hello, again. Thanks for coming back. We know it’s not easy to take a few minutes out of a busy day for an “arts’ breather,’ but we’re glad you did.
The beauty of the web is also the spider at its center, that being people’s ability to spin whatever yarn they like and put it out in cyberspace. Everybody gets a shot. It used to be there were so few people with sites that it was a small community, many of whom knew one another, often righteously so. That community has grown so that now we’re not just a city, not just a nation, and each site has become one in a million. Or more likely, one in a few hundred million. The web, like the universe, is expanding exponentially, and it’s our challenge to keep up.
The New York Times newspaper is a great example of meeting that challenge. The gray lady may not be at her best these days, circulation and advertising revenue-wise, but she hasn’t lost her touch with news, features, reviews, opinion and leading edge journalism. Say what you want, but take a Sunday morning and afternoon off to read the Times cover to cover (if you can) and you’ll see what I mean. Don’t just take it for granted, because of the paper’s reputation, or because it’s been quoted from or talked about in news and movies since you were two. Read it once cover to cover and deny you’re less of a person than you were hours before when you picked it up — all two or three kilograms! (Sorry, tree people.)
I used to work for a newspaper conglomerate that published News Lite. The managers of the empire knew that busy people didn’t have time, and many didn’t have the interest — to read anything “in depth”. And in order to deliver bite-sized morsels of information people could digest, they peeled the onion until there was little left to eat. Reading theTimes on Sunday is like going to a farmer’s market in September. Two-page spreads on the people of Afghanistan and Pakistan, who too few Americans really know about, and fewer understand. Interviews with Centenarians who too often are passed over in favor of attention to youth culture. Articles on youth and growing up in America, the cost of education, and the more exorbitant costs of not having it. Political coverage by international correspondents who live and work close to the ground they cover. And, of course, so much more.No paper, of course, is perfect, and I’m in no position to tear wings from the dragon. But so much of what we see and hear on the web these days is a mirror of what the least-common-denominator print publishing offerings give us, that it’s a blessing the Times is still with us — and a sad fact of life that so many other great papers have died, not all of them with their boots on.
This issue of Ragazine has a lot to offer, too. We’re not just a Sunday read; we’re here two months at a time, and it’s OK to come back — again and again, we hope — until you’ve read us “cover to cover”.  Poetry, art, interviews, photography, fiction, creative non-fiction, music, reviews, travel and more, from around the world.

November-December 2010 brings you the photographic series by Aline Smithson, taken of her mother in a variety of poses, including the one at the top of this page; poems by Hannah Greenberg; Farsi poetry by ex-pat Iranian poet Ali Abdolrezaei in the original and in translation by Abol Froushan; an interview with Belgian-American artist Amy Swartelé; fiction by Paul Lisicky and Sarah Sarai; music columns byJeff Katz; a take on illegal immigration by politics editor Jim Palombo and guest writer Robert Murray Davis; a story of reconciliation with the harsh reality of a child’s death in creative non-fiction by James Benton; the Casual Observer followed byScott Hardin’s pane;our legal advice column for creative types, Feeding the Starving Artist; and, from Colorado, Art & About, where Jonathan Evans explores a bit of the blues.

There’s more, of course, but you’ll have to find it. And again, thanks for reading!






Volume 6, No. 5

September-October 2010

©Albert Watson

Taking the best shot yet

Welcome to another killer issue of

Photographer Albert Watson,  in an interview at his NYC studio, discusses aspects of his craft, the evolution of his career, the equipment he uses to produce his prints, and more.  Referred to byPhoto District News as “one of the most influential photographers of all time,” Watson generously allowed to reprint an extensive portfolio of images, many of which you’ll no doubt recognize from the covers and pages of Vogue, Rolling Stone and Harper’s Bazaar.  Showing no sign of slowing down, Watson has two book collections coming out this fall from PQ Blackwell publishing company, a solo show in Chelsea opening in October, and more than one project in the works.

Sara Ellison Lewis tells what it’s like for her to be a photo stylist in New York. Brookly-based sculptor Miya Ando explains what it means to her “to do good” in the world, a task that merely begins with making art. The cast and crew at Spool MFG, a gallery-performance space in Johnson City, New York, share part of their group’s latest production,Ampersand, a collage-like assemblage of history, poetry and art.

In Music, Jeff Katz reviews the latest musical offering from Eli “Paperboy” Reed, and looks back on 30 years of Paul Simon’s “One Trick Pony“. Jonathan Evansremembers Bob Marley a full 19 years after the reggae legend’s death. And, in Politics, San Miguel Allende, Mexico-based writer Lou Christine recounts his impressions of a 2007 trip to Havana that ring true even today.

On the literary front, there’s the Poetry of Emily Vogel, Tony Gruenewald, J.P. Smelcer and Rob Mustard; the Creative Non Fiction (CNF) of Marissa Fielstein, Fiction from  Mira Martin Parker and Jessie Carty; a book review of  Ted Greenwald’s 2008 volume “3″ by Kayleigh Wanzer, and the wry commentary of our Casual Observer Mark Levy. Levy also weighs in this month withShaun Vavra, offering legal advice in “Feeding the Starving Artist” — “Wait, Wasn’t That My Substantially Similar Idea?”

Rounding things out is the new strip from editorial cartoonist Jeff Hardin, whose first appearance in anchors the Casual Observer.

If all that’s not funky enough for you, we’ll just have to keep trying.




Thanks for reading!

August 26, 2014   No Comments

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Abetz & Drescher

Ali Abdolrezaei

Hassanal Abdullah

José Acosta

Maria Aguiar

Hawk Alfredson

Manolis Aligizakis

Jason Allen

Jonathan Alpeyrie

Nelson Álvarez

Amy Kollar Anderson

Elizabeth Anderson

Miya Ando

Edie Angelo

Chris Anthony

Lucia   Antonelli

David Aschkenas

Nadja Asghar

Ely Azure

Anne Babson

Willie Baez

Christine  Bahr

Tom Bair

Walter Barco Bajana

Megan Baker

Alexandra Bakonika

Stanley H. Barkan

Lea Barozzi

Josephine Barreiro

Svea Barrett

Lynda Barreto

Michael Bashover

Ryan G. Beckman

John Bellinger

Rosebud Ben-Oni

Eric Bennett

James Benton

Allison Berkoy

Roscoe Betsill

Tara Betts

Denis Bezmelnitsin

Michael Biach

Robert Bixby

Alberto Blanco

Chloe Marisa Blog

Ann Bogle

Phil Boiarski

Doug Bond

Dave Bonga

Tom Bovo

Julie Bowen

Joseph Bowman

Jeff  Boyer

Richard Braco

Robert Bradbury

Dorothy Bradbury

Amanda J. Bradley

Jillian Brall

Charles Bremer

Alan Britt

Sophia  Brittan

Nicole Broadhurst

Steve Bromberg

Marguerite Brown

Valerie Brown

John Brunelli

John F. Buckley

Joseph Buemi

Nikolai Buglaj

Matthew Burns

Renate Buser

Virginia Fabbri Butera

Dana Jaye Cadman

John Cage

Charmaine Caire

Erskine Caldwell

Jean Marc Calvet

Mary-Ellen Campbell

Alejandra Campos

Herm Card

Kevin Carey

Cheryl Carter-Pierce

Jessie Carty

Jennie Case

Gerardo Castro

Sultan Catto

Pablo Caviedes

Jan Wenk Cedras

Cecelia Chapman

Carlos Chavez

Lou Christine

Ann Clark

Gene Clark

Audrie Clifford

Josephine Close

Laura Close

David Cody

Elizabeth Cohen

Maile Colbert

Michel Collins

Pierre Corratgé

Alfred Corn

Jeff Crouch

Hal Crowther

Jack Dann

Joel Davis

Susan Deer Cloud

David Chirico

David Cody

Maile Colbert

Lucha Corpi

Benedetto Croce

José Cruz

Eileen Dandashi

Kimberly Dark

Adrian Roland Davis

Robert Murray Davis

Priscila De Carvalho

Margarita Delcheva

Chislain de Lossy

Marie David de Lossy

Don DeMauro

Abigail Denniston

R. J. Dent

Christie Devereaux

Deb Dibari

Debra DiBlasi

Susanne Dieckmann

Carol Dine

Jennifer Diskin

Dante Di Stefano

Bill Dixon

John Dobbs

Michael Dorris

Albert Dorsa

Andy Doyle

Daniel Dragomirescu

Jessica Dubey

Isabelle Collin Dufresne

Jacques Dupin

Gloria Duque

Michael Eastman

Jeff Edstrom

Barbara Ellmerer

Evelyn Embry

Myron Ernst

Jonathan Evans

Susana Falconi

György Faludy

Claus Feldmann

Jeanpaul Ferro

Rainer Fetting

Marissa Fielstein

Mircea Filimon

Francesca Fini

Emil Fischer

Esta Fischer

Carlton Fisher

Gail Fishman

Adam Fitzgerald

Lisa Flowers

Michael Foldes

Scott Freeman

Maria Friberg

James Friedman

James Devin Fry

Dylan I. Furcall

Michelle Gabel

Helene Gaillet

David Gaita

Alessandro Gaja

Alex Ganimian

Joel Gardner

Irving S.T. Garp

Jean-Paul Gavard-Perret

Tenzin Gayato, The Dalai Lama

Murray Gaylard

Jennifer Georgescu

Klaus Gerken

Monique Gagnon German

Patrick T. German

Gail Gerwin

Ralph Gibson

Henry A. Giroux

David Gittens

Paige F. Gittleman

Marsha Glaziere

D. R. Goff

Molly “MK”   Goldblatt

Eleanor Goldfield

Andrea Goldsmith

Kenneth Goldsmith

Alredo Gomez Jr.

C. Goodison

Racquel Goodison

Carly Gove

Grace Marie Grafton

Padraig Grant

K. J. Hannah Greenberg

Tawnysha Greene

Sonia Greenfield

Alina Gregorian

Mary Gregory

Alex Grey

Sargam Griffin

Roy Grillo

Christine Grimes

Adrian Grimmeau

Dale Grimshaw

Tony Gruenewald

Denise Grünstein

Trudell Guerue

James Guignard

Lilace Mellin Guignard

Dinah P. Guimaraens

Karen Gunderson

Walter Gurbo

Andrei Guruianu

Tenzin Gyatso, The Dalai Lama

Adeel Halim

Eva Halus

Larry Hamill

Raymond Hammond

Hanne H7L

Evan Hansen

Mia Hanson

Jeff Hardin

Tara Hardy

Elizabeth Harney

Elizabeth Hartowicz

Chuck Haupt

Charles Hayes

Robert Hazzon

Olaf Heine

Richard Heisler

Fernando “Pulpo” Hereñu

Julia Hetta

Leslie Heywood

K.H. Hödicke

Matthew Hoffman

Rouald Hoffman

Katie Hogan

Gordon Holden

Alex Holmes

Judy Horowitz


Miklós Horváth

Shawn Huckins

Ted Hughes

Deborah Humphreys

Hala Salah Eldin Hussein

Mary Pat Hyland

Avery Irons

Aya Iwai

Cecelia Jackson

Mitch James

Ellen Jantzen

Michael Jantzen

Steve Johnson

JW Johnston

Ben Jones

Dwyer Jones

Cecil Jordan

Jody Joyner

Edmond Rinooy Kaan

Ivar Kaasik

Mahmood Karimi-Hakak

Kojo Kamau

Ineke Kamps

Mary Kane

Sándor Kányádi

Basanta Kar

Amy Karle

Jeff Katz

Simone Kearney

Steven Keith

Jonathan Kelham

Jonathan Kelman

John Kelly

Adele Kenny

Kathleen Keough

Jim Keysor

Masud Khan

Guenter Knop

Cloe Koutsoubelis

Chas Ray Krider

Piotr Krol

Minter Krotzer

Leo Kuelbs

Xavier Landry

Deborah LaVeglia

Stuart Lehrman

Seth Lerer

Tice Lerner

Marsha Levine

Mark Levinson

Kari Polanyi Levitt

Mark Levy

Sarah Ellison Lewis

Lyn Lifshin

Elaine Lillios

Eliane Lima

Joseph Lindsley

Paul Lisicky

Dina Litovsky

Ginger Liu

Duane Locke

Jack Long

Sean Lotman

Charlotte Lowe

Carmen Lucca

Kevin Lucia

Sebastian Łuczywo

Geoff MacEwan

Jeanne Mackin

Chris Mackowski

J.H. Mae

Valentin Magaro

Dennis Maitland

Sara Marilungo

Chelsie Malyszek

Clint Margrave

Abi Maryan

Charlie Mason

Laura Mason

Phyllis Mass

John Matkowsky

Carlo Matos

Lori A. May

Cris Mazza

Maria Mazziotti Gillan

Miles McNulty

Ifeany A. Menkiti

Annette Messager

Beth McCoy

Rebecca McGinnis

Deloss McGraw

Devin McMicken

Alison Meyers

Ann E. Michaels

Myrna E. Micheli

Noel G. Miles

Scott “Galanty” Miller

Ryan Miosek

Karen Miranda

Carmen Mojica

Mark Montgomery

Darren Moore

George Moore

Herb Moore

Osdany Morales

Mario Moroni

D. Alexander Mosner

David Murphy

Abby E. Murray

Rob Mustard

Gabriel Navar

Alexandra Navratil

Greg Neault

Wolfgang Neumann

Kylin O’Brien

Stephen O’Connor

Sarah Odishoo

Jill Okpalugo-Nwajiaku

Steve Oldford

Marlene Olin

Ty Oliver

Peter One

Miriam O’Neal

Raphael Montañez Ortíz

Marcin Owczarek

Jeff Paggi

Alexis Paige

John Palen

James Palombo

Christopher Panzner

Michael Parish

Mira Martin Parker

Diego Trelles Paz

Donald Pease

Duda Penteado

Jorge Alberto Perez

Anders Petersen

Christopher Phelps

DJ Pierce

Hermine Pinson

Emma Piper-Burket

Phil Pisani

Tim Plamper

Stephen Poleskie

Pedro Ponce

Patrick Power

Claudiu Presecan

George Nelson Preston

Zaira Rahman

Mel Ramos

John Crowe Ransom

Luis Raul

David Ray

Sheyra Ray

Babs Reingold

Daniel Reinhold

Gabrielle Revere

Rahi Rezvani

Oliver Rice

Petra Richterova

Edmond Rinnoy-Kan

Eri Ritsos

Yannis Ritsos

Andre Roberts

Fred Roberts

Pamela Brown Roberts

Dorothea Rockburne

José Rodeíro

Tatiana Olga Rodeíro

Ivelisse Rodriguez

Jose Antonio Rodriguez

Bertha Rogers

Stephanie Rond

Rooftop Revolutionaries

Liz Rosenberg

Martin Rosenberg

Barbara Rosenthal

Eric Ross

Mary Ross

Paul B. Roth

Daniel Rousseau

Don Ruben

Lelia Cady Ruben

Fred Russell

Thaddeus Rutkowski

Kris Saknussemm

Metta Sama

Carol Sanford

Nicole Santalucia

Aaron Joel Santos

Sarah Sarai

Peter Saunders

Petr Savrda

Eric Schafer

Alice Schapiro

Roy Scheele

Silvia Scheibli

J. D. Schraffenberger

Karen Schubert

Marissa Schwalm

Tom Scorci

Robert Scotellaro

Phillipa Scott

Zach Seeger

Joachim Seinfeld

Claudia Serea

Jaron Serven

Art Shay

Randall Shelden

Lucy Wilson Sherman

Myra Sherman

Dana Shishmanian

Sarah Silbert

Gersony Silva

Hal Sirowitz

John Smelcer

Jan Smith

John Richard Smith

Todd Smith

Aline Smithson

Abigail Smoot

W. D.  Snodgrass


Robert Soffian

Paul Sohar

Joel Solonche

Juan Soler

Lilvia Soto

Barbara Sue Mink Spalding

Elizabeth Helen Spencer

Jan “JR”   Sprawls

Martin Stavars

Bianca Stone

Sridala Swami

Kate Sweeney

David Stanger

Martin Stavars

Andy Stevens

Wendy Stewart

Alex Straaik

Alisa Strassner

Russell Streyr

Tim Suermondt

Teresa Sutton

Amy Swartelé

Trish Keleman Szuhaj

Mary Szybist

Salvatore Tagliarino

Leon Tan

Irelys Martinez Tejada


Masami Teraoka

Kristin Thiel

Sheree Renae Thomas

John Tierney

Beth Timmins

Robert Tolchin

Enrico Tomaselli

Jean Toomer

Micah Towery

Emily Kagan Trenchard

Craig Tuffin

Lars Tunbjörk

Lauren Tursellino


William Tyree

Pamela Uschuk

Carmen Valle

Vantzeti Vassilev

Jeanann Verlee

Stephen Verona

Maia Vidal

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Ultra Violet

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Albert Watson

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Joe Weil

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Robyn Wiegman

Tim Wilber

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Hudson Eynon Williams

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Roger Williams

Chip Willis

Martin Willitts, Jr.

Nicholas Wilsey

Michelle  Winston

J. Barrett Wolf

Leslie C. Wood

Cherise Wyneken

Midori Yoshimoto

Rebecca Young

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Herbert Zulueta

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September 1, 2013   No Comments